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Dr Paul Gladston's (Associate Professor of Critical Theory and Visual Culture, Nottingham, 2005- present) research has served to problematize and add complexity to the public understanding of the relationship between contemporary Chinese art and the wider conditions of its making and showing both within and outside the Peoples' Republic of China (PRC). The Chief Curator of the Hayward Gallery exhibition Art of Change: New Directions from China (2012) drew on Gladston's expertise in the exhibition's presentation. The exhibition attracted over 22,000 visitors, with international media coverage leading to wider critical engagement in broadcast and social media. A challenging review of the exhibition in The Guardian by the high profile artist Ai Weiwei, followed by Gladston's response, stimulated broader public debate around contemporary Chinese art.
The UK infant formula market increased in value from 2005-2013 by 65% to £463m. The Unit's research, funded by the Food Standards Agency and the Department of Health, addressed the concerns of policy makers and breast feeding lobby groups that baby food manufacturers might be circumventing recently introduced restrictions on advertising infant formula (breast milk substitute) products in such a way as to undermine support for, and uptake of, breastfeeding. The research findings underpinned the recommendations on regulatory change made to government by an independent review panel established by the Minister of State for Public Health. Since the panel reported, manufacturers have addressed the issue by removing publicly accessible links to infant formula product information.
This case study refers to research on British drinking cultures and alcohol policy carried out by James Nicholls, Reader in Media and Social Policy, Department of Film and Media Production/HCI (2004-September 2012). In this role, Nicholl's research and his public engagement contributed to shaping the UoA's research reference frame of cultural behaviour, cultural practice and public policy (see Ref5). Following the publication of his book, The Politics of Alcohol (2009) Nicholls developed as a specialist advisor involved in the analysis and planning of alcohol policy at national and regional levels. His work and influence has been cited in key policy documents (including the House of Commons Health Select Committee Report, Alcohol: First Report of Session 2009-10 HC151-1) in 2010. This work has subsequently helped to shape regional and national alcohol policy in both England and Scotland. This case study provides evidence of this impact in regard to the following areas:
Professor Pratt's work on the conceptualisation, measurement and operationalization of the cultural and creative industries has had significant impact within the field of cultural and economic policy at the urban, regional, national and international levels. These ideas have been taken up and used by policy makers to identify the contribution of the cultural economy. Professor Pratt's work has been instrumental in devising the United Nations Educational, Scientific and Cultural Organisation (UNESCO) Framework for Cultural Statistics (2009), the United Nations Conference on Trade and Development (UNCTAD) Creative Economy Report (2010 and 2013), and the World Intellectual Property Organisation (WIPO) report on the economic and social consequences of copyright for the creative industries (2013).
This case study is based on research investigating the nature, challenges and potential of audio-drama, and especially bilingual audio-drama. Specifically, it explored the possibilities for creating bilingual drama for monolingual audiences; the effects of using different recording environments; and the advantages of cross-cultural collaboration.
Impact includes: (i) a growth in the practice and reach of bilingual audio-drama in the radio broadcasting sector, both in the UK and internationally; (ii) the establishment of the radio play as an act of live theatre; and (iii) an increased awareness of the possibilities for collaborative audio-drama production across cultural and linguistic borders.
In March 2013, the British Library (BL) launched the first national oral-history archive of the British Women's Liberation Movement (WLM). A permanent public resource preserving the voices of 1970s/1980s feminists, the archive was the outcome of 'Sisterhood and After: The Women's Liberation Oral History Project', a three-year Leverhulme-funded research-partnership project led by PI Margaretta Jolly, in partnership with curators at the BL and the Women's Library (WL). Through the national prominence this archive has achieved and the numerous curatorial, educational, cultural and community activities directly associated with it, the research is having a significant impact on the public perception of feminism, bringing it to life for new audiences.
Research by Simon Tanner has had a significant effect on open access policy in the museum sector. His research demonstrated that the cost of managing intellectual property and maintaining payment structures in cultural heritage collections almost always outweighs actual revenue. Museums, galleries and archives internationally have embraced unmediated, open access to digitised assets and Tanner's work is frequently acknowledged as a catalyst for this change in policy. Since 2008, the number of high quality digital images freely available from art museums has risen to more than 2 million. The key beneficiaries have been the general public, schools and life- long learners.
The Centre for Freedom of the Media (CFOM) at the University of Sheffield is among a core group of expert organisations helping to shape the work programmes of UN agencies, the Council of Europe and other IGOs, to put in place effective measures to safeguard free and independent media as well as journalists' physical safety against violence and judicial harassment and interference. CFOM research has played a prominent part in consultations leading to the adoption in 2012 of the UN Action Plan on the Safety of Journalists and the Issue of Impunity, the purpose of which is to ensure better protections for the investigative work of journalists worldwide. As a close partner of UNESCO in the implementation of the UN Action Plan (2013-14), CFOM participates actively in monitoring, evaluation and follow-ups, assists the UN and other authorities to uphold international law, and is pioneering work to promote curriculum development relating to these issues.
Intercultural exchange in multi-ethnic cities is increasingly understood as a source of cultural, social and economic dynamism. This argument is rehearsed by Bianchini in much of his published research and other interventions. His comparative research on Liverpool and other European port cities also highlighted cosmopolitan intercultural exchange central to the cultural characteristics of such cities. His work on port cities was the key source for a chapter of Liverpool's successful bid for the title of 2008 European Capital of Culture which made a major contribution to the city's economic development and regeneration. Subsequent work has been adopted by other cities in similar bidding frameworks, including most recently Matera, Italy, in its bid to become European City of Culture in 2019 for which it reached the Italian shortlist in November 2013.
The outputs of two AHRC-funded research projects included
The beneficiaries of this work were individuals and organisations interested in cultural heritage. There were two kinds of impact:-