Submitting Institution
University of CambridgeUnit of Assessment
Modern Languages and LinguisticsSummary Impact Type
CulturalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
Professor Sinclair's project on `Wrongdoing in Spain 1800-1936' explores
the difference between cultural representations of wrongdoing and their
underlying realities, and includes the digitization and cataloguing of
c4500 items of popular Spanish material held at the University Library,
Cambridge (UL), and the British Library (BL). This contributes
significantly to the conservation, stewardship, and enhanced accessibility
of this ephemeral material, increasingly valued and recognized as
important in Spain as part of its social history and heritage.
Digitization also makes this fragile material available to support
teaching. An exhibition of this material and comparable material in
English runs at the UL, Cambridge April — December 2013, strongly
supported by a virtual exhibition. Public engagement events extend the
understanding of the relevance of this material to modern Britain.
Underpinning research
Professor Sinclair has been a member of the Department of Spanish and
Portuguese at the University of Cambridge since 1971 and has held the
position of Professor since 2002. The focus of this case study is the
impact of her AHRC-funded project `Wrongdoing in Spain 1808-1936:
Realities, Representations, Reactions", which began on 1 May 2011. The
research underpinning this project, relating to the fundamental concept of
the gap between the realities of wrongdoing, and its cultural
representation, is articulated in three books (2001, 2007 and 2009).
Sinclair's 2001 book on Unamuno (1864-1936) broke new ground in
establishing the range and quality of the familiarity of this philosopher
and novelist with work in the sciences as well as his broad humanities
culture, and included his understanding of what constituted wrongdoing
(elaborated further in a chapter in a forthcoming Companion to Unamuno).
Her 2007 study on Sex and Society in Early 20th-Century
Spain (2007) (shortly to appear in a second edition) explored the
history of the complex reception and development of both eugenics and
sexual reform in Spain through the figure of Hildegart Rodríguez. The
centrality of issues concerning the judgment of wrongdoing, specifically
in relation to the murder of Hildegart by her mother led to the
conceptualization of the Wrongdoing project. Her 2009 study, Trafficking
Knowledge in Early 20th'Century Spain,
focused on two areas relevant to the project: the cultural imaginaries
involved in cultural exchanges, and the significance of literature
produced for a popular market, particularly explored in Chapter 1.
The above publications were all sole-scholar pieces of research. In
addition there is Sinclair's convening of two conferences, leading to the
organization and editing of papers for two volumes in which she also
published her own papers, the 2004 publication on Alternative
Discourses in Early Twentieth-Century Spain (2004) (with Richard
Cleminson, Reader in Spanish History, University of Leeds), and Eugenics,
Sex and the State (2008) (with Richard Cleminson and Martin
Richards, emeritus professor, Centre for Family Research, University of
Cambridge). These meetings and their subsequent publications clarified the
degree to which central areas of social and criminal judgment were
constructed by and inflected by historical and geographical circumstance.
The whole provided a platform of confidence for looking at the specifics
of the popular material presented in the exhibition, and in a series of
acts of public engagement.
References to the research
1. Sinclair, Alison (2001). Uncovering the Mind: Unamuno, the
Unknown, and the Vicissitudes of Self (Manchester: Manchester
University Press, 2001). 248 pp.
2. Sinclair, Alison (2004). Alternative Discourses in Early
Twentieth-Century Spain:
Intellectuals, Dissent and Sub-cultures of Mind and Body,
special number of Bulletin of Spanish Studies 81 (6) (September
2004), edited by Alison Sinclair and Richard Cleminson, pp. 687-848.
3. Sinclair, Alison (2007). Sex and Society in early
twentieth-century Spain: Hildegart Rodríguez and the World League for
Sexual Reform. Cardiff: University of Wales Press (2007). 263
pp.
4. Sinclair, Alison (2008). `Social Imaginaries: the Literature of
Eugenics', Studies in History and Philosophy of Biological and
Biomedical Sciences 39 (2) (2008), in Eugenics, Sex and the
State, special number on comparative eugenics edited by Richard
Cleminson, Martin Richards and Alison Sinclair, 240-246. DOI information:
10.1016/j.shpsc.2008.03. Available online at http://dx.doi.org/10.1016/j.shpsc.2008.03.007.
5. Sinclair, Alison (2009). Trafficking Knowledge in Early
Twentieth-Century Spain: Centres of Exchange and Cultural
Imaginaries. Woodbridge: Boydell and Brewer (2009). 223 pp.
6. Sinclair, Alison (2012) `Popular Faces of Crime in Spain' in Constructing
Crime, ed. Christiana Gregorious (London: Palgrave), 145-161. ISBN
9780230299771
All of the above (except "6") have undergone peer-review.
Grants
Professor Sinclair is the PI of the AHRC-funded project (2011-2014)
`Wrongdoing in Spain 1808-1936: Realities, Representations, Reactions',
£695,000 + PhD studentship.
All outputs can be supplied by the University of Cambridge on request.
Details of the impact
The Wrongdoing project runs 2011-2014, so that the REF census date falls
before its completion. However, even at this early stage the project has
had considerable impact, via principally three routes:
1. Digitisation and Preservation of Fragile Material
The project has made a significant contribution to library resources by
ensuring the conservation in digital form of fragile material (4500 items
in the UL and BL) thus contributing to the preservation and
presentation of cultural heritage. By the end of July 2013
digitization of all the material was complete and 69% of all the material
had been catalogued. Catalogue items are available for consultation online
by the public as soon as they are completed, and the links to the digital
images will be available six months after completion of the cataloguing.
The project has furthered work in the preservation of fragile material in
the following ways: acting as pilot for the provision of virtual
exhibitions in the UL; acting as pilot for the use of optical character
recognition in relation to fragile material for the UL; purchase of more
material (c1600 comedias sueltas of 19c theatrical material by UL,
July 2013; training and professional development of Sonia Morcillo as
expert cataloguer of this fragile material. [5.1]
2. Exhibition
The project includes an exhibition at the UL, April to December 2013,
thus contributing to presentation of cultural heritage and enhancing
the quality of the tourist experience. The exhibition, `Read all
about it! Wrongdoing in Spain and England in the long nineteenth century'
showcases items of popular literature being digitized and catalogued in
the project, and puts them into play with comparable items from England.
This contextualizes the Spanish material, and makes more immediate the
suggestions of connexion with English history and culture, both
historically and in contemporary life. By following a life-cycle from the
education of the child to the retribution meted out to the wrongdoer, the
exhibition maps out a well-structured narrative of choice and action, and
social reaction in the two cultures. From its inception the project has
been outward-looking, and has engaged regularly with non-academic
audiences. Significantly the exhibition is accompanied by a virtual
exhibition [5.2], which will continue to be available via the UL website.
By the end of July 2013 there had been 4074 hits to this website, and 9577
visits to the physical exhibition [5.3]. The project also has and will
continue to have widespread and public visibility through the Digital
Library page of the UL [5.4].
The Cambridge exhibition derives its narrative from work being done by
Sinclair, and is evident in the sections that track a life-cycle from
childhood to final retribution. `Knowing Right from Wrong', relating to
visual culture and material for children, (material published in item 6
(2012) of Section 2); two sections on parent/child frictions draw on the
Vilaseca Memorial Lecture, given by Sinclair in 2011; work on bandits as
heroes is published (2011) and submitted for the REF; `What you see is
what you get' relates to Sinclair's work in eugenics as in items 2, 3, and
4 of Section 2); `Unnatural women' and `Monstrous criminals' were
discussed in the Vilaseca lecture as were issues of reaction and reception
of the culture of wrongdoing. The exhibition material has been presented
to non-academic audiences: an open discussion in collaboration with Anglia
Ruskin School of Art, 7.5.2013, including a Visiting Leverhulme Fellow,
and staff in Art and Illustration; the Cambridge Bibliographical Society
(including library staff) 15.5.13; visit of 30 ten-year old pupils
(Parkwood Primary, Hackney) 21.5.13, with pre-exhibition discussion; visit
of European librarians to conservation department of UL and exhibition
20.6.13; 40 sixteen-year olds from secondary school in Cumbria 24.6.13. A
teacher with the Parkwood Primary visit commented "The pre- exhibition
lecture/discussion was valuable, providing a focus for what followed. The
children began to pay close attention in the `question and answer'
session, seeming to follow the discussion" [5.5].
The exhibition has been reviewed in the Times Higher Education
Supplement (2.5.13) , Culture 24, (29.4.13) [5.6], Visit
Cambridge (29.4.13) [5.7] and in the Cambridge Evening News
(30.4.13).
3.Education
The project has already had impact within education. In the
sphere of HE, it was the source for 8 hours of Master's teaching at the
Universidad Juan Carlos, Madrid, February 2012 [5.8], to an international
audience comprising students from Spain, Latin America and China. Talks to
secondary schools on the representation of the Spanish bandit has
contributed to access and outreach programmes, and school audiences at St
Paul's Boys School, London (11.5.11), and Petchey Academy for Girls,
Hackney (23.2.12), have been presented with the question of the
construction of crime at the same time as the talk has been an
illustration of the broad nature of work that can be entered into by those
studying foreign languages. Positive feedback has come from both schools.
A teacher from St Paul's wrote: "Thank you so much for taking the time to
come to St. Paul's and speak to the boys. The Eurosoc talks are a great
opportunity for them to meet academics, hear about interesting topics and
find out about language-related subjects off the syllabus. Your talk about
banditry was a perfect example of how the study of language can open up a
variety of other fields and I have had some great feedback from the boys"
[5.9] and a student from Petchey wrote: `I am a year 11 student at the
Petchey Academy where you came and gave a lecture on spanish bandits a few
months ago. i really enjoyed it and shared my knowledge i attained from
you with my parents and convinced them to take me and my brothers to spain
and also to escape this dreadful british weather' [5.10].
Sources to corroborate the impact
[5.1] Person 1 (Head of Hispanic Section, British Library)l
[5.2] Virtual exhibition website, https://exhibitions.lib.cam.ac.uk/
[5.3] Screen shot giving data of hits on digital library website 2.8.13;
electronic visitor records of visitors at Milstein exhibition centre.
[5.4] UL Digital Library page (http://cudl.lib.cam.ac.uk/).
Click on "Spanish Chapbooks"
[5.5] Parkwood visit teacher evaluation form filled in by Person 2
(Teacher, Parkwood Primary).
[5.6] http://www.culture24.org.uk/home
[5.7] http://www.visitcambridge.org/
[5.8] Email 14.6.11 from person 3 (Directora del Máster en Comunicación y
Problemas Socioculturales, Universidad Rey Juan Carlos).
[5.9] Email 13.5.11 from Person 4 (Teacher, St Paul's School)
[5.10] Email 11.7.12 from Person 5 (pupil, Petchey Academy)