Log in
This case study concerns two forms of impact from the 2012 BBC2 television series, The Crusades, based on the research of Asbridge (www.bbc.co.uk/programmes/b01b3fpw): on the public understanding of the crusades; and on the creative industries. Asbridge's landmark television series, which he wrote and presented, informed public understanding of the crusades as an historical event with contemporary echoes in international political debate. In this example of one area of the School's historical research, a Queen Mary historian has drawn upon two decade's research on the history of the crusades to mediate his findings for a national and international public audience. Asbridge's series presented his research in an accessible, non-technical form to over two million viewers in the UK and to audiences across the world from Australia to Russia. In achieving a major BBC television commission to produce a series based on his research, Asbridge also made a contribution to the creative industries. The Crusades led to employment and prosperity for a television production company (360 Productions — www.360production.com/) and to the development of BBC television history.
This case study relates the impact of work on civic entertainments as important contributors to community cohesion and identity, to understandings of local heritage, and as generators of cultural tourism. Based on the research and outreach activities of Professor Pamela King, internationally acknowledged specialist on European civic processions and shows, medieval and modern, it outlines how she is engaged with civic communities in an advisory and informing capacity to bust myths and raise the level of public debate about the nature and potential of "medieval" festivals, as various agencies seek new or enhanced ways to generate income for the city and its institutions.
Rees Davies (1938-2005) was one of the most significant British medieval historians of the post-war period, the most distinguished historian of medieval Wales, and a leading figure in the movement for British (as opposed to English) history as a staple of undergraduate teaching. While his vision of medieval Wales and Britain evolved over a forty-year career in universities and public service, it entered a distinctive phase in its final decade, when Davies wrote the definitive study of the revolt of Owain Glyn Dŵr and coined the notion of `the first English Empire'. The research of these years, when Davies was Chichele Professor of Medieval History at the University of Oxford, has had a lasting impact on the public understanding of history in Wales, on the management and presentation of Welsh heritage, and on the teaching of undergraduate history across the British Isles.
Direct cultural, historical, religious, creative and musical impact has been achieved through active participation of five distinct groups in a major practice-led research project (2009-2013): (i) 18 craftspeople and artists creating historically-informed artefacts; and (ii) clergy, (iii) singers, (iv) organists and (v) congregations participating in the enactment of medieval rituals (footfall over 2500). Impact over a longer period (2001-13) has been achieved through use of three reconstructed medieval organs in residencies (c.3-12 months) at cathedrals, churches and college chapels, with direct musical impact on early performance practice by choirs and organists. Wider indirect impact is ongoing through the main project websites.
Sites of medieval carved stones attract thousands of visitors per year to Scotland. Katherine Forsyth's research at Glasgow has led the redevelopment of some of the most important collections of stones open to the public, unlocking carvings never displayed before and transforming the visitor experience of these ancient cultural icons. Her research transformed Historic Scotland's current policy on the management of carved stones, which applies to around 1,800 monuments and has redesigned the visitor experience at Iona Abbey, which attracts 50,000 visitors per year.
This case study is based on the pilot phase of the Corpus of Scottish Medieval Parish Churches project, which provides a detailed assessment of the medieval fabric of 105 of the c.1,136 parish churches of pre-Reformation foundation in Scotland. Carried out in 2008-09 with funding from AHRC, it focused on the dioceses of Dunkeld and Dunblane. The Corpus has been invaluable in broadening knowledge of the buildings, and hence informing the decision-making processes of a wide range of bodies and individuals involved in preserving Scotland's medieval architecture. These include, amongst others: the Royal Commission on the Ancient and Historical Monuments of Scotland and Historic Scotland; national and local societies from the Royal Archaeological Institute to the Perth and Kinross Heritage Trust; and professionals called to work on the buildings.
The Knights Templar are famous for their involvement in the Medieval crusades but the myths surrounding them and popular representations, as seen in The Da Vinci Code, have created an inaccurate view of the Templars' historical significance. Nicholson's research on (a) the Templars and their estates, (b) her collaborations with museum and heritage organizations, and (c) her advice on Templar properties, has challenged misconceptions about the Templars and informed professional practice in presenting heritage sites, benefiting individuals, authors, archaeologists and museum practitioners. Her research has equipped non-academic audiences with a clearer understanding of the Templars, generating new interpretations and cultural artefacts by diverse groups worldwide.
Professor Cooper's research on Shakespeare and Chaucer, and the links between them, has fed directly into the continuing professional development (CPD) she undertakes with secondary school teachers, raising their interest and changing their practice. The CPD is delivered through lectures and workshops supported through The Prince's Teaching Institute (PTI), an independent charity created by the Prince of Wales. Teachers have reported excellent outcomes as a result of Professor Cooper's research programme, most notably a renewed enthusiasm both for them and their students arising from their use of this rich course material in their teaching, and its introduction of new ways to engage students. Teachers also reported that as a result of undertaking Professor Cooper's courses the attainment of their students improved.
The main aim of the Anglo-Norman Dictionary (AND) in impact terms is to provoke a revision of the understanding of the role of Anglo-Norman in the development of English and to demonstrate how the language (especially the vocabulary) of the incoming Normans impinged on and fed into English. The project and its freely-available online dictionary (www.anglo-norman.net) have attracted considerable attention from the educated lay public with interests in language history, genealogy, family names, aspects of language use in Britain in the Middle Ages, and social history.
Impact has been achieved by speaking to non-academic groups; contributing to audio and visual displays in museums; and by being interviewed by Radio 4; Trotter appeared as an expert in a National Geographic film on broadly related matters to do with medieval literature; and the AND has been awarded a prestigious French prize. The AHRC decided to feature the AND as a project on their website in autumn 2012, suggesting that it is perceived as beneficial to their own impact and publicity strategy.
The history of cartography research group at Queen Mary have exploited their research on the cultural history of maps in the early modern period to enhance public understanding of mapmaking and the knowledge that maps create. They have taken their academic research to a wider audience through authored television and radio programmes, research council-funded books, public lectures and reviews across a range of media. In this way, their research has generated significant economic impact, contributing to the economic prosperity of the creative sector, including trade publishing, print media journalism, television, and literary festivals, and improving the quality of evidence, argument and expression in public discourse on contemporary map-making.