Log in
`Anya 17 is not just an opera. It's a campaign' (cast member's blog, http://tinyurl.com/ne64uqt).
Anya 17 (an opera about human trafficking), first performed in March 2012, generated wide media and civil society attention. 13 UK and international anti-trafficking campaigning groups have endorsed the opera and used it to raise awareness and help leverage their agenda to change legislation. Third sector and media attention has taken the research to a wider community than just the original audience, winning recognition and enabling follow-through of various kinds. Collaboration, publicity and support from NGOs has enabled Anya17 to further its reach internationally, with performances in Romania, Germany, the UK and the USA in the near future creating opportunities for developing further impacts on opera audiences, campaigning organisations, wider civil society and government in Europe and America.
Professor Peter Giblin (Department of Mathematical Sciences at the University of Liverpool), together with collaborators, used methods from singularity theory to develop an approach for recovering 3-d information from 2-d images, such as photos. In the past decade, these have been implemented and built upon by software engineers, leading to significant cultural, economic and societal impacts. These include the creation of an innovative 25m high sculpture of the human body in the Netherlands by the sculptor Antony Gormley and the virtual modelling of clothing on online clothing websites such as Tesco's (Virtual Changing Room by Tesco/F&F). These have reached thousands of consumers worldwide and represent a significant commercial success for the company which developed the software.
Professor Lucy Orta's work, is developed in creative partnership with Jorge Orta, as Lucy + Jorge Orta, and tackles global issues that affect all our lives. Their collaboration sets out to utilize art as an agent for awareness and change, with public dissemination aimed at triggering new thinking and action on issues related to sustainability. Their work has led to an enhanced public understanding of these issues and its impact is evidenced by high level commissions; partnerships with prestigious institutions; media coverage; audience figures; and public engagement activities.
Collaboration between the Liverpool Biennial and Liverpool School of Art & Design (LSAD) has stimulated public awareness of Biennial commissioned art and enlarged its presence in the social life of the city in two ways: by extending the opportunities for local communities to participate in public art projects in the region; and by improving the opportunities to talk about and share experiences of Biennial art.
Biomedical devices that need to be implanted into the body typically experience the so-called foreign-body reaction: proteins adhere to the surface of the devices, leading to rapid loss of function and, eventually, to a requirement for replacing the device. Between October 2006 and September 2011, The University of Reading, in collaboration with the UK SME BioInteractions Ltd., developed and evaluated a range of new polymers for coating implantable biomedical devices, especially coronary stents and catheters. The result was a coating system that can deliver a drug controllably over a pre-defined period, leading to the commercial biomaterials platforms AdaptTM and AssistTM. This work resulted in capital investment by Biointeractions Ltd and a substantial increase in their research staffing.
This study outlines the ways in which Alexandra Harris, Senior Lecturer in English at the University of Liverpool, has engaged public interest in modern British art and literature. Harris has demonstrably encouraged both art-world professionals and members of the public to appreciate more fully the rich variety of modern British art, and to realise its contemporary relevance in exploring British landscapes and identities. Between September 2010 and July 2013, her books, radio programmes, literary festival appearances, and collaborations with art galleries have had a major impact on cultural life. They have helped to raise the profile of British painting, and brought diverse audiences to challenging literature (especially the work of Virginia Woolf). They have heightened public consciousness of the ways in which contemporary debates and indeed the habits of daily life can be informed by cultural history, giving `the long view' on national identity, notions of `home' and tradition, and particularly the potent relationships between art and place.
The impact of building acoustics research by the Acoustics Research Unit at Liverpool has been through knowledge transfer into Standardisation, guidance to industry and take-up by test laboratories. This is evidenced by the active and leading participation of Professor Gibbs and Dr Hopkins on International and European Standards committees, developing measurement and prediction methods for noise in buildings. The research provides the scientific basis of new test codes used by accredited test laboratories and acoustic consultants. It is also feeding into new test procedures developed by R&D teams of Boeing, Seattle, for the control of vibration-induced noise in aircraft.
Research led by Professor Mazzucato has changed the framework used by UK and EU policy- makers to design innovation and industrial policy. Her work on The Entrepreneurial State has influenced how policy-makers think beyond a `market-failure' framework and use in its place a `mission-oriented' framework: not only fixing market failures but actively trying to shape and create markets. This new framework has fed into specific areas of sector-related policy including life sciences. The influence has been acknowledged directly in ministerial speeches; cited by a 2012 Department for Business, Innovation and Skills policy paper; and discussed extensively in the international media, including lead articles in The Economist, the Financial Times and Forbes which have recognised the `heretical' nature of this work.
The outputs of two AHRC-funded research projects included
The beneficiaries of this work were individuals and organisations interested in cultural heritage. There were two kinds of impact:-
This case study concerns the economic, commercial and organisational benefits gained from the application of original research undertaken between 1999 and 2013 by the Operations & Supply Chain group at the University of Liverpool Management School. The research has provided significant new thinking concerning the design of agile organisations and supply chains through the creation of frameworks and tools for the development of SME-focused, resilient business strategies. Since 2008, the application of the research has supported a priority component of the Future North West regional productivity strategy for the North West of England through the implementation of a wide range of economy-driving and productivity-enhancing industrial applications. These applications have: boosted the region's economy and the prosperity of its citizens; facilitated the growth of the region's manufacturing SMEs; supported the participation of SMEs in global networks; equipped SME owner-managers with the knowledge and skills to facilitate business growth; improved the professional behaviour and cognitive characteristics of employees, and led directly to 117 jobs and several businesses safeguarded, and 31 new jobs created.