Submitting Institution
Sheffield Hallam UniversityUnit of Assessment
Art and Design: History, Practice and TheorySummary Impact Type
SocietalResearch Subject Area(s)
Studies In Human Society: Other Studies In Human Society
Studies In Creative Arts and Writing: Film, Television and Digital Media
Summary of the impact
My Dangerous Loverboy (MDL) is a film and cross-platform media
project about sex trafficking that continues to have significant and
varied impact across domains of culture and society, public policy and
health and welfare. Its most direct impacts have been to raise
awareness among potential victims, change the attitudes of
workers in frontline agencies and inform and shape public and
political debate. Main beneficiaries: the UK Human Trafficking
Centre, the Serious Organised Crime Agency (now the National Crime
Agency), the National Working Group for Sexually Exploited Young People,
the Personal, Social, Health and Economic Education Association (PSHE),
Family Planning Association, and the UN Initiative to Fight Human
Trafficking.
Underpinning research
This research began in February 2008, and was conducted by Senior
Lecturers Virginia Heath (1995 -present), Steve Sprung (1997 -present).
The research was commissioned by the UK Human Trafficking Centre (UKHTC)
(G1) to address the fact that although internal sex trafficking is a
national problem it was, at the time, a virtually hidden issue. Sexually
exploited teenagers were often stigmatised as runaways, truants,
prostitutes and petty criminals rather than understood as victims of
serious crime. The primary aim was to create a film as a key intervention
to alert young people to the dangers of trafficking, to support victims in
escape, and to prevent others being groomed by bogus `boyfriends'. The
secondary aim was to effect changes in attitude amongst frontline agency
workers: teachers, social workers, police, child protection officers and
those who determine public policy. The team initiated a process of
engagement with marginalised victims, using creative filmmaking skills to
bring their hidden stories into a wider public arena.
Due to the nature of the issues involved, Heath, the female in the team,
collected background material that was subsequently shared with Sprung.
The unique privileged access granted to Heath allowed face to face
interviews from February to April 2008 with frontline agency workers and
victims from five key projects: Streetreach (Doncaster); Barnardos SECOS
(Middlesbrough); Taking Stock (Sheffield); Safe and Sound (Derby); and the
NSPCC (East London). Numerous visits were made with frontline agency
workers to locations where `on street grooming' was known to take place to
investigate the kind of interaction and atmosphere that would lend
authenticity to the film. The unprecedented insights made through this
primary observational research were fundamental to the nature and content
of the resulting film (Ref 1), and allowed victims to recognise themselves
and their situation.
Because of the vulnerable position of sexually exploited young women, it
was decided to use the medium of fiction, rather than documentary, to
protect identities. This involved fashioning a dramatic narrative from the
primary research material that would powerfully reflect the realities of
sexual exploitation. In order to gain the trust of the interviewees, Heath
screened examples of films previously produced by the team to explain
their collaborative approach to film making. Heath's field research was
coded and assimilated, allowing various propositions to be made. The
common themes and narratives drawn from the experiences of interviewees
were woven into a screenplay that was then presented back to the girls for
their feedback. This iterative research process continued throughout the
pre, and postproduction phases. As a consequence, the trust and confidence
of the sexually exploited girls and the agency workers was gained, which
was crucial in giving the film an original and authentic voice.
Further funding (G2, G3, G4) enabled interactive cross-media platforms
including music video, websites and social media to be developed and used
to raise awareness amongst a `hard to reach', marginalised teenage
audience. This resulted in the My Dangerous Loverboy website (Ref
2) and YouTube Channel, Music Video and Animation (Ref 3 & 4),
enabling victims to creatively engage with the material, thus making their
experience more visible to the public and to governing agencies in order
to bring about change.
References to the research
Key Outputs:
Evidence of Quality:
A1. Winner, National Film Board of Canada Cross Media Challenge Award:
March 2008 (a body with international reputation for supporting research
in the area of film and media)
A2. Nominated for Royal Television Society Award- best Cross Platform
project: June 2010
A3. Selected for Atlantic International Film Festival, Canada: Sept 2009
A4. Selected for Sheffield International Doc / Fest: November 2008
Funding: (All funding awarded to Heath, V. via production company
Vita Nova Films)
G1. Commission, United Kingdom Human Trafficking Centre, Feb 2008,
£60,000
G2. Cross Media Challenge Award, National Film Board of Canada, March
2008, £5,000
G3. One North East Award, Northern Film and Media, Feb 2008, £5,000
G4. Cross Platform Award, Quba Digital, March 2008, £5,000
Details of the impact
The original research carried out in the preparation for, and throughout
the making of MDL was instrumental in the success of the film as an
informative, powerful and persuasive narrative piece, and led directly to
the significant impact the film has had since it was premiered at the
Atlantic Film Festival, Canada on the 24th Sept 2009 (A3).
MDL has raised awareness of the issues involved among potential
victims through the widespread adoption of the film and related
cross-platform media by various frontline agencies. These agencies have
been reached through the United Kingdom Human Trafficking Centre
(http://www.ukhtc.org/), which extensively piloted the film in schools
across Sheffield in October 2009; the National Working Group for Sexually
Exploited Young People (S1); and the Family Planning Association (S6)
which improved social welfare and take up of services by promoting the
material nationally in schools. The PSHE Association promotes the `Love or
Lies' Educational Resource Pack, which includes a DVD of MDL, the film's
official music video Set Me Free and the associated animation Me
Jenny and Kate for use by teachers with Secondary Key Stage 3 and 4
schoolchildren across the UK. The film is also promoted directly to
beneficiaries through the MDL website (Ref 2), which encourages direct
participation from young people and is directly linked through to a
variety of social media fora including Facebook, YouTube, Twitter and
Flickr. My Dangerous Loverboy engages vulnerable and marginalized
young women, many of them in denial, making them more self-aware and
visible to the public and governing agencies in order to bring about
changes in attitude and policy. "Significantly young people themselves
who are the victims of sexual exploitation do not believe they are being
exploited and consider their relationship to be one of 'love'. However,
when I have showed the film to the young people I have worked with their
response is. 'That's me isn't it?''' Key Official, National Working
Group For Sexually Exploited Young People. (S1)
The film has also been instrumental in raising awareness and changing
the attitudes of workers forming part of those frontline agencies
towards the victims of sex trafficking through its promotion and inclusion
in training materials, by for example, Doncaster Safeguarding Children's
Board, the Lothian and Borders Child Protection Office and the UN Global
Trust Fund for Victims of Human Trafficking (S5) The practitioners and
professional services benefiting from the film include the United Kingdom
Human Trafficking Centre, which screens the film to social workers,
police, teachers and youth workers; the Home Office, which uses the film
as a training resource for police, schoolteachers and practitioners; the
Serious Organised Crime Agency (now National Crime Agency) (S3), which
reported in 2010 on its launch of My Dangerous Loverboy and its
adoption by various agencies, including the Child Exploitation and Online
Protection Centre (CEOP). "The UK Human Trafficking Centre and its
partners, which commissioned the film, hope that in addition to
encouraging early intervention, it will give victims confidence to come
forward and help bring their abusers to justice" (Head of Legal
Services, UKHTC). The National Working Group for Sexually Exploited Young
People said: "The My Dangerous Loverboy film and Love or Lies training
pack are by far the most effective means of getting the message across
to professionals and non-professionals" (S1). Other beneficiaries
include the Office of Criminal Justice Reform, the Association of Chief
Police Officers, The Family Planning Association, which reach
schoolteachers and public health professionals (S6) and The Serious
Organized Crimes Task Force in Scotland, which improved standards of
training by showing the film to every new recruit as well as Senior
Officers; "I have had people say they really want to do more to help
victims of human trafficking once they have seen the film. I can see in
people's faces the reaction to the shocking reality of what is
happening...and there is always a stunned silence at the end." (Head
Lead for Human Trafficking, The Serious Organized Crimes Task Force in
Scotland).
Further afield, the work is promoted by The United Nations Global
Initiative to Fight Human Trafficking (UN.GIFT) (S7) and COMBAT, an EU
funded anti-trafficking project including Bulgaria, Lithuania and the UK
(S8). It was also screened by the Head of Legal Services, UKHTC to
European government representatives in Brussels as part of an
International Conference on Human Trafficking in 2009.
My Dangerous Loverboy has informed and shaped public and
political debate about the sex trafficking of young people and
improved public understanding of social issues. A report on the BBC News
website (S9), and reportage in national newspapers including The Times
(S10) indicates the My Dangerous Loverboy film research has had an impact
in raising public debate on the issue of sexual exploitation and
trafficking of young people in the UK. One of the original UKHTC
commissioners of the film is currently an advisor to the UN Global Trust
Fund for Victims of Human Trafficking and has used My Dangerous
Loverboy as part of an international awareness raising campaign
(S5). Moreover, a key human rights lawyer used My Dangerous Loverboy
to raise awareness with the panel of an inquiry into human trafficking in
Scotland by The Equality and Human Rights Commission "I thought it was
a very engaging and challenging film...the perfect tool for raising
awareness of the ways people can be drawn into abusive relationships."
(S2). The United Nations Global Initiative to Fight Human Trafficking
cites the film and the project's innovative use of online, global media. "Targeting
a teenage audience where tweets, blogs and posts are the communication
medium, the My Dangerous Loverboy campaign (Ref 2) uses a
cross-platform approach to raise awareness about the internal
trafficking of teenage girls into the sex trade. The campaign intends to
create content that will engage and challenge teenagers wherever they
are consuming media." (S7)
The film is regularly cited on numerous online blogs (see below) and has
its own online presence on Facebook, YouTube (where it had been watched
44,768 times between January 2010 and June 2013), Twitter and Flickr. The
'Love or Lies' Educational Resource pack is estimated to have reached 25,
832 young people, and used to train 860 Practitioners (figures from Eyes
Open Social Impact Report 2013).
http://passiontounderstand.blogspot.co.uk/2010/10/my-dangerous-loverboy-stop-sex.html
http://ruthjacobs.co.uk/2013/01/27/virginia-heath-anti-human-trafficking-advocate-filmmaker-interview/
http://www.avaproject.org.uk/sector-news/notice-board/my-dangerous-loverboy---forum-for-victims-of-child-sexual-abuse.aspx
http://www.policeoracle.com/news/UKHTC-Launch-My-Dangerous-Loverboy-Film-_26707.html
http://www.champspublichealth.com/sites/default/files/RU3%20dangerous%20loverboy.pdf
http://www.dumgal.gov.uk/davawp/index.aspx?articleid=10670
http://judecalverttoulmin.blogspot.co.uk/2009/04/premiere-of-my-dangerous-loverboy.html
Sources to corroborate the impact
Contactable Sources:
S1. Key Advisor, National Working Group for Sexually Exploited Young
People
S2. Human Rights QC and Chair of Inquiry into Human Trafficking by the
Equality and Human
Rights Commission UK
S3. International Liaison Officer, National Crime Agency
S4. BBC Crime Correspondent
S5. Consultant and Advisor, UN Global Trust Fund for Victims of Human
Trafficking
Online Sources:
S6. Family Planning Association:
http://www.fpa.org.uk/product/love-or-lies-educational-resource-pack
S7. The United Nations Global Initiative to Fight Human Trafficking
(UN.GIFT):
http://www.ungift.org/knowledgehub/en/stories/november2010/my-dangerous-loverboy.html
S8. COMBAT, an EU funded anti-trafficking project including Bulgaria,
Lithuania and the UK:
http://combattrafficking.eu/content/my-dangerous-loverboy-stop-sex-trafficking
S9. BBC News report:
http://news.bbc.co.uk/1/hi/uk/7383565.stm
S10. Article in The Times, 21 January 2011:
http://www.thetimes.co.uk/tto/news/uk/article2883096.ece