The Material Culture of Late Medieval Religion in Wales
Submitting Institution
University of South WalesUnit of Assessment
HistorySummary Impact Type
CulturalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
Much of Madeleine Gray's recent research focuses on the visual and
material culture of religion in
late-medieval and early modern Wales. This has led to invitations to work
as a consultant on
several major heritage and community regeneration projects as well as
numerous public lecturing
engagements, newspaper articles and appearances on network television,
notably the BBC's
award-winning `The Story of Wales'. This media activity and heritage
consultancy has repositioned
the academic and wider public's sense of Welsh identity away from the
traditional focus on
nonconformist chapel culture and towards a wider awareness of Wales's
European heritage.
Underpinning research
Dr Gray's underpinning research into the visual and material evidence for
late medieval religion in
Wales led to the publication of Images of Piety (submitted for RAE
in 2001). This provided an
overview of the evidence, setting it both in the wider European context
and in the context of the
evidence of medieval Welsh vernacular poetry (a very rich and
comparatively unexplored source
for religious belief). Many of her more recent publications in
peer-reviewed journals and academic
collections (some submitted for RAE in 2008) have focused on the material
culture of medieval
religion and the impact of the changes of the sixteenth century,
developing and expanding on
themes initially discussed in Images of Piety. She has also
further developed the use of vernacular
poetry to interpret the material evidence, a subject on which she is
currently supervising a PhD
thesis. Her work in the heritage industry has fed back into the research,
providing (for example) the
context for the study of text in medieval wall paintings submitted for the
current REF, and a more
recent study of the art of the macabre in medieval Wales which draws on
her work for the
Llancarfan wall paintings project. Crucially and innovatively, this
research links the physical and
artistic evidence of surviving medieval churches (stained glass, wall
paintings, carvings) with
literary and documentary evidence in the National Library of Wales, the
National Archives and
other repositories. Much of the visual evidence is to be found in tomb
carvings and this theme is
further developed by Dr Gray's current project, an online analytical
database of medieval tomb
carvings in Wales and a parallel study of wider patterns of commemoration.
This has produced a
number of conference papers and articles in learned journals. These
studies have significantly
shifted perceptions of religion and national identity in Wales, and have
contributed to the
revaluation of its medieval artistic and ecclesiastical heritage.
References to the research
Peer-reviewed publications
• Images of Piety: the iconography of traditional religion in late
medieval Wales (Oxford:
BAR, 2000)
• (with Salvador Ryan), 'Mother of mercy: the Virgin Mary and the Last
Judgement in Welsh
and Irish Tradition', in K. Jankulak, T. O'Loughlin and J. Wooding (eds),
Ireland and Wales
in the Middle Ages (Dublin: Four Courts Press, 2007), pp. 246-61
• `Images of words: iconographies of text and the construction of sacred
space in medieval
church wall painting', in Peter Thomas and Joe Sterrett (eds), Sacred
Text — Sacred Space:
Architectural, Spiritual and Literary Convergences in England and Wales
(Leiden: Brill,
2011), pp. 15-34
• `Sacred space and the natural world: the shrine of the Virgin Mary at
Penrhys', European
Review of History: Revue europeenne d'histoire,18(2) (2011), 243-60
• `Reforming Memory: commemoration of the dead in sixteenth-century
Wales', Welsh
History Review 26(2), December 2012, 4-52
• `The "Dawns o Bowls" and the macabre in late medieval Welsh art and
poetry', Studia
Celtica, 47, 2013
Details of the impact
While working on Images of Piety Dr Gray was invited to become a
member of the advisory panel
on the reconstruction of Llandeilo Talybont church at the National History
Museum, St Fagan's.
Regarded as the museum's most popular site by most of the 600K+ visitors
each year, the church
has been refurnished as it might have appeared in the early sixteenth
century. Her research was
crucial to the design and interpretation of the furnishings and
particularly of the completion of the
remarkable but fragmentary sequence of wall paintings which were rescued
from the original
church. Her research and guidance helped the Learning Team devise a church
tour which
has been performed to over 8,000 pupils, plus widely-disseminated
resources for self-led trails. All
this has been informed by her research and has been rewarded by the award
of an honorary
research fellowship of the Museum.
As a result of the research outlined above, Dr Gray has also been asked
to advise on numerous
other church heritage projects and heritage trails including the
Llancarfan wall paintings project,
`probably the most significant find of its type in a hundred years'
according to the BBC; the Llantwit
Major Galilee project which is rehousing the early medieval inscribed
stones in the church and
providing an interpretative strategy for later medieval art; the Penrhys
Pilgrims project, a major
community regeneration project in the Rhondda which was largely inspired
by and drew
extensively on the research on the history of the shrine published in Images
of Piety; digital
interpretation of the castle chapel at Oystermouth near Swansea. All these
projects have received
substantial HLF funding. Oystermouth has had 14,000 visitors since
reopening this year and has
had extensive praise for the computer visualisations (emails on file).
Dr Gray has been invited to serve on consultation panels for Cadw's
Chapels, Churches and
Monastic Landscapes of Wales interpretation plan and the Churches Tourism
Network Wales's
Faith Tourism strategy, and is a member of the Advisory Panel on Medieval
Stone Sculpture in
Wales. In all these activities, Images of Piety and subsequent
research publications have provided
a guidebook for the identification and interpretation of visual materials
in medieval churches and
associated sites. While it is difficult to quantify these impacts in
financial terms, heritage tourism is
recognised as one of the few growth sectors in the UK economy and is
particularly important in
post-industrial areas like Wales. It also makes major contributions to the
regeneration of a
community's sense of self and self-worth.
As well as academic publications, Dr Gray has a substantial record of
publication of `public history'
informed by her research on the material culture of religion. As a member
of History Research
Wales she was invited to contribute articles on religious identity, Welsh
tombs and the cults of the
saints to the Western Mail's History of Wales series.
Widely accessed on the Internet and praised
by members of the Welsh Government, these are also being published in a
popular series of
volumes by Gomer. Working through the Welsh History Forum, she has
arranged exhibitions on
medieval Welsh tomb carvings at the Wrexham and Barry Eisteddfodau. She is
also regularly
invited to write for popular history journals and to deliver numerous
public lectures on medieval art
informed by her research. These have included lecturing at the opening of
St Teilo's Church and
speaking at the Hay Literary Festival as well as lectures to local and
regional history societies.
Community history and cultural organisations have a key impact on social
regeneration and the
fabric of civic society, and academic support is crucial to their
continued vitality. In recognition of
her contribution in south-east Wales Dr Gray has twice received the Gwent
Local History Council's
annual award for services to local history.
She has also advised on and appeared in numerous television and radio
programmes. In the
current assessment period and informed by her research, these have
included advising on and
appearing in `Bread of Heaven', the award-winning Huw Edwards series on
the history of religion in
Wales; Terry Jones's `Great Maps Mystery', in which she discussed the
spectacular carvings in the
well chapel at Holywell; and another Huw Edwards series, `The Story of
Wales', for which she was
asked to advise both on the series and on follow-up educational materials
as well as being filmed
commenting on the remains of the shrine of the Virgin Mary at Penrhys.
`The Story of Wales' was
seen by over 300,000 people in Wales, had record-breaking appreciation
figures and was awarded
a Welsh BAFTA. It has also been broadcast on BBC2 and in Australia, South
Africa, Canada and
the United States. The sequence at Penrhys produced an identifiable
increase in tourism to the
shrine and surrounding area which has been of considerable benefit to the
local community. Her
advice on `Bread of Heaven' substantially realigned the series towards a
more positive appraisal of
medieval Catholic religious culture in Wales; her contribution to `The
Story of Wales' was more
geared to her research on the trajectory of religious change in the
sixteenth century. All these
programmes have attracted large audiences outside Wales and have
contributed substantially to
the revaluing of Welsh history and culture.
Sources to corroborate the impact
(1) St Teilo's Project
(2) Media for Heritage
(3) Llantwit Major Galilee project
(4) Churches Tourism Network Wales
(5) Green Bay Media Limited