Impact on the Public’s Understanding of Nineteenth-century Poetry and Politics
Submitting Institution
University of ManchesterUnit of Assessment
English Language and LiteratureSummary Impact Type
CulturalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
This case study demonstrates how the research of Dr Michael Sanders on
Chartist poetry has
enhanced the public awareness of nineteenth-century working-class
politics. Dr Sanders regularly
communicates his research beyond academic audiences to reach a general
public through his
involvement in public lectures and musical, film, and heritage projects
all aimed at expanding the
understanding of poetry from the Chartist era. His work has had a direct
impact on the presentation
and preservation of the rare National Chartist Hymn Book, which
was digitised as a result of his
advisory role and made available to a whole new audience.
Underpinning research
The impact is based on continuing research that has been taking place at
The University of
Manchester from 2006 to the present day, with major publications in 2009
and 2013. The key
researcher is Senior Lecturer Dr Michael Sanders (appointed as Lecturer in
2006; Senior Lecturer
in 2009).
The aim of the research was to extend understanding of early Victorian
literature by recovering a
significant body of currently neglected poetry that enjoyed a mass
readership in the 1840s. Dr
Sanders also wanted to demonstrate that the writing of poetry was a
central rather than a marginal
activity within Chartism, and that the poems can be treated as objects of
aesthetic as well as socio-historical
interest [3.1-3.4].
The fundamental significance of this work is that it unearthed a
substantial body of working-class
literature that had previously been entirely neglected by both literary
and historical scholars [3.1,
3.2]. The overwhelming bulk of this writing emanated from the workers
themselves and whilst it has
never enjoyed a popular status, it did secure a readership far in excess
of even the best-loved
novels of the period, such as those of Charles Dickens.
The research led to the publication of a monograph, The Poetry of
Chartism, which is based on the
analysis of around 1,000 poems published in the leading Chartist
newspaper, the Northern Star,
between 1838 and 1852. After submission of his manuscript in 2008, Dr
Sanders continued this
work on Chartism and its literature, developing it further with an article
for Victorian Studies [3.2] on
the recently discovered National Chartist Hymn Book in Todmorden
public library.
Key findings:
The Poetry of Chartism [3.1]:
- demonstrates that poetry was an integral part of the Chartist
movement;
- shows that the extent of Chartist poetic production radically
transforms our understanding
of the wider literary landscape of the early Victorian period;
- offers a new understanding of the relationship between aesthetics and
politics.
The National Chartist Hymn Book [3.2]
- is the only surviving example of a Chartist Hymn Book;
- provides a new understanding of the role of religious belief within
Chartism;
- demonstrates the existence of a distinctive Chartist theology.
References to the research
(AOR- Available on request)
The research has been published in top-ranked peer-reviewed journals,
such as Victorian Poetry,
Victorian Periodicals Review and the leading journal in this field,
Victorian Studies. Dr Sanders'
monograph, The Poetry of Chartism, appeared in the Cambridge
Studies in Nineteenth-Century
Literature and Culture series.
Key Publications
3.1 M. Sanders, The Poetry of Chartism: Politics, Aesthetics, History.
Cambridge: Cambridge
University Press, 2009. Monograph. (AOR)
3.2 M. Sanders, `"God is our Guide! Our Cause is Just!": The National
Chartist Hymn Book and
Victorian Hymnody', Victorian Studies 54.4 (2012), 679-705.
Article. (AOR)
3.3 M. Sanders, `Constellating Chartist Poetry: Gerald Massey, Walter
Benjamin and the Uses
of Messianism', Victorian Poetry, 45:4 (Winter 2007), 369-89.
Article. *This article
subsequently appeared as Chapter 7 of the monograph and translated into
Chinese and
published in Research on Marxist Aesthetics (Winter 2010). (AOR)
3.4 M. Sanders `Courtly Lays or Democratic Songs? The Politics of Poetic
Citation in Chartist
Literary Criticism', in K. Blair and M.Gorji eds., Class and the
Canon: Constructing
Labouring-Class Poetry and Poetics, 1750-1900, Palgrave Macmillan,
(2012), 156-173.
(AOR)
Other Relevant Publications:
3.5 M. Sanders, `"A Jackass load of Poetry": Re-constructing the Northern
Star's editorial policy
1838-1854', Victorian Periodicals Review, 39:1 (Spring 2006),
46-66. Article. (AOR)
3.6 M. Sanders, `"Tracing the ramifications of the Democratic Principle":
Literary Criticism in the
Chartist Circular', Key Words, 8 (2010), 62-72. Article.
(AOR)
Details of the impact
Context
Before Sanders' research there was very little public awareness or
understanding of either the
extent of Chartist poetry or its importance within the movement. The
research has radically
changed this: it has had an impact on the public discourse around the
relationship between poetry
and politics in the mid nineteenth century; it has contributed to
inspiring new forms of artistic
expression in the North West; and it has helped the preservation of local
heritage.
Pathways to Impact
Sanders' research into the extent of Chartist poetic production formed
the basis for articles in The
Guardian, (`Lost Voices of Victorian Working Class uncovered in
political protest poems',
15/3/2007)[5.1], and the Italian journal Left, (`La fabbrica della
poesia', 30/3/2007). As a result of
this coverage, Sanders was invited to act as an advisor to the South Bank
Show for its `Literary
Walks' series (2008) and has been interviewed on two separate occasions by
BBC Radio
Manchester (March 2009, May 2010) as well as being featured in the Manchester
Evening News
(March 2009).
Following the discovery of the National Chartist Hymn Book in
Todmorden Public Library, Sanders'
work was featured in the Church Times (December 2010), the Times
Literary Supplement
(December 2010) and the Yorkshire Post (21/12/2010) and Lancashire
Telegraph (16/12/2010).
Sanders' research in this field was also used by Canon Garth Hewitt in a
`Pause for Thought'
feature on Radio 2 (27/6/2012) [5.2].
Since his work on The Northern Star, Sanders was asked to act as
an advisor to the Yorkshire
Chartist Choir, a community arts project undertaken as part of `Celebrate
Democracy — Halifax
Chartist Festival' (supported by the Local Heritage Initiative, a
partnership between the Heritage
Lottery Fund, the Countryside Agency and the Nationwide Building Society,
2006) [5.4]. The
Yorkshire Chartist Choir performed one concert attended by 250 people, and
recorded a CD.
Sanders assisted the choir in finding Chartist songs and provided
historical contextual information
that was used to produce a booklet to accompany the performance. Also as
part of this festival,
Sanders gave a talk on the Chartist poet Ernest Jones to an audience of 60
people.
Reach and Significance of the Impact
Impact on creating and inspiring new forms of artistic expression
As a consequence of his research and previous involvement with the
Yorkshire Chartist Choir, Dr
Sanders started collaborating in 2009 with Corista, a choir based in the
Calder Valley in West
Yorkshire: in March 2009, Corista accompanied his talk on Chartist poetry
at Manchester Central
Library [5.7]; in 2010 he gave the Inaugural Frow Memorial Lecture (2010)
organized by the
Working-Class Movement Library, Salford, where he was accompanied both by
Corista and the
actress Maxine Peake, who is a Trustee of the Working Class Movement
Library (200 participants)
[5.6]; and in September 2011 gave a talk on the National Chartist Hymn
Book at the People's
History Museum in Manchester, attended by 80 people with musical
accompaniment from Corista
[5.7]. As members of the choir put it: `his [Dr Sanders'] research led us
to take up the words of the
newly discovered Chartist Hymn book, add music of the era consistent with
the songs, and perform
these to many audiences great and small' [5.7].
Since 2011, Dr Sanders has been collaborating with Canon Garth Hewitt
from the international
charity the Amos Trust. They have been working with a group of folk
musicians on original
arrangements of hymns from the National Chartist Hymn Book, which
led to the creation of a CD,
recorded on July 15th 2013 and launched by Canon Hewitt and Dr
Sanders just outside the review
period on 25 August 2013 at the arts, faith and justice festival Greenbelt
(23-26 August 2013),
which attracted 600 people [5.9].
Dr Sanders provided Canon Hewitt with the lyrics of the hymns, which
Hewitt also used in his BBC
Radio 2's `Pause for Thought' on 27 June 2012. Hewitt writes: `I am
particularly grateful to Dr
Sanders for the help he has given me [...] to understand more about the
Chartist Movement, [...]
the culture, and the context in which the hymns were written. I am already
including two of those
hymns in my regular concerts [during 2012 and 2013] and telling a little
bit of the story around
them, but this will become a far higher profile in what I am doing as soon
as the album is released.
[...] I think that this exposure of the National Chartist Hymnbook
will raise awareness of a
distinctive Chartist theology and this will be an issue of particular
interest to the church community,
though possibly even wider' [5.2].
Impact on the presentation and conservation of cultural heritage
Invitations to speak at the Ledbury Poetry Festival (100), the Chartist
Convention Newport (200),
and the Frow Memorial Lecture (200) have contributed to the presentation
of new information
about working class cultural heritage. Sanders' research on the National
Chartist Hymn Book has
also had an impact on the preservation of such heritage. By `confirming
the origins of the find and
identifying that it contained 16 hymns sung by the Victorian radicals who
campaigned for
democracy and workers' rights', Sander's research led Calderdale Library
Services to produce a
digitised version of this extremely rare 1845 item, which is now available
online [5.3]. Importantly,
as a consequence of an increased awareness of the importance of this find,
the number of visitors
to the small Todmorden library increased, and put the library in a
position to preserve the pamphlet
correctly by housing it in a small acid free box [5.3]. As the Team Leader
for West Calderdale
Libraries puts it, `Thanks to Dr Sander's efforts the pamphlet is now
catalogued and accessible for
everyone to enjoy' [5.3].
Sanders' research on Chartism led to an invitation to sit on the
management committee of Wild
Rose Heritage and Arts, a community group whose aim is to `bring heritage
alive through local
voices'. Based in Hebden Bridge, from which it takes its name, the group
began as an oral history
project and later expanded its activities and focus, working with a
variety of age groups to
understand the ways in which people both change, and are changed by, the
places in which they
live and work. As the manager of the WRH&A, writes: `The oral
histories we collect reflect
individuals' endeavours and reactions to working conditions [...]. The
Chartists' belief in equality,
for which they fought, has carried on into issues that concern us today.
And just as poetry and
song express people's real interests today, so did the Chartist Movement's
pioneer efforts. Dr
Sanders' involvement in our organisation has given us new approaches to
understand
contemporary contexts [...] and helped inform us in our use of
socio-historical material in a creative
way, which increased the possibilities of transferring knowledge and
understanding to others, [...]
widening our audiences and appeal. [...] The history of radical workers'
movements is prevalent in
many of the stories we've collected and is the driver for the next major
project we are undertaking
[in June 2013].' Sanders' research has helped `re-assess how the context
of our area of interest
has been influenced by the Chartist movement and this insight is brought
to bear on our meeting
and funded projects' [5.5].
Sanders' research and his associations with the Working Class Movement
Library have also
contributed to widening public access to and participation in the
political process through his
involvement in 2012 to the film The Condition of the Working Class
by Inside Film [5.8]. Inspired by
Engels' book of the same title, the film follows a group of working class
people from Manchester
and Salford who create a theatrical show based on their own experiences
and Engels' book. It
contextualises their struggle to get the show on stage against the daily
struggles of ordinary people
facing economic crisis and austerity politics. Drawing on Sanders'
knowledge of the historical
context of Chartism and Engels' The Condition of the Working Class',
Deidre O'Neill and Michael
Wayne interviewed Sanders as `the only real "expert" testimony in [the]
film', for which he `provided
a personal commentary and reading on Engels' text' [5.8]. Between April
and August 2013 the film
was screened in 32 different locations, ranging from the London Labour
Festival to the Miners'
Community Centre in Moston, from Calder's Bookshop in London to Brighthelm
Church and
Community Centre in Brighton. A DVD is available for sale on the website.
Sources to corroborate the impact
All claims referenced in section 4.
5.1 David Ward, `Lost Voices of Victorian working class uncovered in
political protest poems', 15
March 2007, http://www.guardian.co.uk/uk/2007/mar/15/books.booksnews1
5.2 Letter from Amos Trust
5.3 Letter from Calderdale Library Services
5.4 Celebrate Democracy: Halifax Chartist Festival:
http://www.halifaxcourier.co.uk/news/calderdale/history-festival-judged-uk-s-best-1-1977629
5.5 Letter from the Manager of Wild Rose Arts
5.6 Working Class Movement Library Inaugural Frow memorial lecture 2010
(available on request)
5.7 Letter from Corista (a group of six singers)
5.8 Email from ' Inside Film': http://www.conditionoftheworkingclass.info/
5.9 http://www.garthhewitt.org/