Drama in Schools as Cultural Intervention – Romanian Case Study
Submitting Institution
University of ChesterUnit of Assessment
Music, Drama, Dance and Performing ArtsSummary Impact Type
SocietalResearch Subject Area(s)
Education: Curriculum and Pedagogy, Specialist Studies In Education
Language, Communication and Culture: Cultural Studies
Summary of the impact
Teaching and learning in Romanian schools is being transformed by the
idea that the arts can
have a cultural impact on learning and that drama can enhance everyday
performativity.
Thousands of students have been involved in this research, which has led
to the foundation of the
Educational Drama Association of Romania, an independent, sustainable and
locally governed
organisation whose aim is being achieved in schools across Romania. EDAR
works to promote
drama in education, both as an elective and extra-curricular activity, to
develop critical thinking.
Underpinning research
Professor Peter Harrop and Senior Lecturer Jane Loudon are familiar with
the history of ideas
reflected in the development of educational drama, applied drama and
theatre for development.
Their joint work in Romania has spread to Estonia, Macedonia, Russia,
Slovakia and Slovenia.
This work falls at the interface of three defined areas of research —
firstly, the meeting of
performance and performativity, secondly, intercultural approaches to
performance, and finally,
applied drama and theatre. Harrop and Loudon have gained experience in a
number of cultural
settings in Ethiopia, India, Macedonia, Malawi, Romania, South Africa and
the UK. In the
Romanian case, both speed and spread in the achievement of impact reflects
research
significance and is itself deserving of further documentation and
dissemination.
Harrop engages with the anthropological and ethnographic dimension of the
emergent
Performance Studies and its debt to social scientific notions of
performativity, while Loudon
focuses on the intercultural application of the notion of `dialogic
performance'. Both have
experience of the introduction of these ideas in different cultural
contexts and have developed
mechanisms for a culturally neutral approach which is nevertheless
cognizant of the culture in
which it operates. They use the term performativity to refer to the
performance of everyday social
interaction and observe that, though performativity encompasses most of
the ways in which we
learn and teach, it is rarely foregrounded in educational curricula.
Their research shows human performativity can be harnessed through
dramatic frameworks of
experiential learning in order to enliven teaching and learning. This can
be applied to selected
bodies of content, and particularly lends itself to educational subtexts
of `self', `difference' and
`change'. This interplay of ideas and practice has been summarised in Performance
Research
(Harrop 2004); Research in Drama Education (Loudon 2005); and in a
joint paper presented at
Research in Drama Education International, University of Exeter (2005). It
continues to inform their
current work in both performance ethnography and performance making. Both
Harrop and Loudon
have been employed at the University of Chester from 2001. Loudon as
Senior Lecturer in Drama
and Programme Leader for Drama and Theatre Studies. Harrop as Head of
Performing Arts (2001-2004);
Dean of Faculty for Arts and Media (2004 - 2009) and Pro-Vice Chancellor
(2009-date).
References to the research
Harrop, P. `Performance and Civility', Performance Research, 9:4, 2004,
pps. 134-138,
Routledge.
Harrop, P. & Loudon, J. `Educational Drama as Cultural Intervention:
A Romanian Case Study',
Drama As Social Intervention, 5th International Conference, Research in
Drama Education, Exeter
University, April 2005.
Loudon, J. `The Value of Educational Drama', Joint Conference, Romanian
Association of
Teachers of English and the Romanian Association of Teacher Educators,
University of Cluj, 2005.
Loudon, J. `The Educational Drama Association of Romania', Keynote
Address, Inaugural EDAR
Conference, University of Reshita, 2007.
Harrop, P. Leading two two-week drama workshops for Romanian
practitioners, and directing two
further two week Romania based intercultural workshops for (largely)
eastern European
participants. Calimenesti, Romania (2001); Navodari, Romania (2002);
Brasov, Romania (2003)
and Mercurea Ciuc, Romania (2004).
Output was submitted to RAE 2008 and assessed at 2* or above.
Harrop, P., Bacova, D., Balasiu, V. & Phillips, T. Development of the
Educational Drama
Association of Romania. (2004). Confidential report (for the British
Council). The report examined
the funding relationships between the British Council, a second
non-Romanian NGO, and
EDAR/Romanian Ministry of Education.
Output was submitted to RAE 2008 and assessed at 2* or above.
Funding
British Council funding awarded to Peter Harrop and Jane Loudon (awarded
incrementally on the
strength of participant feedback, this amounted to £5,500, covering the
years 2001-2006).
Quality
Harrop and Loudon co-led the 2002 British Council/EDAR summer school in
Novodari, Romania,
which was awarded the Best European Language Project 2002.
Peter Harrop was invited to become the director of a Hornby School in
Romania in the summer of
2004. He has published in Performance Research, Studies in
Theatre and Performance,
Contemporary Theatre Review, Folk Life and Popular
Entertainment Studies. His edited book
Performance and Ethnography was published in June 2013. His earlier
Ethiopian work is cited in
the World Encyclopedia of Contemporary Theatre, and the papers of the
University of Hamburg
Institute of African Studies. In the last five years he has delivered
papers at the Universities of
Aberystwyth, Bangor, Exeter, Imperial, Lancaster, Leeds, Nottingham and
Sheffield. He has
externally examined related PhDs at Royal Holloway, Sheffield and Warwick.
Jane Loudon has undertaken consultancy work in Drama in Education in
Romania (2001 - 2010),
India (2003), and Malawi (2000-2009); she has published on this work in Research
in Drama
Education, and is currently co-editing a collection of Malawian
cultural tales for publication. She
was the invited keynote speaker at the inaugural EDAR (Educational Drama
Association in
Romania) conference, at Resita in Romania in November 2007. She mentors
the University of
Chester graduate theatre company, 2engage, who continue to work in
Romania with EDAR. She
continues to undertake theatre for development projects in Malawi and with
the Tibetan community
in Northern India.
Details of the impact
Drama as an effective educational tool tends to go unrecognised in
cultures where engagement
with performing arts is seen as unusual, privileged and elitist — the
preserve of an exceptional gift.
By focusing on everyday performativity, it is possible to facilitate
teaching and learning by
encouraging action, reflection, analysis and re-action. This has proved
particularly valuable and
popular in the transition from reliance on `chalk and talk' methods
prevalent in immediate post-
Ceausescu Romanian schools, to a more dialogic approach. Victoria
Hlenschi, current Vice
President of EDAR, notes that "the benefits of drama in an educational
system still marred by the
traditional methods of the communist legacy were immediately obvious. As a
participant since the
very beginning of this national project I have felt its positive impact
both personally and
professionally, which has naturally reflected in my teaching and my
students' performances".
Harrop and Loudon have disseminated a theoretically informed model of
practice developed in a
range of cultural settings which has led to the foundation of the
Educational Drama Association of
Romania which now has a membership of approximately 150 teachers, spread
across the country.
The organisation exists for `promoting drama in education both as an
elective and as an extra-
curricular activity... to develop...critical thinking'. The organisation
held its inaugural conference at
the University of Resita in 2007 and is now an independent, sustainable
and locally governed
organisation whose aim is being achieved in schools across Romania. In
addition to working with
150 Romanian teachers, Loudon, her students and the department's graduate
student company
have visited teachers in more than 50 schools across the country, and some
four thousand pupils
have taken part in workshops. Their work has impacted on teaching and
learning methods in
Romanian high schools. This has attracted the attention of the Romanian
Ministry of Education and
the Romanian media; the work has been reported in three television news
interviews (reaching
some 60,000 viewers in total), and in two articles in regional newspapers
(reaching some 8000
readers in total).
Harrop and Loudon delivered joint summer schools in Romania in 2001
(Calimanesti), 2002
(Novadari) and 2003 (Brasov). The first of these, in Calimanesti, led
directly to the establishment of
the Educational Drama Association of Romania. The second (Novadari) won
the European Union
award for best language project. The third attracted teachers from
Estonia, Macedonia, Russia,
Slovakia and Slovenia. In 2004, the British Council devoted, for the first
time, an international
Hornby Summer School to Educational Drama and located it in Mercuria Ciuc,
Romania, inviting
Harrop to undertake the role of Director. In 2005, Loudon was invited to
speak at a joint conference
of the Romanian Association of Teachers of English and the Romanian
Association of Teacher
Educators at the University of Cluj. In 2007, EDAR organised its inaugural
independent conference
with the Romanian School Inspectorate and University of Resita. Loudon was
invited to give the
opening address and conduct a workshop for the participants.
In 2008, Loudon was asked to address officials of the University of
Resita and participants in a
non-UK Erasmus arrangement to give an overview of the University of
Chester/EDAR project.
Meanwhile, "the association [EDAR] managed to create a network of teachers
of English ready to
implement and sustain educational drama in Romania". [Hlenschi, V. EDAR
Vice President, 2013.]
From 2004 to 2009 Loudon travelled with groups of Drama students from the
University of Chester
to conduct drama workshops jointly with EDAR members in Romanian schools,
offering supported
experience in the drama classroom. Loudon's work mentoring a University of
Chester graduate
applied theatre company, 2engage, allowed her to step back from
direct involvement and pass the
mantle of the work to the company, who were then supported by the
increased resource and
organisational capacity of EDAR. From 2009 onward the company (with the
active support of the
department) has continued to work with teachers and pupils in Romanian
schools with further
planned visits for 2014. The project has reached more than 50 schools
across the country, and
some four thousand pupils have taken part in workshops. This work has
attracted attention from
the Romanian Ministry of Education and media, including television news
reports and interviews,
both regional and national.
In less than a decade (from 2004 to 2013) the project has moved from a
British Council supported
initiative to a sustainable national project. As the Vice President of
EDAR put it this year, "Drama
helps both teachers and students develop their communication, problem
solving and social skills,
their emotional intelligence, creativity, cooperation and collaboration,
self-esteem and self-
confidence." [Hlenschi, V. EDAR Pice President, 2013.]. The work of Harrop
and Loudon has
played a crucial, determining role in bringing this valuable approach to
Drama to the Romanian
education system.
Sources to corroborate the impact
The Educational Drama Association of Romania can be accessed on http://www.drama.ro/
with major projects listed at http://www.drama.ro/proj.php.
A statement from the Vice President of EDAR is held by the University and
corroborates the
quotations attributed to her in section 4 above.