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The History Department's Centre for the Study of Christianity and Culture (CSCC) employed its research expertise in religious history to improve the understanding and sustainability of historic churches and cathedrals. These together form England's largest single 'estate' of built heritage with over 11 million visitors each year. From 2008 the Centre developed an extensive programme of national partnerships, which have led to significant and wide-reaching impact:
(i) creating new aids to help visitors engage with sacred sites
(ii) encouraging tourism and enhancing access to these national and international heritage sites for people from all cultural and faith backgrounds
(iii) delivering professional development activities for clergy, lay leaders, church architects, diocesan staff, heritage staff and volunteers
Departmental staff Mike Pearson, Mike Brookes and Simon Banham conceived, designed and directed theatre productions of Aeschylus's The Persians (2010) for NTW's launch season and Coriolan/us for NTW in the World Shakespeare Festival/London 2012 at sites outside the auditorium.
The impacts of these productions are upon:
1) Cultural life — in generating new forms of artistic expression, delivering innovative performance products, and enriching public appreciation, understanding and imagination;
2) Policy and practice — in enhancing the status of NTW, informing and influencing programming and demonstrating that work of international standard can be produced regionally;
3) Professional practice — in pioneering and contributing original ideas, methods and approaches.
Staging Russian plays in British theatres presents specific difficulties, ranging from the remoteness of cultural and historical points of reference down to the complexity of Russian names. Dr Curtis's interpretative, biographical and editorial studies of Russian drama have assisted companies such as the RSC, the National Theatre, the Belgrade Theatre (Coventry) and Complicité to overcome these barriers to staging Russian plays. She has achieved this through running educational workshops for the companies, talks, translations, event planning, help to props and other departments, and the writing of theatre programmes, bringing cultural and educational enrichment to professionals and public.
Despite the great public appetite for knowledge about life in Tudor England, until Steve Gunn undertook a huge study of coroners' records, we knew very little about how people lived — and died. Some of his findings shine new light on famous figures, such as the family of William Shakespeare. Others show how ordinary people lived — at work, at home, travelling or relaxing. They reveal the similarities and contrasts between dangers faced by our ancestors and those in modern life. The research has inspired enormous public interest, and it has also provided a historical perspective for organisations concerned with the implementation of health and safety policy.
Jackson has provided professional enhancement for directors and actors by bringing his research-led insight into the texts and acting traditions of Shakespearean theatre to bear on the preparation of scripts for performances. He has achieved this through collaboration during rehearsals, working at a detailed level of interpretation and performance. His research has also enhanced cultural enrichment for audiences through such forms of public engagement as essays in theatre programmes.
Deborah Cameron's research focuses on the relationship between gender and language, using sociolinguistic evidence and contemporary theories of gender and identity to examine and challenge widespread beliefs about the differing verbal abilities and behaviour of men and women. Through broadcasting, public speaking and engagement with non-academic professional groups, including secondary school English teachers, Cameron communicates the results of her (and others') research to a broad audience in Britain and internationally. She has raised awareness of sociolinguistic approaches to gender, has provided resources for professionals concerned with issues of equality and diversity, and has contributed to the public understanding of science.
The impact of the research has two elements:
Romeo & Juliet in Performance: collaboration with the organisation Film Education on the production of a DVD-based interactive teaching resource for GCSE English (2013).
Jacobean City Comedy. The editing/adaptation, rehearsing, public performances, and filming of Thomas Middleton's A Mad World, My Masters and John Marston's The Dutch Courtesan (2011 and 2013). The first project has proved a significant teaching resource with more than 1700 schools nationwide already using it in their teaching. The second project entails significant public engagement through performances, workshops and talks, and educational outreach events, while a website further facilitates and tracks on-going discussion between scholars, theatre professionals and the wider public.
Dr Kuhn's research has established him since the mid-1990s as one of the world's leading experts on the modernist poet, playwright and cultural commentator Bertolt Brecht. He has worked to increase the public understanding of Brecht's work, to make good translations with reliable commentaries widely available, and to enhance the quality of Brecht theatre productions. Besides his involvement with (non-academic) publishing, he has worked directly with theatres and drama colleges, providing advice and workshops, revising translations, writing programme notes, and improving the quality of performance of Brecht's work. Beneficiaries include theatre audiences, school students, general readers, the publishing industry, the performing arts, and cultural life in general.
Research conducted by Warwick's Centre for Educational Development, Appraisal and Research (CEDAR) provided vital supporting evidence for the continuation of funding for two Government sponsored educational schemes: the Dance and Drama Award scheme run by the Department for Education (DfE) and subsequently the Learning and Skills Council and the Royal Shakespeare Company's (RSC) Learning and Performance Network. Performing arts colleges and their students, as well as the wider creative economy, have benefitted from CEDAR's recommendation to the Government to continue the DaDA Scheme, resulting in a £14m per annum investment in the performing arts sector, whilst the Training and Development Agency for Schools (TDA) commissioned CEDAR to evaluate the impact of the RSC's Learning and Performance Network (LPN) on teachers and learners, resulting in a successful bid by the RSC for funding to continue the LPN. The research also fed into the development of a collaborative practitioner training programme with the RSC, Teaching Shakespeare, launched in 2012.
New studies at the University of Warwick into the writing, production and reading of philosophical works in Renaissance Italy have reassessed the importance of works written in the vernacular language for the diffusion of classical philosophy (1400-1650). The research findings have improved the quality of catalogue entries for relevant holdings in libraries and a database, and have enhanced the knowledge of librarians working with these collections worldwide. The research has been communicated to professionals and the general public internationally, particularly in Italy, the US and the UK. The research has also been used to inform pedagogical activities for adult learners and secondary school students.