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University of Glasgow researchers have utilised cutting-edge 3D imaging techniques to enlarge miniature 4th century Greek theatre masks into life sized objects, transforming how these masks are displayed as museums artefacts and used in performance. Full-size reconstructions of the masks are now on permanent display in the Kelvingrove Art Gallery and Museum, Glasgow — seen by more than 1 million visitors annually — and exhibitions featuring the reconstructions have toured across the UK and Ireland. These masks are also now incorporated into the work of theatre groups in the UK and Italy, highlighting the influence of a lost European masked theatre practice on the foundation of modern drama.
The Cambridge Greek and Latin Classics Series is central to the University's commitment to the teaching and spread of knowledge of Greek and Latin at a time when these languages are under increasing pressure in schools and HEIs. Hardie, Hunter and Oakley are General Editors of a series of Greek and Latin texts with commentaries aimed at a broad public readership, from the higher levels of school onwards. This series, now numbering 94 volumes in print, has, through its international adoption in schools and colleges, greatly broadened the range of texts which are accessible at all levels and changed the way these texts are read and studied. The series has huge brand recognition as `the Green and Yellows' (or `Green and Golds' in the USA) and has had considerable economic impact within the book market.
The Archive of Performances of Greek and Roman Drama (APGRD) project approaches the understanding of Greek and Roman tragedies and comedies through gathering evidence about their performance and traces their evolving significance through the way they have been received in performance practice. The APGRD has had significant impact on theatrical performance through its lively interaction with practitioners in the theatre and other performing arts, which has expanded the repertoire of classical drama, and through the commissioning of new work. This research has provided significant cultural and pedagogical benefits through being presented in various public forums (radio, lectures, exhibitions) and through the creation of a searchable open-access online database of more than 11,000 productions from the Renaissance to the present.
Research at UCL has underpinned two significant activities which bring our work to students, non-traditional learners and the wider world: the UCL Greek play and the programme of events surrounding the London Olympics. These exemplify the profound public impact of our research in Greek performed poetry in its social context. Each year, almost 2,000 people attend the Greek play, along with workshops and lectures about staging, interpretation, and the play's relationship to its social and historical context. The research also informed the development of a collaborative programme of cultural events celebrating the 2012 Olympics, with emphasis on the festival's ancient roots. Open lectures, workshops, debates, interviews and exhibitions were supplemented by websites, which increased the range of our educational and public information impacts by sharing research-led activities with thousands more people.
Papanikolaou's regular writing in mainstream media and public speaking on queer theory, Cavafy, the history of the gay movement and cultures of sexuality in Greece, have aroused public interest, improving understanding and liberalising attitudes. In Greece a dynamic queer movement is emerging, but in the current crisis, homophobia is also increasing. His insights have attracted wide attention on the internet and social media, with gay activist groups using his research to further their debates. He has affected policy, notably proposals for a gay marriage bill and legislation against homophobia, by advising policymakers. Publishers have consulted Papanikolaou to expand their lists to include queer theory; and he advised the Greek Ministry of Culture on cultural and educational policy.
Research 2005-12 has opened up new perspectives on Herakles-Hercules, tracing links between the ancient hero and his post-classical incarnations, and laying the foundations for further study of Hercules' long-lasting cross-cultural significance. The impact has three strands:
Following on earlier research which re-examined the construction of modern Greece, in 2008-12 Beaton researched the contribution of Byron (and Romanticism) to the creation of the Greek nation-state in the early 19th century, and has published the results in his 2013 book (3.4). The principal impact of Beaton's researches has been to challenge traditional Greek cultural and social assumptions about the continuity of their national identity from the ancient world. The main pathway is his distinctive contribution to the 200-year Greek debate about their national identity which has been intensified by the current socio-economic crisis. The principal beneficiaries are the Greek people, as reflected in public discourse in their mass media, and the non-Greek public interested in these issues. Other nascent beneficiaries are the worldwide community of Byron enthusiasts through cultural enrichment in their knowledge and understanding of Byron's role in creating modern Greece.
Papyrological research since 1993 by Oxford scholars has led to important new discoveries that have promoted increased public understanding and discussion of ancient literature and history. Research on documentary papyri has led to greater awareness of daily life in Oxyrhynchus, a Graeco-Roman provincial capital in central Egypt. The publication and translation of a new poem by Sappho has led to its inclusion in new translations of Sappho and ancient Greek lyric by leading publishers. Major Digital Humanities projects, Oxyrhynchus Online and Ancient Lives, have made the Oxyrhynchus papyri available to the public through the use of a web interface. Mass participation facilitated by the project has received wide publicity for increasing the engagement of the public with the methods and materials of scientific research. The website has had a major pedagogical impact through its use in schools.
Classical Receptions at the OU raises awareness of how Greek and Roman texts, ideas and material culture have been interpreted, used and reworked, particularly in society today. Our research provides cultural and arts practitioners around the world — translators, poets and actors — with the tools to interpret ancient texts in modern contexts. Much of our research is presented in open-access assets — website, journals, seminars, workshops, conferences — thus providing resources both nationally and internationally. Working with the creative industries and beyond, we also help the wider public to gain a fuller understanding of the place of the classical within the contemporary world.