The Secret Lives of Buildings and the Future Life of Cardross: creating a community of creative practice from architectural ruins
Submitting Institution
University of EdinburghUnit of Assessment
Art and Design: History, Practice and TheorySummary Impact Type
CulturalResearch Subject Area(s)
Built Environment and Design: Architecture, Design Practice and Management
Studies In Human Society: Sociology
Summary of the impact
The Secret Lives of Buildings, a book by Edward Hollis about
famous buildings that `went wrong', has achieved both literary acclaim and
a readership in five languages worldwide. The chief insights of the book —
that buildings, like stories, are ephemeral things, passed from generation
to generation — have been used by an AHRC-funded research network, The
Invisible College, to change attitudes towards, and policy about,
the fate of one of Scotland's most controversial modern buildings: St
Peter's Seminary in Cardross. Working with stakeholders from government to
the local community, the College has set a new precedent for the
incremental and sustainable reuse of abandoned sites in Scotland.
Underpinning research
The majority of modern buildings which have achieved critical acclaim are
held in the imagination as `masterpieces' that should either be preserved
in their original state, or restored to it. In 2009, Edward Hollis, Reader
at ECA (2004-) published his first book, The Secret Lives of Buildings,
to challenge the validity of this assumption.
The book comprised a series of case studies, in which each historical
period was represented, not by an account of an architectural style, such
as `classical', or `gothic' but by folk tales about a mode of alteration,
from `ruination' (the Parthenon), `appropriation' (Hagia Sophia) to
`restoration' (Notre Dame) or `prophecy (the Hulme crescent housing estate
in Manchester). It demonstrated how great buildings, from the Parthenon to
Notre Dame, are perpetually incomplete, or in flux, and that this is the
key to their cultural capital.
In a time of economic constraint, the assumption that great architectural
works should be conserved or restored, to all intents and purposes `frozen
in time', presents a particular challenge, that affects not only those
responsible for historic preservation and urban development, but the
communities who live with ruinous buildings day-to-day.
In November 2010, a group of architects, artists, public arts
administrators, representatives of Historic Scotland, Creative Scotland
and the Scottish Government held a debate about one such building as
Scotland's contribution to the Venice architecture Biennale of that year;
and the organiser of this event, Angus Farquhar, Creative Director of the
arts charity NVA (5.7) who had read The Secret Lives of Buildings,
invited Hollis to join the delegation.
St Peter's Seminary was designed by Gillespie, Kidd and Coia in the
Brutalist style in 1961 and abandoned in 1986. Located on the wooded
fringe of Cardross, twenty miles west of Glasgow, St Peter's is described
by the international modern architecture conservation organisation,
DOCOMOMO, as a 'building of world significance'. However, unoccupied for
upwards of twenty-five years, it is currently in a ruinous state.
Several proposals have been made, over the years, for St Peter's. They
have all shared the assumptions that the site, in its derelict state, is
valueless (in cultural, social or monetary terms), that the only options
for the building are either full restoration or complete demolition, and
that its future rests solely in private hands. To date, no proposal has
been realised: either the required investment is not balanced by projected
profits or plans have been met with opposition from locals and/or the
architectural community.
In 2012, following the Biennale debate, the Invisible College research
network was funded by the AHRC (£109k) to explore ways of reconnecting the
diverse communities that have an interest in St Peter's. The network is a
collaboration between NVA, Drs Lorimer and Gallagher (University of
Glasgow), Professor Alan Pert (then at the University of Strathclyde), and
Hollis.
Building on his contribution to the Venice Biennale, Hollis' specific
role in the consortium was to articulate the value of St Peter's, not as a
fixed architectural object, but as a process of dereliction and
regeneration. To date, his principal insight has been that the cultural
capital of the site was not exhausted with its abandonment but in fact
enhanced, and that an understanding of the process of its abandonment is
key to the future redevelopment of the site.
References to the research
3.1 Authored Book: Hollis, Edward The Secret Lives of Buildings: From
the Ruins of the Parthenon to the Vegas Strip in Thirteen Stories
Portobello Books (London 2009) ISBN 978-1-84627-4 (REF 2 Output submitted)
3.2 Chapter in Edited Book: Hollis, Edward No Longer, Not Yet in
Reinventing Architecture and Interiors: a socio-political view on
building adaptation. Libri Publishing, p. 177-194 (Faringdon, 2013)
ISBN 978-1-907471-73-5
3.3 Chapter in Edited book: Hollis, Edward Building Stories
chapter in Narrative the Built Heritage — Papers in Tourism Research
(edited by Charles Mansfield and Simon Seligman). VDM Verlag p.62-78
(Saarbrücken, 2011) ISBN 978-3-639-27733-3
3.4 Chapter in Edited Book: Hollis, Edward Anxious Care and Unsightly
Aids chapter in To Have and To Hold: Future of a Contested
Landscape (edited by Gerrie Van Noord). Luath Press p54-57.
(Edinburgh, 2011 ISBN 978-1-908373-10-6
3.5 Funding: The Invisible College: Building communities of creative
practice was granted £109,293 FEC in 2012 by the Arts and Humanities
Research Council (AHRC).
Details of the impact
The impacts of The Secret Lives of Buildings may be summarised as
follows: firstly an appeal to diverse audiences beyond the academy,
secondly, the impact of its insights on the workings of the Invisible
College, and thirdly, as a consequence, its impact on the ruins of St
Peter's Seminary itself.
The Secret Lives of Buildings: uptake
Translated into five languages (Italian, German, Czech, Portuguese,
Chinese),The Secret Lives of Buildings appealed to a diverse set of
readers. The New York Review of Books commented: 'no matter how familiar
these works [the buildings] may be, he turns the story of each structure
and its subsequent transformations into an informative parable about the
inevitable metamorphoses of the built environment' (5.1). Jonathan Glancey
wrote in the Guardian: `The author's purpose in telling the stories of
these enchanting and sometimes disturbing buildings is to demonstrate how
each has enjoyed more lives than a cat.'
In 2010, The Secret Lives of Buildings was nominated for The
Guardian First Book Award and the Samuel Johnson Prize for Non-Fiction.
Published in seven countries, it has sold around 17,000 copies worldwide
(5.10). Hollis has spoken about the book at more than fifteen literary
festivals (including the Edinburgh International Book Festival) and in
interview with the BBC (World Service, Radio 3 and BBC Scotland), as well
as broadcasters in the US, Ireland and Australia.
The role of The Secret Lives of Buildings in the Invisible
College
The insights of The Secret Lives of Buildings have influenced the
Invisible College network in the following manner. In 2012, the Invisible
College held three public open days at the seminary, with around fifty
stakeholders from a range of backgrounds — from international
architectural `fans' to local residents — attending each one.
Each open day ended with public lectures, featuring speakers from
geographers of ruins (Tim Edensor, Caitlin de Silvey) to the landscape
architect Tilman Latz. Hollis spoke at the close of the second, in a joint
event with Andy Wightman, the writer, campaigner and researcher on common
land issues. These lectures were used to set the future of St Peter's in a
wider cultural context; and for Hollis this involved persuading those
stakeholders present to see St Peter's as a dynamic site, like those
described in The Secret Lives of Buildings.
Hollis also contributed to the design and implementation of workshops on
these open days in which participants `acted out' some of the processes of
building alteration described in The Secret Lives of Buildings.
For example, Safe as Houses (June 2012) involved drawing on the
fabric of the building, identifying places of safety amid the ruins, while
The Fortune Tellers (March 2012) involved games in which
participants predicted the future of the site over diverse durations, from
five days to five centuries.
Intended to spark debate, the activities revealed that an historical
understanding of the site might be found in small acts of playful
storytelling, and that St Peter's could follow the same path of
regeneration as its incremental and anarchic dereliction.
The Invisible College and the future of St Peter's Seminary
The most immediate beneficiaries of these activities have been local
residents, who have started to care for, and therefore benefit from, the
landscape around the building. Along with NVA, they have begun to clear
the forest, replant the vegetable gardens and clear the rhododendrons that
choke the site (5.4).
Vandalism has decreased and activity on site is becoming more accepted.
During the third open day in September 2012, one Cardross resident, Tahira
Naseem, commented: 'Although I enjoy the silence of the area (at
times), the thought that one day it may accommodate more than the
occasional passing soul is a warming one' (5.6). Testifying to local
interest in, and activity on site, one blogger noted: 'I passed a
couple of women collecting fire wood, they assured me [with] permission.
It turned out one of the woman's mums had worked at the seminary and had
told her of a secret hermit's cave in the grounds' (5.3).
One of the most significant impacts of this has been an attitudinal
change within Historic Scotland, who `Category A' listed the site in
August 1992, but now agree that its value as a national asset is not
predicated upon the restoration of the building to its original state
(5.8).
Having rejected an initial bid by NVA, in early 2012, for funding to
renovate the site, representatives of the Heritage Lottery Fund have since
encouraged NVA to reapply on the basis of what they have seen of the work
of the Invisible College. To date, along with the Scottish Government and
The Caram Trust, Historic Scotland has awarded NVA £88k to purchase the
site from the Archdiocese of Glasgow and, following a visit by Fiona
Hyslop MSP, Cabinet Secretary for Culture and External Affairs in October
2012, application for further Government funds has been encouraged to
finance future regeneration (5.9).
In total, NVA aims to raise another £4.5 million for the project, with
the results of recent applications known in December 2013 (5.5). This will
assist in the incremental transformation of St Peter's, started in 2012
and recently given impetus by the purchase of the site, into an Invisible
College `field station' for arts-led interdisciplinary research and public
engagement.
These first steps in the regeneration of St Peters have evidenced the
thesis of The Secret Lives of Buildings: that ruins can be more
than relics of a historic past. Rather, set in incremental, peopleled
change, they can perform new functions, and in doing so, live again.
Sources to corroborate the impact
Copies of these web page sources are available at
http://www.wiki.ed.ac.uk/display/REF2014REF3B/UoA+34
(5.1) Review of The Secret Lives of Buildings by Martin Filler in
the New York Review of Books 21.5.2010 http://tinyurl.com/2wo75jf
(5.2) Review of The Secret Lives of Buildings by Jonathan Glancey
in The Guardian, 12.09.2009
http://tinyurl.com/njx6fg
(5.3) Blog post about a urban explorer's visit to St Peter's Seminary,
Cardross, 18.01.2013
http://tinyurl.com/q4b5oak
(5.4) Article about the Invisible College by David Pollock in The
Scotsman, 31.08.2012
http://tinyurl.com/l63ujsp
(5.5) Detailed plans for the incremental redevelopment of St Peter's by
NVA, including material on funding from Historic Scotland, Scottish
Government etc. http://tinyurl.com/mr3xcme
(5.6) Feedback from participants in Invisible College workshops: http://tinyurl.com/metuk4d
(5.7) Contact details for the Creative Director, NVA, can be made
available on request to corroborate statements re relationship between
Invisible College and Secret Lives of Buildings.
(5.8) Factual Statement from Principal Inspector, southwest team of
Historic Scotland can be supplied on request to corroborate statement re.
influence of Invisible College in HS approaches to Kilmahew.
(5.9) Factual Statement from Chief Architect, Scottish Government can be
supplied on request to corroborate statement re influence of Invisible
College on government approaches to Kilmahew.
(5.10) Sales figures for The Secret Lives of Buildings: relevant
documentation available on request.