Bringing China to Scotland: Transformed Understandings Across the Public and Private Sectors
Submitting Institution
University of EdinburghUnit of Assessment
Area StudiesSummary Impact Type
CulturalResearch Subject Area(s)
Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies
History and Archaeology: Historical Studies
Summary of the impact
The pioneering research of Professor N Gentz and Dr J Ward into
cross-cultural engagement and
of Dr J Ward on Chinese film has been the basis for a series of
ground-breaking educational and
cultural collaborations between China and Scotland organised by
Edinburgh's Confucius Institute
for Scotland (CIS). These significantly enhanced the understandings of
China held both by the
public at large and by stakeholders across Scotland's business, cultural
and educational sectors.
Work on cross-cultural engagement through film and photography operated as
a particular trigger
for these increased exchanges on a range of matters between China and
Scotland. The positive
impact of these activities has been recognised by a range of stakeholders,
including, most
significantly, the Scottish Government.
Underpinning research
Natascha Gentz (Professor, appointed 2006 and Director of the Confucius
Institute for Scotland) is
best known for introducing a transcultural perspective to modern Chinese
Cultural and Media
Studies. In her major publications on global knowledge circulation and
transfer, she has broken
conventional East-West paradigms and disentangled specific interests,
agendas and agencies in
historical and contemporary transcultural interactions. Her research on
modern Chinese media and
performance, and the ensuing contacts established in China, enabled her to
bring major cross-
cultural projects to China. Combining her research on modern Chinese
politics and on translation
studies, she has the translational capacity in relation to research that
are needed by both the
Scottish and Chinese governments when they are considering cultural
policies and the Scotland-
China plan.
Julian Ward (appointed 1998; Senior Lecturer, 2009) is an internationally
renowned pioneer in
Chinese Film Studies, who helped develop the field in a wide range of
areas covering the whole
span of Chinese cinema from its beginning to contemporary films. His
research is unique in its
particular focus on cinematic representations of East Asian history in
mainstream or `main melody'
films as well as almost entirely neglected propaganda films of the Maoist
era. By combining both
transnational and historical perspectives, he is one of the leading
figures in Chinese Film Studies,
as evidenced by his recent publication, The Chinese Cinema Book, a
prestigious publication for
the British Film Institute. Dr Ward is also co-editor of the international
peer reviewed journal
Chinese Cinemas, the first and only journal focussing on this area
with a renowned editorial board
of all specialists in the field.
References to the research
1. Gentz, N., `How to Get Rid of China: Ethnicity, Memory and Identity in
Gao Xingjian's
Autobiographical Novel "One Man's Bible" ', in N. Gentz and S. Kramer,
eds., Globalisation,
Cultural Identities and Media Representations (New York: SUNY Press,
2006), 119-142. Available
from HEI on request.
2. Gentz, N., `The appropriation of Tragedies in Meiji Japan and Late
Qing China', in O. Lomova,
ed., Path towards Modernity, in Honour of Jaroslav Průšek (Prague:
Karolinum Press, 2008), 221-
238. Submitted to REF2.
3. Gentz, N., `Verhandlung der Vergangenheit: Narrative der
Kulturrevolution in Parteigeschichte,
Literatur und populären Medien', in T. Plänkers, ed., Chinesische
Seelenlandschaften. Die
Gegenwart der Kulturrevolution (`Negotiating the Past: Cultural
Revolution Narratives in Party
Historiography, Literature and Popular Media' in Chinese soul-scapes:
the presence of the Cultural
Revolution) (Goettingen: Vandenhoeck und Ruprecht, 2010), 23-62.
Submitted to REF2.
4. Gentz, N., `Über die Anfänge des chinesischen Journalismus in
Schottland: auf den Spuren von
Andrew Shortrede (? -1858)' in F. Ehmke and M. Müller, eds., Reisen im
Zwischenraum. Zur
Interkulturaltät von Kulturwissenschaft (`On the beginnings of Chinese
journalism in Scotland:
tracing Andrew Shortrede (?-1858)' in Travelling in Interspace. The
Intercultural Nature of Cultural
Studies) (Würzburg: Ergon Verlag, 2012), 117-133. Submitted to REF2.
6. Ward, J., `The Remodelling of a National Cinema: Chinese Films of the
Seventeen Years
(1949-66)' in The Chinese Cinema Book, J. Ward and Song Hwee Lim,
eds., (Basingstoke:
Palgrave Macmillan, 201), 87-94. Available from HEI on request.
Details of the impact
When the Confucius Institute for Scotland opened in 2007, awareness of
China among the general
public and stakeholders in Scotland's educational and cultural sectors was
limited and there was
also limited infrastructure to support cultural exchange in place.
The transcultural knowledge transfer research focus of both Gentz and
Ward has directly
underpinned significant advances in addressing both problems of
infrastructure and the previous
lack of awareness. An important collaboration was brokered in 2007 between
the University of
Edinburgh (UoE)/CIS and the Beijing Film Academy (BFA) by Gentz, entitled
`Cinema China 2007'.
Impact has been built from this starting point during the census period.
During the census period, the CIS organised more than 300 China-related
public events (see
http://www.confuciusinstitute.ac.uk/events/) that had an
impact on business, education, culture and
politics in Scotland. The success of these events was mainly based on the
China-expertise of N
Gentz acquired by her research on Chinese Cultural Studies. Below, four
examples of the wide
range of activities of the CIS are given to point out the specific
relationship between research and
impact in these particular events.
In 2008, organised by Gentz and rooted in her research on transcultural
knowledge transfer as
well as Ward's insights on Chinese film, CIS coordinated and marketed the
`China Now in
Scotland' festival. This comprised over 150 events involving more than 25
organisations across
Scotland from business, education, the arts, science and sport, ranging
from Aberdeen City
Council to the Scottish Arts Council (1). A member of the House of Lords,
a Patron of the Festival,
said: `The Institute's ability to unify the diverse efforts of various
programme partners, coupled with
the impact of the major events they ran, ensured that not only was a
substantial and diverse
audience reached, but several significant sustainable relationships were
also established' (2). A
former deputy leader of the Labour Party, commenting on the business
panel, stated: `The level of
interest and diversity of businesses at the China Expert Panel was
impressive. The Institute had
clearly tapped into the SME (Small and Medium Enterprise) sector and
stimulated them to
consider evolving a plan for engagement with China. It was a most
worthwhile evening' (3).
In 2008 Gentz secured an agreement with Guandong Museum of Art to bring a
substantial
photographic exhibition to Edinburgh's City Art Centre for 10 weeks. This
was `China: a
Photographic Portrait', and it featured more than 600 images dating from
1951 to 2003. The
Scotsman (4 July 2008) commented: `Modern China is a place of
immense wealth and absolute
poverty, a fact which has been captured beautifully by this massive,
enthralling exhibition of
hundreds of photographs' (4).
Comments from members of the public included:
- `Enlightening and very moving. Best photographic exhibition I have
ever seen';
- `Gave me a feeling how China is like before I go there. Enjoyable!';
- `Excellent... makes people think...';
- `Phenomenal, moving' (5).
Building on these successes, Gentz facilitated the securing of contracts
with the National Academy
of Education Administration, China from 2008-2011. In 2009, 25 senior
staff from leading Chinese
universities attended a week-long CIS-organised university leadership
programme in Edinburgh.
An Associate Professor at the NAEA commented: `We were delighted to take
part in this exchange
between China and Scotland. The programme gave us many ideas to take back
to our institutions
in China' (6). Further groups visited in 2011 and 2012.
That same research underpinned cultural links facilitated with Scottish
schools. CIS organised the
September 2012 visit of members of Peking University's Chinese Music
Institute to 700 pupils in 5
secondary and 7 primary schools. 70 pupils from three of these joined the
orchestra to play
melodies on metallophones and to sing in Mandarin Chinese. The Music
Coordinator for Fife
Council commented: `It's hard to credit the impact of this project on the
children and young people
involved and memories of the event will, I am sure, stay with them all for
many years to come. To
foster such warm and positive relations between young people from both
countries is a marvellous
thing' (7).
The Scottish Government is known to be supportive of the work of the CIS,
both as a catalyst and
facilitator for the sector, which it says helps to create a vibrant
landscape of cross cultural
engagement between Scotland and China (8).
Sources to corroborate the impact
(The web links are to original webpages, but should
these be unavailable a pdf of the page can be found at https://www.wiki.ed.ac.uk/display/REF2014REF3B/UoA+27.)
(1) http://chinanow-inscotland.org/aboutus.php#history. Source
corroborates range of events.
(2) Contact: Member of the House of Lords and Patron of the Festival.
Corroborates quote in
section 4 on `China Now in Scotland'. Corroborates the quotation in
Section 4 regarding diversity
of the programme and audience and opportunity for establishing new
relationships.
(3) Former Deputy Leader of Labour Party. Corroborates the quotation in
Section 4 on `China Now
in Scotland' regarding business panel.
(4) The Scotsman, 4 July 2008. Corroborates quote on `China: a
Photographic Portrait' in section
4. Available from HEI on request.
(5) Visitors Book. Corroborates quotes on `China: a Photographic
Portrait' in section 4. Available
from HEI on request.
(6) Contact: Associate-Professor, National Academy of Education
Administration. Corroborates the
quotation in Section 4 regarding the University Leadership programme.
(7) Contact: Fife Council, Music Coordinator. Corroborates the quotation
in Section 4 regarding
engagement with Scottish Schools and the visit of Peking Universities
Chinese Music Institute to
Secondary and Primary Schools.
(8) Contact: Team Manager, Cultural Relations, Scottish Government.
Corroborates statement in
section 4 on Scottish Government's recognition of the work of the CIS.