Collaborative Design Thinking for Business Innovation
Submitting Institution
Robert Gordon UniversityUnit of Assessment
Art and Design: History, Practice and TheorySummary Impact Type
TechnologicalResearch Subject Area(s)
Information and Computing Sciences: Information Systems
Built Environment and Design: Design Practice and Management
Commerce, Management, Tourism and Services: Business and Management
Summary of the impact
The Centre for Design and Innovation (c4di) was a Knowledge Exchange
project, which developed and explored new methods for bringing about
alternative perspectives on how companies can innovate systems, processes,
products and services. The Case Study is focused on changes in the culture
and thinking within SMEs, resulting from design-led interventions
supported by c4di. The project developed new critical approaches and
methods of working with SMEs to support innovation through the application
of visual methods and facilitated experiential workshops. The project also
resulted in significant policy development within government funded
innovation support programmes. (93)
Underpinning research
This case study is based on research that aimed to investigate how best
to support innovation through the application of design, responding to the
recommendations in `The Cox Review of Creativity in Business' (2005).
MacDonald contributed to this report in his role as a Director of the
Design Council, contributing case study material exemplifying the
Lighthouse in Glasgow [R1].
In 2006, MacDonald and Malins were part of a Scottish network entitled
`Design Innovation Scotland' (DIS) funded and led by Scottish Enterprise,
which involved a consortium of HEIs and business support organisations.
Gray's School of Art developed the Prospectus for DIS. The network also
referenced key international developments in design innovation [R2],
such as Denmark's Mindlab and sought to influence thinking in the field
through a series of six White Papers (series editor MacDonald)[R3]
commissioning Thackara, Kane, Valtonen, Inns, Thomson and Scott. This
helped shape the initial Innovation Centre concept, which aimed to change
the nature of innovation support from a passive delivery model to an
active engagement model [R4]. PhD projects [R5]
supervised by Malins and completed in 2007 provided additional theoretical
underpinning for the Innovation Centre development.
The research provided the theoretical framework to inform the approach
taken with SMEs. Similar projects such as the Design Council's Designing
Demand Programme and Sligo Institute's Centre for Design Innovation
(Ireland) were visited, and existing programmes for business support were
studied. This initial investigation led to the development of an
innovation workshop programme for SMEs based on an experiential approach
with the aim of embedding behavioural change within businesses. Design
consultancies such as IDEO and Engine also provided further justification
for this approach.
In 2007 Malins initiated an application to establish a centre for Design
& Innovation, and secured funding from the European Regional
Development Fund (£330,190) and matched by an additional application to
the Scottish Government's SEEKIT Fund (£450,871) in 2008. C4di was
established in 2008 with the aim of working with SMEs to improve their
innovation capacity based on the application of design thinking. Initial
partners included representatives from Scottish Enterprise, Glasgow School
of Art, Skills Development Scotland, Aberdeen City Council and Interface.
Subsequently Glasgow School of Art established their own Centre for Design
Innovation in Forres based on the c4di model.
The methodology of the centre was based on `serious-play', using visual
and collaborative methods and lo-fidelity prototyping, to encourage a
creative and supportive environment for business innovation. This research
led to the development of visual tools to establish core values, support
ideation and visualise new business models [R6]. Workshops
involving individuals from different companies identified key business
challenges, which were then mapped against possible design solutions.
Contributing researchers to this Case Study from Gray's School of Art
are: Malins — Professor of Design; MacDonald — Former Head of School,
retired 2008; Fairburn — Lecturer in Product Design.
(468)
References to the research
[R1] Macdonald S., `Creative Industries or Industrial
Creativity; the Battle for a Creative Nation', in: Hassan G. &
Warhurst C. eds. (2002), Anatomy of the New Scotland; Power Influence
and Change, Edinburgh, Mainstream Publishing ISBN 1-84018-630-5.
[R2] MacDonald S. Ed. (2004), Design Issues in
Europe Today, Barcelona, Bureau of European Design Associations,
ISBN 1-905061-04-5.
[R3] MacDonald S. ed. (2008), White Papers 1-6,
Robert Gordon University/Scottish Enterprise, Aberdeen.
[R4] MacDonald, S., (2008), International DMI Education
Conference, Design Thinking: New Chal-lenges for Designers, Managers and
Organizations, 14 — 15 April 2008, ESSEC Business School,
Cergy-Pointoise, France. In Conference Proceedings: `Design Thinking and
Design Innovation Scotland'.
[R5] Cumming, D., (2007) `An Investigation into the
Communication Exchange Between the Small Business Client and Graphic
Designer'.
[R6] Malins, J., Watt, S., Liapis, A., MacKillop, C.,
(2007), `Tools and Technology to Support Creativity in Virtual Teams'. In:
Higher Creativity for Virtual Teams: Developing Platforms for
Co-Creation, Chapter 11, p224-245. Ed. by MacGregor, S. and
Torres-Coronas, T., Published by Information Science Reference ISBN
978-59904-129-2.
Details of the impact
C4di delivered experiential workshops, and undertook innovation audits
for SMEs, and pioneered new visual methods for engaging with companies and
their stakeholders. Collaborating with Scottish Enterprise (SE), c4di
contributed to innovation support policy development, [I1], which
led to a significant shift in SE's business support strategy leading
directly to funding for programmes of innovation workshops across Scotland
[I6]. The underpinning research resulted in a symbiotic
relationship between SMEs and researchers. This impacted on SME attitudes
and behaviours leading to the securing of existing jobs, creation of new
jobs, and increasing company turnover.
Over 300 companies across all of the Scottish Government's priority
sectors were assisted. Examples included MacPhie Of Glenbervie, and The
Store (Food & Drink); Nova Biotics (Biotechnology); Tritech [I2],
Red Spider, Grampian Fasteners and AGR Subsea (Energy); Freelance World,
(Finance) and Tinto Architecture (Creative Industries).
The project provided a model for knowledge exchange demonstrating how to
avoid conflicts of interest between HEIs and commercial design
professionals [I3]. An example is provided by workshops undertaken
with Freelance World, a financial services company, which planned
to re-position itself as a total business support service extending its
standard accounting service to include business advice and support. C4di
facilitated scoping workshops using a visual framework to describe the
existing Freelance World business model and explored how incremental and
radical innovations could be created. Four student interns sourced from
the Robert Gordon University used various prototypes of the business model
to create hypotheses for subsequent project development including
developing the company's social media strategy. Feedback from the company
Managing Director illustrates the approach taken:
"No linear lists or left brain tasks. This was a very visual
experience. Engage right brain! It made our heads hurt, but we got some
real breakthroughs and an outcome that none of us could have foreseen".
The company MotoGF evidences the type of impact brought about by the
project. This company which provides specialist tools to the oil & gas
industry, aimed to set up a dedicated service for motorsport enthusiasts.
The company, with 26 staff, had identified a number of challenges in
developing the market for its products. C4di facilitated a `problem
solving by design' workshop involving student members of TAU motor racing
team from the University of Aberdeen. Visual methods were used to
determine the core values of the company. Additionally, a short
ethnographic study involving mechanics was undertaken to support c4di's
design audit which recommended that MotoGF review the company's existing
products, services, branding and communications against its core values;
adopt a communications strategy which is part promotional and part
informational; restructure the company website hierarchy making social
media feed the most important part of the homepage; develop a mobile-based
ordering and information system; and offer student mechanics discounted
tool sets on an HP basis. Since working with c4di the company have
increased innovation investment by £30,000; have 13 new or improved
products/services or processes; and have created 3 new jobs. They have
also undergone a complete re-branding, and have transformed internal
innovation and staff training procedures.
A further example is provided by Easterbrook Hall, which has developed a
significant reputation as a wedding/conference/leisure service provider,
employing 80 staff. The company aspired to develop the conference facility
revenue stream and exploit the potential for business tourism in the
region (Dumfries & Galloway). C4di undertook an evaluation of their
brand to identify key unique selling points for the venue. Evaluation
tools developed by c4di were employed to establish the core values of the
venue in order to define the brand. Subsequently, 1 new fulltime and 6
additional seasonal staff were employed. The company turnover increased by
£70,000 as a result of new/improved products, services and processes
including new business packages, new wedding packages, a conference bureau
partnership, partnering with a local radio station to run joint themed
events, and a charity product offering. [I7]
The project achieved knowledge exchange through its workshop programmes
and direct contact with SMEs, through articles written for the press
including business journals; a series of business lectures and networking
events funded by a grant awarded by the Design Council; papers given at
conferences and journal articles; and case study information provided to
other projects [I4]. C4di has been quoted as a
significant example of Knowledge Exchange for innovation [I5].
The project exceeded the targets set by the funders, for example the
target for `increased turnover achieved' was £1.5 million over 3 years,
but following evaluation if was calculated to have achieved £2.36 million.
(742)
Sources to corroborate the impact
[I1] 2009 `Design support for business in the
Scottish Enterprise Region: Stakeholder Workshop Final Report', Gavin
Cawood and Gisele Raulik-Murphy of Design Wales on behalf of Scottish
Enterprise
[I2] 9.05.10,C4di `Innovation by Design' workshop
with Tritech International Ltd led to the following publicity, www.lubricants.co.uk/20736
— `Sub Sea Experts release creativity in Aberdeen'
[I3] 2011 `Innovate the business model', Working with
Universities by Jolly, A., Part 4, page124, Crimson Publishing, ISBN
9781854586872
[I4] SEE Bulletin Issue 5-January 2012, Case Studies
p14, Available at www.seeproject.org
[I5] 2012 `European Commission Guidebook Series,
The Smart Guide to Service Innovation: How to capitalise on service
innovation for regional structural change and industrial modernisation',
Section 3.2.1 Design Centres pp 29-30, Belgium, ISBN
978-92-79-26011-7
[I6] Project Innovation Manager, Scottish Enterprise. Email
confirming that c4di helped bring about a policy development change within
SE leading to the use of design led workshops to support innovation within
SMEs
[I7] Venue Manager, Easterbrook Hall. Email corroborating
the effectiveness of the approach used by c4di to assist with developing
an innovation culture within their organisation