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Extending Shakespeare’s cultural capital

Summary of the impact

Professor Brean Hammond's scholarly attribution of Double Falsehood as containing what remains of the `lost' Shakespeare/Fletcher Cardenio (1612/13) and his edition of the play for the prestigious Arden Shakespeare series contributed to the preservation and presentation of an element of literary cultural heritage that had previously been marginalised. Hammond's research has:

  • contributed to the economic prosperity of the Shakespeare publishing industry, delivering `unusually high' sales for Bloomsbury (publishers of his Arden edition), and more broadly serving as a stimulus for the publication of editions by rival publishers (CUP, Palgrave)
  • expanded theatrical repertoire through informing new theatre productions internationally, including the Royal Shakespeare Company's Cardenio (2011), reaching audiences in London, New York, Calgary and Utrecht
  • increased public awareness and knowledge of the play, and stimulated public interest in issues of canonisation, attribution and collaborative authorship through a broad range of international media engagement, and an international series of talks and lectures. The effect of this media engagement on Arden sales suggests engagement from a wider audience than that usually reached by scholarly editions.

Submitting Institution

University of Nottingham

Unit of Assessment

English Language and Literature

Summary Impact Type

Cultural

Research Subject Area(s)

Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies

William Hazlitt

Summary of the impact

The 19th century essayist William Hazlitt is a great, but neglected, master of English prose. Uttara Natarajan's research into his writings is a major factor in the revival of public interest of his multi-faceted achievement. She has led public discussions of his works and life at the Hazlitt Society and Hazlitt Day School, both of which she co-founded. In 2008, she launched the annual Hazlitt Review which reaches a wide general readership and academics. Her study has led to a range of invited public engagements, such as speaking on BBC Radio 4's In Our Time-William Hazlitt programme and delivering various public lectures.

Submitting Institution

Goldsmiths' College

Unit of Assessment

English Language and Literature

Summary Impact Type

Cultural

Research Subject Area(s)

Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies

Bridging the Gap between Academic and Professional Theatre Discourses in the Reception of Shakespeare’s Plays on Stage and in Translation – A Romanian Case Study

Summary of the impact

Dr Nicoleta Cinpoeş's research played an instrumental role in opening up a `cultural space' in Romania for revised public understanding of, and engagement with, Shakespeare's plays, through: (i) dismantling formerly entrenched distinctions, in Romania, between academic scholars' engagement with Shakespeare and the engagement of professional theatre makers and critics; (ii) seeding discussion and consideration amongst theatre makers, young people in formal education and the general public, of recuperation of Shakespeare in Romania through achievement of an uncensored history of appropriation and, within that project, of new, `clean' translations of the plays; (iii) supporting new translations of Shakespeare's plays directly, by providing rigorous, non- specialist, reader-friendly introductions that trace individual plays' stage and textual histories, as well as provide an up-to-date survey of their reception in criticism, stage practice and film adaptation.

Submitting Institution

University of Worcester

Unit of Assessment

English Language and Literature

Summary Impact Type

Societal

Research Subject Area(s)

Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies

Shaping Theatre Performances and Informing Public Understanding of Shakespeare

Summary of the impact

Professor Tiffany Stern's research into 16-18th Century theatre performance has restored a significant element of the cultural heritage to public understanding and has led to the creation of new cultural capital through her influence on present-day theatrical interpretations of Early Modern texts in England and America. She has also influenced the construction and use of theatrical spaces in both countries through her work as a historical advisor to theatre companies and cultural organisations. These direct influences have been supported by educational work with the general public and schools, in the form of lectures, podcasts, and interviews with newspapers and journals.

Submitting Institution

University of Oxford

Unit of Assessment

English Language and Literature

Summary Impact Type

Cultural

Research Subject Area(s)

Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies

Shakespeare in Performance: informing theatrical productions and promoting Britain's cultural engagement

Summary of the impact

Performance brings Shakespeare alive and each performance reveals new contexts for, and meanings to his plays. Research on Shakespeare in Performance is a core departmental activity that encompasses complementary themes and leads to impacts across a wide range of strands and fields. Warwick's Shakespeare scholars have explored the relationship between text and performance to bring a new understanding of Shakespeare to professional theatre companies and a renewed enjoyment to public audiences. In particular, their research has impacted on theatre productions, exhibitions, and public understanding through screenings, workshops, talks, young people's theatre and schools.

Submitting Institution

University of Warwick

Unit of Assessment

English Language and Literature

Summary Impact Type

Cultural

Research Subject Area(s)

Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies

Digital linguistic analysis as a rehearsal tool at Shakespeare’s Globe Theatre

Summary of the impact

As a result of his research using new techniques in the digital analysis and visualisation of Shakespeare's language Professor Jonathan Hope was invited to work with the company of Shakespeare's Globe Theatre on a production of A Midsummer Night's Dream. Hope's findings highlighted unusual interaction patterns between characters, a focus on objects (props), and very frequent references to space and movement in the language of the play. Actors used Hope's research findings to inform rehearsal and performance of the play which was performed to 14,509 teachers and pupils from more than 100 London schools over a two-week period in February and March 2012. Hope's engagement with the Globe Theatre has generated impact through its effect on the actors and their performances, through the pupils' engagement with the play, and in its contribution to the Globe Theatre's status as a national leading arts educational organisation. The impact has been extended to the 2013 schools production of Romeo and Juliet, playing to 16,325 school teachers and pupils from 128 schools.

Submitting Institution

University of Strathclyde

Unit of Assessment

English Language and Literature

Summary Impact Type

Societal

Research Subject Area(s)

Language, Communication and Culture: Linguistics, Literary Studies

TFTV04 - Performing Early Modern Theatre

Summary of the impact

The impact of the research has two elements:

Romeo & Juliet in Performance: collaboration with the organisation Film Education on the production of a DVD-based interactive teaching resource for GCSE English (2013).

Jacobean City Comedy. The editing/adaptation, rehearsing, public performances, and filming of Thomas Middleton's A Mad World, My Masters and John Marston's The Dutch Courtesan (2011 and 2013). The first project has proved a significant teaching resource with more than 1700 schools nationwide already using it in their teaching. The second project entails significant public engagement through performances, workshops and talks, and educational outreach events, while a website further facilitates and tracks on-going discussion between scholars, theatre professionals and the wider public.

Submitting Institution

University of York

Unit of Assessment

Music, Drama, Dance and Performing Arts

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Performing Arts and Creative Writing
Language, Communication and Culture: Cultural Studies, Literary Studies

Debating Shakespeare in the Olympic Year

Summary of the impact

This project created a new space for public debate surrounding the World Shakespeare Festival, which was a key strand in the UK's 2012 Cultural Olympiad. By creating a collaborative online forum that invited cultural conversation, the project facilitated discussion about the role of Shakespeare and the arts in twenty-first century culture as well as generating the only complete, critical, and publicly-accessible account of the largest intercultural celebration of Shakespeare ever staged. The project is an examplar of interdependent research and impact.

Submitting Institution

University of Birmingham

Unit of Assessment

English Language and Literature

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Human Society: Policy and Administration
Language, Communication and Culture: Literary Studies

'Tis a mad world at Hoxton’: Leisure, License and Local History in The Tempest

Summary of the impact

The impact described here concerns the history of Hoxton, London, in the late sixteenth and early seventeenth centuries, especially in relation to Shakespeare's The Tempest and the anonymous poem Pimlyco, or Run Red Cap`Tis a mad world at Hogsdon. As outlined below, the project adds to the cultural capital of this inner-city area of London, and gives one of Shakespeare's most famous plays `back' to the inhabitants of the city where it originated.

Submitting Institution

St Mary's University, Twickenham

Unit of Assessment

English Language and Literature

Summary Impact Type

Cultural

Research Subject Area(s)

Language, Communication and Culture: Literary Studies
History and Archaeology: Historical Studies

Sulayman Al-Bassam’s Arab Shakespeare Plays

Summary of the impact

The impact of Graham Holderness's work lies in the establishment of a synergy between academic research and the professional practice of a successful dramatist, Sulayman Al-Bassam, whose adaptations of Shakespeare into Arabic have played in theatres on four continents. Originating as a critical study, the research developed, via direct engagement with the writer, into a public `conversation', thus giving ideas derived from the research a global reach. The insights of the research have been both internalised in the plays and disseminated via accompanying public events, thus conveying them to the audiences attending the performances. This continuing rapprochement reveals a demonstrable influence of the research over the writer's artistic choices.

Submitting Institution

University of Hertfordshire

Unit of Assessment

English Language and Literature

Summary Impact Type

Cultural

Research Subject Area(s)

Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies

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