Contemporary literature and discourses of race and identity
Submitting Institution
Newman UniversityUnit of Assessment
English Language and LiteratureSummary Impact Type
SocietalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
Research findings inform lectures delivered to educators in English in
the local region: both serving teachers and their pupils (Further
Education) and PGCE Secondary English students undertaking their school
placements locally, and often gaining employment within the Midlands. The
impact is in how the teachers use literary texts to engage more
effectively with their pupils regarding notions of race and `Otherness';
to develop a tolerant attitude towards those perceived as different; and
to be cognisant of the pitfalls in teaching `texts from different cultures
and traditions', as stipulated by the English National Curriculum, which
might reinforce wider social discourses of `Otherness' around race.
Underpinning research
This research primarily aims to establish the paradigms of home and
belonging expressed by Black British writers and how this relates to
discourses of race in the UK. All of the research undertaken by Cousins
(the key researcher in this case study) is underpinned by an assumption
that literature is socially important; hence the persistent strand through
the research has been to consider how literature operates within a social
context. This is true of her early PhD work on African literature and its
contributions towards an African feminist theory; however, since 2009, the
focus of the research has shifted towards a UK context, and to the
conjunctions between race and society in contemporary literature. Two
areas of interest have emerged in this work: firstly, the core work into
Black British women writers and how they are establishing a sense of
belonging within an English cultural context. A second, related area has
emerged through thinking about non-academic UK arenas where literature
might prompt discussions around race and society. This has developed into
work on the reception of popular postcolonial literature, discussed in the
context of reading groups — mass media (for example the Richard and Judy
Book Club (Channel 4, then Watch 2001-2009 as part of the Richard and Judy
daytime `magazine' show) and also those set up locally by groups of
friends or neighbours (as discussed, for example, in Jenny Hartley's Reading
Groups (2001)).
The research so far has concentrated on writers of direct African descent
(not via the Caribbean) raised in England. The findings so far suggest the
writers' are committed to an engagement with current debates in the UK
over immigration, cultural tolerance, and national identity. Whilst not
ignoring the alienation, fragmentation and, at times, violence experienced
by members of immigrant communities in Britain, they also assert their own
sense that such communities do `belong' — and that English identities need
to be reshaped in order to accommodate that belonging. The writers use
different strategies to assert this: firstly, they often rewrite English
history to incorporate the long presence of Black people of African
descent in England. Secondly, they experiment aesthetically using forms
associated with the English literary tradition such as the Gothic and
blank verse which starts to rework the material basis of English culture
as expressed in the literary canon. Thirdly, by interrogating the
different ways of belonging — to a family, a local community, a wider
society, an ethnic group, a nation — they question an apparently benign
discourse of multiculturalism which elides the underpinning racially white
norm of a national identity.
Discourses are created through the interpretation of what is written (in
texts of all kinds) hence more recent research seeks to explore the
reception of widely read novels such as those promoted through mass media
book clubs (for example Half of a Yellow Sun promoted through the
Richard and Judy Book Club) or those which gain popularity through the
more informal `word-of-mouth' recommendations which develop in reading
communities (e.g. The Other Hand). It uses online forums, book
blogs, reviews and other media sources to start to investigate that
reception.
References to the research
Helen Cousins. 2012. `Helen Oyeyemi and the Yoruba Gothic: White is
for Witching.' Journal of Commonwealth Literature 47 (1):
pp. 47-58
Helen Cousins. 2011. `A Good Authentic Read: Exoticism in the
Postcolonial Novels of the Richard and Judy Book Club.' In Jenni Ramone
and Helen Cousins (eds.) The Richard and Judy Book Club Reader:
Popular Texts and the Practices of Reading. Ashgate: pp. 137-153
Details of the impact
The impact of this research can be measured in two contexts: the first is
a lecture given at several Sixth Form Conferences run by the English
subject area at Newman University; the second is a guest lecture given
each year to PGCE Secondary English students at Newman University. Both
these lectures are delivered by Cousins.
The Sixth Form Conference lecture has been developed from research
findings and draws in particular on the work done for the article in The
Journal of Commonwealth Literature. The theme of the conference was
`The Gothic' as this is one of the topic areas in the AQA A-level
literature specification. The lecture took `vampires' as its theme as the
article in The Journal of Commonwealth Literature was based around
a contemporary novel featuring a vampire and it drew on theories of
`reverse colonisation' as developed by Daniel Arata in relation to Dracula.
Part of the lecture, explored the rise of the Gothic in relation to
colonisation and discussed how the same notions of the `foreign'
outsider/invader informed much discourse around immigration in
contemporary England.
The lecture was delivered at four Sixth Form Conferences: 2 July 2010, 11
March 2011, 15 November 2011, 20 November 2012. Records of attendance are
available from March 2011:
- 11 March 2011 - 175 pupils from 14 schools in the West Midlands;
- 15 November 2011 - 139 pupils from 7 schools in the West Midlands;
- 20 November 2012 - 191 pupils from 14 schools in the West Midland and
1 school in East Midlands.
- As some schools have attended more than once with different groups of
students (sometimes accompanied by different teachers), this totals: 31
schools and 30 teachers; the total number of pupils is 505.
To assess impact, teachers were emailed in February 2013 to ask them: how
it changed aspects of their teaching of this topic; how it helped them to
rethink some of the concepts around `gothic' and `literature'; any other
ways it helped them to develop the topic with students. Four teachers
responded: their comments included:
- `a useful resource'; `reinforced and introduced what they were
covering'; `Look at Vampires was good &mdah; gave a different
perspective — it was good to look at it from the point of popular
culture and changes in perspective over time'; `Students had also
commented that they had found it useful' (Rachel Danks, Head of English,
Rugby High School 06/03/2013).
- `We loved the conference. Good venue, the right length, engaging
presentations. The students found it of use in getting them to think
about wider implications for their Gothic coursework, particularly the
Y13s who were studying it last Term and who this Term will have to
submit their 3000 word coursework (cf OCR Literature, Unit F664) I'll
have more idea on the value of that impact after I've read their
studies. Meanwhile for the Y12s it was an excellent taster of what is to
come when they study Gothic and a great insight into HE experience'
(James Phillips, Baxter College 13/02/2013).
- `We are teaching the topic far more broadly, including 'modern gothic'
to help students relate to the ideas/themes/symbolism of more
traditional gothic'; `Our students were fascinated that there is more to
'literature' than just the canon, so it did open their eyes to thinking
a little more about what is around them! I think .the refreshing
approach made symbolism and motifs of the gothic more accessible in
older texts for our students' (Michelle Prince, Leek High School
10/02/2013).
The research also underpins a guest lecture delivered to students on the
Secondary English PGCE at Newman University. This lecture has been
delivered annually since 2009. The lecture discusses how students might
deliver the part of the curriculum to do with teaching `texts from
different cultures and traditions'. Considering how the notion of
different cultures might operate in different secondary school class
rooms, the session asks students how they might counter normative ideas
about different cultures through teaching literature, and hence the
labelling of certain texts and authors as outsiders. It discusses how
students can counter negative stereotypes in schools regarding
`difference' in racial/cultural terms. These students go on to take work
in schools across the Midlands and further afield. The partnership office
— who administers the programme — have only been keeping record of
students' destination in the last two years:
- 2010 entry cohort (15 in total) one was employed in Manchester, the
rest in the Midlands;
- 2011 entry cohort (20 students) two were employed outside of the
Midlands in Cambridge and Bradford.
To assess the impact of these lectures, the current 2012 entry cohort
were surveyed using a short answer questionnaire. These asked: what new
understandings or ideas did you take from the session; how did this/would
this change your practices in teaching texts from different cultures and
traditions; any other comments? There were 15 responses.
- In response to question one, had allowed the students to think more
about the `perceptions people have with regards to culture and
traditions [...] young people in particular'; and it allowed them to
appreciate the `struggles and challenges that we, as practitioners, will
face when teaching texts from other cultures'. They showed an
appreciation, as people who will influence a younger generation, that
teaching this aspect of the National Curriculum for English with the
ideas discussed in the lecture, `tackles racism in today's society' and
that it gave pupils a `gateway to explore the world via literature'.
- In response to the second question, students felt that the most
important difference in their practice, would be to include context
about the texts: for example, `giving more background information'; `use
images and resources to enable students [pupils] to build an idea of the
themes and issues'; `ensuring that cultures and traditions are explored
in detail beforehand'. The session had also given the students
confidence to `teach these texts with more awareness of the class [the
different cultural backgrounds in the group]' and to be `culturally
sensitive'. One student appreciated the message that they `could
approach the topic whilst being sensitive to other's views and cultures'
whilst another felt it had helped in exploring ways of `addressing
different cultures in a positive manner'. It also encouraged them to
`relate [texts] to current issues'.
- In the third response, students indicated that beyond being an
enjoyable and interesting session, it was also `inspirational' and `needed'.
It had enthused some of the students to incorporate `a variety of texts
from other cultures into [their] classroom' and to make links with other
parts of the curriculum such as PHSE.
Sources to corroborate the impact
- Attendance data for `The Gothic' Sixth Form Conferences, held by the
Marketing Office at Newman University.
- Emails from teachers who attended the `Gothic' Sixth Form Conference.
- First school of employment data for PGCE Secondary English students,
held by the Partnership Office at Newman University.
- Questionnaire responses from PGCE secondary English students 2012
Entry cohort.