Log in
This unique theatrical and film project is based on the use of volunteers to produce work inspired by a combination of their own experiences of class and Friedrich Engels' book The Condition of the Working Class in England. It created significant impact for those taking part, offering beneficial new experiences of creative collaboration and association, authoring their own stories and developing fresh understandings of the wider context of their own individual experiences — a process unprecedented in mainstream media that constitutes a significant contribution to the documentary genre. This impact was, in turn, transmitted to wider civil society through live performance. Insights generated through the documentation and contextualisation of the process of theatrical production as a documentary film were then brought to a still broader range of audiences, including policy- makers at national level and into a larger arena of public discussion that challenged the widespread assumption that `class' is no longer relevant to contemporary society.
Brad Beaven's research into the changing character and form of popular culture in the English city between 1850 and 1945 underpinned the `Portsmouth Voices' project, a collaboration with Portsmouth City Museum supported by a £223,500 Heritage Lottery Fund award. Previous exhibitions had presented rather narrow and parochial narratives of Portsmouth's history. Beaven's research significantly structured the project's engagement with class, gender and ethnicity in narrating the city's past, and played a guiding role in the curation of a major exhibition that successfully challenged preconceived ideas on generation, race and sexuality. In presenting both an inclusive and challenging story of Portsmouth's history, the exhibition attracted significant visitor numbers and a new section of the public who engaged with the Museum for the first time.
Elizabeth Cowie's scholarship centres on the intersections of art, politics and the cinema. The impact of her research lies in the challenges she makes to existing paradigms, challenges that resonate within and beyond the academy. Widely taught in Higher Education (HE) across Europe, North America, and Australia, her research on documentary is also particularly significant for its influence on artist filmmakers. Insights gained from her arguments on aesthetics, spectatorship, and political engagement have been taken up by artists whose own work seeks to explore complex ideas about art, politics, trauma and memory.
Conceived, directed and edited by Clio Barnard, The Arbor (2010) explores the life, work, and legacy of the playwright Andrea Dunbar. Among many other prizes and nominations, the film won the Grierson Trust Award for Best Cinema Documentary, and The Guardian First Film Award, both in 2011. It has achieved a wide-ranging and significant impact, informing public debate, transforming the lives of those depicted in and working on the film, bolstering cultural heritage in West Yorkshire, generating sustainable employment in the film industry, influencing fellow filmmakers and making a significant contribution to UK cultural life.
We have worked as media and cultural historians, archive experts and media producers, and collaborated with a variety of public institutions and communities of interest, to draw attention to neglected histories, to respond to the opportunities afforded by new digital technologies, to disseminate archived material, and to interpret it for wide audiences. Through our work we have contributed to an improvement in the understanding and practice of media history, in particular the exploration and archiving of, and engagement with, the popular cultural artefacts which index its lived experience. Most noteworthy has been our contributions to the development of online and offline communities of interest by integrating processes of knowledge exchange into our research, in order to promote co-curation, and discussion about cultural value, memory and collecting. Our impact is measured in the development of popular practices of preservation, in the circulation of media products we have created from archive material, and in our engagements in public projects and with cultural institutions, audiences and policy makers. This work has regional, national and international reach.
Northern Lights was a University of Edinburgh research project that engaged members of the Scottish public in documenting their lives on camera. Its objective was to create a novel, multi-perspective documentary portrait of the Scottish nation in 2012. The project had enormous scope: press and media impact reached over 4 million people. Northern Lights made its impact by empowering the 1,500 individuals who contributed video portraits to explore issues such as addiction, disabilities and mental health. Northern Lights thus opened up a unique opportunity for participants to represent their experience, voicing, for themselves and for a wider, national audience, often poorly understood and neglected sectors of society.
Michael Uwemedimo's research on re-enactment in non-fiction filmmaking has contributed to the development of innovative methods and approaches to documentary practice as a means of precipitating critical national and international reflections on histories of political violence. The Act of Killing (2012, 116mins) demonstrates the potential of film production and exhibition as a means of popular mobilization and political intervention through which accepted discourses around history and genocide are reframed. This work has had a significant impact in the following contexts:
Key indicators of the reach of this impact include the range of stakeholders in the project, such as local advocacy networks in Indonesia, the Indonesian Government's National Human Rights Commission, human rights NGOs, and international documentary makers, programmers and audiences.
Challenging simplistic depictions of Ireland's revolutionary past, Fearghal McGarry's research has facilitated greater public understanding of the causes and consequences of political violence in Ireland. Through impacts arising from an innovative collaboration with a documentary film-maker, as well as through the influence of his research on public discourse, cultural life, civil society and education, McGarry's work has enhanced public understanding by extending the range and quality of historical evidence, contributing to a more meaningful public engagement with both history and commemorative processes within the context of post-conflict Northern Ireland and the current `decade of centenaries'.
Research by Carl Chinn, MBE at the University of Birmingham has contributed to a better public understanding of community relations (past and present) within the Birmingham area, particularly for smaller and formerly marginalised communities. Chinn has also produced a wealth of new, accessible historical data, both directly (through the online and freely available BirminghamLives Archive) and indirectly through stimulating local public interest in local history and encouraging and supporting publication of personal histories, websites and archives which are freely available to the public. Chinn's research and commitment to public engagement have also had an impact on the delivery and design of local school curricula and acted to highlight the opportunity of higher education to pupils. Chinn's research also acts to preserve and present the cultural heritage of the Birmingham area and contributes to the process of memorialisation and reconciliation for all of its people.
Researchers at the Photography and the Archive Research Centre (PARC) study the practice and products of photography in terms of both artistic importance and social relevance, recognising photography's many roles including its presence in: the art world; reportage; autobiographical practice; and in social and political education. This case study demonstrates PARC's impact on cultural life via the production of work and curatorial practice, bringing new insights, challenging assumptions, and raising awareness of the role of photographic practice in the public realm.