Preserving and Presenting the Region through Media
Submitting Institution
University of East AngliaUnit of Assessment
Communication, Cultural and Media Studies, Library and Information Management Summary Impact Type
CulturalResearch Subject Area(s)
Studies In Human Society: Sociology
Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies
Summary of the impact
The University of East Anglia (UEA) has worked with regional media
organisations to facilitate and expand the collection, preservation,
presentation and accessibility of film and television materials produced
in East Anglia and held by the East Anglian Film Archive (EAFA). Unit
support and research links with EAFA are informed by research into the
strong connections between media consumption, local identity and sense of
place developed by Higson and Jancovich, and Mills and Snelson. The impact
is evidenced by substantial increases in the use of EAFA materials by two
key groups - Anglian residents and non-academic researchers from across
the UK.
Underpinning research
The links between media production and consumption, place and identity,
and the regional and the national have been key research interests within
the unit since the mid-1990s, led by the pioneering work of Higson around
identity, geography and British cinema (Higson 1995, 2006) and developed
through specific appointment strategies, notably Jancovich and Mills. This
research cluster demonstrates the pivotal nature of audio-visual texts in
shaping concepts of attachment to place and social and cultural identity
from the national through to the local - with the latter providing the
unit's primary focus. Here, research has played an important role in
informing strategic practice at the regional East Anglian Film Archive
(EAFA), a repository of 12,000 hours of film and 30,000 hours of videotape
material either filmed in or relating to the East Anglia region (including
a significant proportion of material produced by regional commercial
broadcaster Anglia Television).
Development of the unit's research focus around geography and media
consumption was led by Jancovich and Mills. Arising out of The Place
of the Audience: Cultural Geographies of Film Consumption (BFI
2003), Jancovich has continued to publish on local media audiences,
cultural geography, and media consumption practices (Jancovich 2007,
2011). Mills' work on representations of different regional/national
identities in British situation comedy (particularly `Welshness': Mills
2008) and the link between filmed location and place (Mills 2009) helped
define the unit's interests towards television's role in creating regional
and national identity.
Collectively, this work by Higson, Jancovich and Mills demonstrates how
important the visual representation of place and people can be in
mediating and sustaining local identities. That focus on geography and
local media, and the unit's continued relationship with EAFA, underpinned
a successful application for a large AHRC Resources Enhancement Grant
(2006-08, value £412,910), which significantly enhanced access to EAFA
archive material through extensive preservation, digitisation, cataloguing
and public engagement activities. This development of EAFA as a research
and public resource, informed by unit research, is a key pathway to
impact.
The combination of EAFA materials made accessible by this grant
(particularly the Anglia Television collection) has given new emphasis to
unit's research on the role that archival materials and organisations play
in affirming and re-performing identities from the local through to the
national and beyond. Given the stress that local councils and public
service organisations place on maintaining local identity (particularly in
rural communities), the unit continues to develop this research strand
through new foci on community cinema (Rimmer, Aveyard) and local cinema
exhibition (Snelson), projects that intersect with the archival resources
of EAFA and other community partners, such as Village Screen and Norfolk
at the Pictures.
KEY RESEARCHERS, POSITIONS, DATES
The research was undertaken by:
Professor Andrew Higson (Senior Lecturer, UEA, 1995-2009)
Professor Mark Jancovich (Senior Lecturer, UEA, 2004-present)
Dr Brett Mills (Lecturer, UEA, 2005-10; Senior Lecturer, UEA,
2010-present)
Dr Tim Snelson (Lecturer, UEA, 2007-present)
References to the research
KEY OUTPUTS
1. Higson, Andrew (1995) Waving The Flag: Constructing a National
Cinema in Britain, Oxford University Press, (paperback edition
1997).
2. Higson, Andrew (2006), `A green and pleasant land: rural spaces and
British cinema' in Catherine Fowler and Gillian Hetfield (eds.), Representing
the Rural: Space, Place and Identity in Films About the Land.
Detroit: Wayne State University Press, pp. 240-55.
3. Jancovich, Mark (2007), `"Cinema Comes to Life at the Cornerhouse,
Nottingham": "American" Exhibition, Local Politics and Global Culture in
the Reception of the Urban Entertainment Center.' In Maltby and Stokes
(eds.), Going to the Movies: Hollywood and the Social Experience of
Cinema. Exeter: Exeter University Press, pp. 383-93.
4. Jancovich, Mark (2011) 'Time, Scheduling and Cinemagoing', Media
International Australia, 139, May 2011, pp. 88-95.
5. Mills, Brett (2008), `My House was on Torchwood! Media,
Place and Identity.' International Journal of Cultural Studies, 11
(4), pp. 379-99.
6. Mills, Brett (2009), `Welsh/From Wales: Representations of the Welsh
in Contemporary Television Sitcom,' Cyfrwng: Media Wales Journal
6, p. 47-60.
JUSTIFICATION OF QUALITY
Unit esteem and expertise are indicated by £412,910 `Anglia Television at
the East Anglian Film Archive: A Catalogue of the Collection, 1959-2000'
AHRC Resource Enhancement award (September 2006 - December 2008) awarded
to UEA for the EAFA expansion project. This bid was stringently
peer-reviewed before the award was made, and an end-of-grant report was
submitted and reviewed by the AHRC.
The presence of key peer-reviewed journals such as Media
International Australia and the International Journal of
Cultural Studies is also a strong indication of quality.
Details of the impact
The impact claimed here is based on three key related areas:
- Preservation, conservation and presentation of regional cultural
heritage, through cataloguing, digitisation and expansion of access to
materials held by EAFA
- Public engagement achieved through a significant increase in East
Anglian residents' interaction with and imagining of the region's (newly
preserved) audio-visual past, via increased access to EAFA materials
through www.eafa.org.uk and a
range of public events
- The stimulation of new research and creative projects, bringing
awareness of the collection (and region) to a wider and more diverse
audience
The Process
The impact was facilitated by the AHRC Resource Enhancement grant, which
enabled the unit's research around regional/local media and community to
inform the preservation and accessibility of EAFA's materials, and
encourage the development of new research, engagement and public
initiatives.
Impacts and Benefits
Preservation and Conservation
The grant, designed to `unlock the research and knowledge transfer
potential of its collections' (AHRC Final Report), allowed extensive
cataloguing and preservation work at EAFA, particularly focused on the
Anglia Television materials:
- It represented the first rigorous attempt to catalogue EAFA's Anglia
Television collection
- As a result, the percentage of Anglia Television productions formally
preserved (and accessible) at EAFA rose from 10% to 50%, and, through
collaborative working with the researchers, archivists had a stronger
understanding of how best to conserve and preserve that material
- The project digitised 500 hours of film (1200 films): 230 hours of
that material has been made available on the EAFA website
Audience Expansion
The expansion of EAFA's collection has been communicated and presented
through a series of public events that links the newly accessible material
with unit researchers' existing expertise in media consumption, geography
and regional media:
- A two-day academic-industry event, organised by the unit and Anglia
Television - a public forum where unit researchers identified and
explored newly opened EAFA collections. Held at a specialist film
theatre (Cinema City, Norwich) and open to the general public, this
event was attended by researchers, ex-Anglia personnel, and local
residents. Public talks from Higson, Jancovich, Mills, and Snelson (and
other unit colleagues, including Su Holmes) highlighted the importance
of EAFA archival material to broader understandings of British regional
television history and local identity
- These public talks were complemented by five archive screenings,
including a gala screening of two programmes from Anglia Television's
opening night in 1959.
- This research-led event was described as `exceptional and
ground-breaking and has provided ideas for future development of the
Anglia TV resource' (Martin Ayers (Screen East), quoted in AHRC Final
Report, 2008)
- The revamped EAFA website, featuring over 500 hours of material, has
had 400,000 visits since 2012, over 263,000 of which have been unique -
a significant means of extending engagement with the material
- Over 100 community screenings of EAFA material (2010-11: `Archive
Flicks in the Sticks'; 2012: Norwich HEART Digital Heritage Project),
reaching over 30,000 people across the East Anglia region:
- a wonderful reminder of local history here in Bury' (Lynda, Bury)
- Congratulations on organising this tour and making films accessible
to all' (Kate A, Bury)
- Enjoyable and informative. Nice way to present archive film' (Liam
R, Cambridge)
- Thank you for keeping the Heritage alive. All that hard work
restoring it paid off' (Anonymous, King's Lynn screening)
- EAFA Week (June 2013): a series of archive screenings in Norwich, with
introductions from unit researchers including Snelson's presentation on
the history and heritage of Anglia Television's regional soap opera, Weaver's
Green:
- it gave me great insight into the work and restoration that is
undertaken by EAFA'
- The staff... who gave the lectures really seemed to care about the
archive, and understood its potential applications for future
generations.'
Collectively, these activities represent a significant expansion in
engagement with EAFA's holdings since 2008: an estimated physical audience
of over 30,000, and an online audience of over 250,000. This has occurred
across a broad range of social and cultural settings, led by unit research
into the evocative power of local/regional moving images.
Research and Creative Projects
EAFA now has a more significant reach than before, used by academic
researchers (from the Universities of Glasgow, Leicester, Nottingham,
Dundee and Essex), broadcast / production companies (BBC, ITV Anglia, ITV
Leeds, Tiger Aspect, Postcode Films), regional history groups (Norfolk
Museums and Archaeology Service), and charities and public service
organisations such as Norwich HEART, Community Music East and the Norfolk
Records Office (which used the collection for `The Story of Norfolk's
Parish Registers' exhibition).
Sources to corroborate the impact
- Conference programme for Anglia Television and the History of ITV:
Programming, Regionalisation and the Television Economy (November
14-15 2008)
http://www.uea.ac.uk/ftv/angliatv
- EAFA report on Usage and Coverage of Films, produced and disseminated
during AHRC grant (March 2013)
- Final report to the AHRC of "Anglia Television at the East Anglian
Film Archive: A Catalogue of the Collection, 1959-2000" (March 2009)
(AHRC Document Reference AH/D503655/1)
- List of EAFA usage, including screenings
- List of Researchers (academic and non-academic) using EAFA 2008-2013
- Copy of attendees' comments book from Digital Heritage Project (DHP)
- DHP presentation report for EU funder A Cross-Channel Mobile
Cinema Tour - delivered in East Anglia by Norwich HEART and the
University of East Anglia (22-31 May 2013)
Project Website at http://www.archivesenligne.fr/en/about-project
- DHP Evaluation Report: An Evaluation of the Heritage Economic
& Regeneration Trust's Digital Heritage Project
- Report on EAFA Film Archive Week (8-13 July 2013)