Submitting Institution
Liverpool John Moores UniversityUnit of Assessment
English Language and LiteratureSummary Impact Type
CulturalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
Joe Moran's research on the habits and spaces of everyday life in postwar
Britain has deepened
public understanding and promoted debate about those areas of our everyday
lives that may
generate little informed discussion or historical reflection because they
seem mundane or routine; it
has deconstructed popular memories and mythologies about daily life in the
recent past; and it has
promoted the value and relevance of cultural history and cultural studies
to the public as a way of
understanding their own lives. His work has reached a national audience
through books,
journalism, television and radio appearances and contributions to public
events.
Underpinning research
Moran's research on everyday life, begun in 2002 early in his career in
the English department at
LJMU, sought to historicise the development of contemporary everyday
cultures in the UK, to
recover the quotidian as an object of scholarly study and to situate it
within broader histories of
postwar design, architecture, public policy, technology and consumption.
Moran's public impact work was underpinned by research undertaken
initially for his academic
monograph Reading the Everyday (Routledge, 2005), for which he was
awarded an Arts and
Humanities Research Board grant under its research leave scheme, and
numerous articles on the
history of everyday life in postwar Britain (in addition to those listed
in section 3) in journals such as
History Workshop Journal, Cultural Studies and Cultural
and Social History. These scholarly
publications made a significant contribution to the defining and
theorising of the everyday as an
emergent field of academic interest. Moran's work, while focusing on
contemporary British cultural
history, also revived and drew on the spirit of two earlier research
projects which he saw as models
of publicly engaged intellectual work: the `anthropology at home' of the
social research
organisation Mass Observation, undertaken mainly in the 1930s and 1940s;
and postwar writings
on `la vie quotidienne' by French public intellectuals and authors such as
Henri Lefebvre, Michel de
Certeau and Georges Perec.
The public impact of Moran's research emerged more specifically out of
the publication of two
books - Queuing for Beginners: The Story of Daily Life from Breakfast
to Bedtime (2007) and On
Roads: A Hidden History (2009) - which, while advancing academic
understanding in this field, also
spoke to a broader public interest in the everyday life of Britain's
recent past. Both books were
published by Profile, a commercial publisher experienced at bringing the
work of academics to the
attention of non-academic audiences. These two books developed from the
theoretical groundwork
of Moran's more specifically academic writings to offer contextually rich
case studies — on the
postwar history of British daily habits, such as queuing, commuting and
office life in Queuing for
Beginners; and on the historical development and cultural resonances
of Britain's road system
during the half century since the start of the motorway era, in On
Roads: A Hidden History. Both
these works sought to recover histories of the everyday which were
obscured and neglected
because of their seemingly routine, mundane or unglamorous nature; and to
complicate and
deconstruct popular mythologies about the everyday life of recent memory.
In defamiliarising the
familiar, these books aimed to be both evocative and enlightening,
re-enchanting the everyday and
uncovering its hidden strangeness and its political and cultural meanings
for a broad readership.
These books were also intended to be experiments in historiography,
pioneering a new type of
scholarly/creative non-fiction writing that combined archival and
historical research with wit,
lyricism, rhetorical invention and the creative juxtaposition of eclectic
subject matter. They thus
aimed to convey the potential excitement of history writing and the
relevance of historical
scholarship to people's daily lives. Moran's success in reaching a wide
audience with this research
was recognised by the award of a British Academy Mid-Career Fellowship in
the academic year
2011-12 to complete his book Armchair Nation: An Intimate History of
Britain in Front of the
Television. This scheme explicitly rewards projects and scholars
with a clear record and prospect
of public engagement.
References to the research
All outputs can be supplied on request.
`Tom Phillips and the Art of the Everyday.' Visual Culture in Britain,
3, 2 (2002): 17-32.
`Queuing Up in Postwar Britain.' Twentieth Century British History,
16, 3 (2005): 283-305.
`Crossing the Road in Britain, 1931-1976.' Historical Journal,
49, 2 (June 2006): 477-96.
Reading the Everyday. London and New York: Routledge, 2005. ISBN
0415317088.
Queuing for Beginners: The Story of Daily Life from Breakfast to
Bedtime. London: Profile, 2007
(paperback 2008). ISBN 9781861978363.
On Roads: A Hidden History. London: Profile, 2009 (paperback
2010). ISBN 9781846680526.
£13,625, AHRB, Individual Research Leave Scheme, Sept-Dec. 2004.
£84,623, British Academy Mid-Career Research Fellowship, Sept. 2011-Aug.
2012.
Details of the impact
In the period January 2008-July 2013, Moran's Queuing for Beginners
sold 5801 copies in
paperback and On Roads sold 6619 copies in hardback and 5518 in
paperback. On Roads was
extracted in the Daily Express (6.6.09), featured as a book of the
year selection in the Financial
Times, Sunday Times and Sunday Herald, and was
favourably reviewed in 16 national
newspapers and magazines, being described as `a beautifully written, quiet
masterpiece' (Sunday
Times), `a beautiful little book' (Mail on Sunday), a `richly
enjoyable read' (The Times) and a
`superb cultural history' (Independent). It was longlisted for the
2010 BBC Samuel Johnson Prize
for Non-Fiction.
On Roads was used by architects, planners and traffic experts to
address topics such as road
safety and the aesthetics and environmental impact of roadbuilding.
Theresa Villiers, Shadow
Secretary of State for Transport, referenced it in a speech at the New
Civil Engineer's Road
Summit (20.1.10); Hamilton-Baillie Associates, influential advocates of
`shared space', included
Moran's article, `Crossing the Road in Britain', on their website; and the
bestselling author Tom
Vanderbilt discussed Moran's work on his `How We Drive' blog and in an
article in The Times
(29.8.09). Moran's research was cited in BBC News Magazine Online,
the Sunday Telegraph, the
Guardian, The Times, the Daily Mail and the Daily
Express.
Moran's media appearances to discuss On Roads included Radio 5
Live's Simon Mayo Show
(10.6.09), Radio 4's M1 Magic (28.10.09), BBC1's BBC Breakfast
Live (10.6.09), which had
1,211,000 viewers, and Radio 4's Today (8.6.09), which averaged
6.6 million listeners a week in
this period. According to its presenter Laurie Taylor, Moran's appearance
on Radio 4's Thinking
Allowed on 22.7.09 prompted `unexpected hymns of praise for such
previously unconsidered and
unsung stretches of tarmac' from listeners, one writing that `my drive
along the M27 was made
much more interesting' (Thinking Allowed, 29.7.09).
Moran published over 100 newspaper and magazine articles on the history
and politics of daily life
in this period, writing regularly for the Guardian and
occasionally for the New Statesman, the
Financial Times, the Observer, The Times, History
Today and BBC News Magazine Online. He
was also a regular columnist for both BBC History Magazine (June
2007-June 2008) and FT
Weekend magazine (August 2008-September 2010), writing about
everyday phenomena and
`defining moments' in recent history respectively. Moran's new book, Armchair
Nation, was also
extracted in the Radio Times ahead of publication (1-7 June 2013,
14-17). These publications all
had national reach and large readerships. At the end of the impact case
study period, for example,
the Guardian had an estimated readership per issue of 935,000
(print) and monthly online traffic of
84,326,205 (unique browsers). Moran's most read Guardian article
online had 25,090 page views.
On the Guardian site, his articles frequently generated several
hundred comments. Moran also
received many emails and letters, including from people who remembered
driving on the early
motorways or worked as engineers on them, thanking him for reviving and
concretising their
memories.
Moran's work inspired visual artists such as Edward Chell, who in his
exhibition `Gran Tourismo'
(held at the Little Chef restaurant, Ings in April/May 2011) combined
images of roadside
environments with table mats incorporating quotes from On Roads;
the photographer Sam Mellish,
for whom Moran wrote the preface to his book Roadside Britain; and
the artist Simon Faithfull, for
whom Moran wrote the introduction to the book about his public artwork, Liverpool
to Liverpool,
which is engraved into the paving on the new concourse around Liverpool
Lime Street Station. The
artist Felicity Ford interviewed Moran for her soundscape documentary Around
the A404,
broadcast on BBC Radio Oxford (26.12.10). He also gave a public lecture on
`Travelling Concepts'
as part of the Liverpool Biennial (7.11.12).
Moran appeared at the Bath Festival of Literature (2.3.10); at the
Kenilworth Festival (15.5.10); in a
panel on `how to write non-fiction' with Geoff Dyer and Andrea Gillies at
London's Foyles Bookshop
(12.9.10); and at the Sheffield Off the Shelf Festival with Jonathan Coe,
at Coe's invitation
(23.10.10). He was an invited speaker at Boring 2010 at London's Dominion
Theatre (11.12.10), a
widely publicised conference bringing together writers and thinkers on the
everyday. He ran two
`Conversation Dinners' on Georges Perec for the School of Life in London
(15.2.11, 7.12.11),
aimed at making this writer better known to a British audience. Moran also
maintained a blog from
January 2009 (joemoransblog.blogspot.co.uk/) which he used to communicate
informally with
readers and publicised through his Twitter feed (@joemoransblog, 2000+
followers). It had over
230,000 hits up to July 2013 and generated many comments, such as `your
observations on the
quotidian ... make this a regular haunt ... One of the best word mills in
the web world.'
Sources to corroborate the impact
- Joe Moran's Guardian homepage: http://www.theguardian.com/profile/joemoran
- Archive of Moran's New Statesman articles: http://www.newstatesman.com/writers/joe_moran
- Edward Chell's website: http://www.edwardchell.com/gran-tourismo-grizedale-arts-cumbria/
- Felicity Ford's documentary Around the A404:
http://thedomesticsoundscape.com/wordpress/?p=1818
- Hamilton-Baillie Associates: http://www.hamilton-baillie.co.uk/index.php?do=publications&action=details&pid=27
- Tom Vanderbilt's blog: http://www.howwedrive.com/category/booknews/page/2/
- National Readership Survey: http://www.nrs.co.uk/
- Web analyst for the Guardian can confirm online readership
figures.
- BBC Breakfast audience figures courtesy of BARB (Broadcasters'
Audience Research Board).
- RAJAR (Radio Joint Audience Research) figures for Today cited
in Arifa Akbar, `Moyles poised
to steal Wogan's radio crown', Independent, 8 May 2009; and
Chris Tryhorn, `Today's new-look
team helps BBC Radio 4 post best ratings for a decade', Guardian,
30 October 2009.