Constructed Landform – A Design Vocabulary for New Rural Architecture
Submitting Institution
University of DundeeUnit of Assessment
Architecture, Built Environment and PlanningSummary Impact Type
CulturalResearch Subject Area(s)
Built Environment and Design: Architecture, Design Practice and Management
Summary of the impact
This impact relates to a body of practice-based research undertaken by
Professor Graeme Hutton (since 2000) and centres on a single output, `The
Shed' (2009), a 500m2 constructed residence and studio in rural
Perthshire. The research has contributed to an advancement of thought and
refinement of rural design practice internationally and locally. It has:
A. Informed a critical direction for professionals in
architectural design relating to designing for predominantly landscape
contexts
B. Informed wider society of the critical debate surrounding
appropriate architectural designs for rural contexts
C. Established benchmark references for guiding planning and
design judgements for sensitive rural locations
D. Transcribed this rural design research into the broader debate
about architecture in the rural and urban built environment.
Underpinning research
Graeme Hutton joined the University of Dundee in 1999 after ten years
professional practice where he worked as lead designer on high profile
public projects exhibited at the Venice Biennale, Royal Academy and Royal
Scottish Academy. In 2007 LJRH Chartered Architects commissioned Hutton to
undertake a series of domestic and institutional design projects whose aim
was to develop an architectural vocabulary appropriate to sensitive rural
locations that conformed to the Scottish Government's exceptional Planning
Advice Note 72:
"The purpose is to create more opportunities for good quality rural
housing which respects the Scottish landscapes and building tradition.
The advice should not however be seen as a constraint on architects and
designers wishing to pursue innovative and carefully considered
contemporary designs."
The key research questions addressed were:
(1) How to develop a new and appropriate architectural expression
for a domestic building in an agricultural context.
(2) How to articulate a new narrative framework of principles for
serial design practice in landscape settings.
(3) How to extend local agricultural building technologies and
techniques to make a new and appropriate architecture.
The design research is a form of `model practice' whereby buildings,
designs and texts, define a conceptual framework to critically interrogate
and articulate a new architectural design vocabulary for sensitive rural
environments. It was commissioned against a background of increasing
pressure to develop redundant agricultural holdings in Scotland where few
exemplars existed demonstrating a contemporary design vocabulary
appropriate to such sensitive locations.
Drummond House —`The Shed' was
completed in 2009, and published nationally, internationally, and online
2009-11 (see especially items in section 5b). It was the culmination of
several speculative designs developed as a series to interrogate recurring
themes in a variety of landscapes. These identified 5 design principles
which allow the introduction of modern and regenerating designs to
otherwise disused and often decaying agrarian settings (ref. G.Hutton, 'Continuity
and Inventiveness', Architecture & Series, Ampersand,
Vol 3 Spring 2011, pp. 28-31). Without such a design vocabulary these
sites are often the subject of unsightly 'suburbanisation' or remain
undeveloped as the local authority refuses planning permission, deeming
applications 'inappropriate'. The research explored other vanguard 'new
ruralism' practitioners in the UK, Europe and the US but took more cues
from existing agricultural building typologies in Scotland rather
than the architectural vernacular per se. Hutton's research
highlights key ideas which question received wisdom as to what a 'house'
should 'look like' in such sensitive and characterful locations, in turn
significantly enhancing our appreciation of them and their surrounding
landscape. Drummond House 'The Shed' has contributed to a public debate of
what constitutes 'appropriate' building development and is a Scottish
Government 'exemplar' project in relation to architectural design and
place. It has also influenced design practice internationally.
Hutton conducted the research between 2007 to date while employed at the
University of Dundee. The research led to numerous invitations to deliver
academic and professional lectures, to exhibit and publish further work
and to new commissions for similar sites as recommended by different
Planning Authorities.
References to the research
2. Graeme Hutton
Callison ZincHouse
Constructed Building, Monikie, Angus
Completion December 2013
(listed in REF2)
3. Graeme Hutton
`Continuity & Invention', 2011
G.Hutton, 'Continuity and Inventiveness', Architecture &
Series, Ampersand, Vol 3
Spring 2011, pp. 28-31; ISBN 9780955970689
5. Graeme Hutton
`Place, Programme and Presence'
2006
In : Prospect: the Quarterly Journal of the Royal Incorporation of
Architects in Scotland. 124, Autumn 2006, p. 34-35.
6. Graeme Hutton & Charles Rattray
`Concepts & Material Associations in the work of Gigon Guyer'
In : Architectural Research Quarterly. Vol 4, no. 1 2000 pp 16-32.
DOI: 10.1017/S1359135500002384
Details of the impact
The impact of this research has been fourfold. It has:
A. Informed directions for professionals in architectural design
relating to designing for predominantly landscape contexts [Corroborating
evidence 5.1 and 5.2]
The design research embedded in `The Shed' has been
internationally disseminated to a professional audience through the
presence of built work, traditional and web-based publication, symposia
and talks, exhibition and invited CPD seminars. As a direct consequence of
this exposure numerous co-professional enquiries have resulted,
particularly in relation to the roof form and detail, from practices in
the UK, Ireland and The USA. Evidence of Hutton's design research
sub-themes can be seen in later architectural works such as those at
Scotland's recent `Highland Housing Expo' or a new work by New York based
Briggs Knowles Architecture + Design. The detail design of `The Shed'
roof/wall junction is also being employed by Platform4 in New York for a
rooftop addition to a Brooklyn city block.
B. Informed wider society of the critical debate surrounding
appropriate architectural designs for rural contexts [Corroborating
evidence 5.3,4,5,6,7,8]
Following publication online, particularly online via `Britain's Best New
Buildings', and in the popular press under such banner headings as "Q) Is
this an award winning piece of architecture, or a shed? A) Both" in The
Scotsman 22nd May 2009 and "Barnstorming — Industrial Unit or
Modernist Masterpiece?", in Caroline Ednie, Homes & Interiors
Scotland, October 2009 pp82-89, and "In a Shed — Seeds of a Scottish
Farmhouse" in The New York Times Jan 27th 2011, much follow up
correspondence has been generated centring on the appropriateness or
otherwise of the building's vocabulary. From this exposure a complex
observation relating to type emerges: critique is positive and favourable
if the viewer assumes `The Shed' is in fact just that — a utilitarian
agricultural building; critique from the same readers is less favourable
upon discovery that `The Shed' is in fact a residence. Further research in
how modern architecture is perceived and understood is warranted by these
observations. What this press and web exposure also elicits is popular
discussion regarding appropriate models of new rural dwelling that might
challenge the suburbanization of the countryside. The research suggests a
new language and patterns of dwelling as demanded by the Scottish
Government's Architecture Policy disseminated through Architecture and
Design Scotland. Commissions to the value of £2M for five further
residences, in similarly sensitive sites across Scotland, have resulted in
a maturing vocabulary toward more spatial sophistication and to explore
highly energy-efficient `Passive House' technologies. Three further
commissioned dwellings have resulted from Planning Authority
recommendations to prospective rural developers to examine Drummond House
— `The Shed' as an appropriate modern rural archetype.
C. Established benchmark references for guiding planning and
design judgements for sensitive rural locations [Corroborating evidence
5.9 and 5.10]
`The Shed' is cited as an exemplar regarding appropriate design responses
to rural landscapes in the RIAS Information booklet `Why Choose an
Architect' (Ref. RIAS 2010). The planning authorities of two district
councils also refer potential developers to the design as an exemplar of
how to approach building in the countryside. As a result of the design
principles inherent in `The Shed' a grant of £15,000 was secured from the
Scottish Government (2010) to research the optimum approach for
articulating and embedding `Design Coding' for the proposed new highland
town of `Tornagrain'. This is a pilot project to test mechanisms for
ensuring design quality over time in lengthy and complex development
programmes for several new sustainable communities being proposed in
Scotland.
D. Transcribed rural design research into the broader debate about
architecture in the rural and urban built environment [Corrborating
evidence 5.11 and 5.12]
The benefits extending from the profile of `The Shed' and its
contribution to a new awareness of landscape formed architecture include
Hutton's invitation as a juror informing the selection and procurement of
Kengo Kuma's Landform design for the first outreach of the
V&A's internationally significant collections in Dundee, to wide
critical and public acclaim. The `landform' ethos also sits as a
key constituent part of the international Landworkers network
(including artists Will McLean and Arthur Watson and architect Juhani
Pallasmaa) sponsored by The Geddes Institute, RIAS and Dundee Contemporary
Arts. Pallasmaa visited `The Shed' in 2009 during the Landworkers
International Symposium exploring landscape, culture and heritage as
conceptual drivers for ideas across a range of disciplines including art,
literature and architecture.
Sources to corroborate the impact
A. To inform directions for professionals' architectural design
relating to designing for predominantly landscape contexts:
- http://www.scotlandshousingexpo.com/houses.php
-
http://cargocollective.com/chasegoitia/following/all
(BriggsKnowles)
B. To inform wider society of the critical debate surrounding
appropriate architectural designs for rural contexts:
- http://www.bestbuildings.co.uk/housing/drummond-house/
-
New York Times `In a Shed, Seeds of a Scottish Farmhouse' 27th
January 2011 — 2.3m readers/day. Cf.
http://www.nytimes.com/2011/01/27/greathomesanddestinations/27location.html?_r=0-
30m hits/month.
- http://www.wallpaper.com/architecture/interactive-floor-plan-drummond-house-perthshire/3574
-
Scotsman `Q) Is this an award winning piece of architecture, or
a shed? A) Both' 22nd May 2009 — 40,000 readers/day.
Cf. http://www.scotsman.com/news/uk/architecture-awards-list-shops-but-obviously-no-carbuncles-1-1039140.
-
Sunday Times `A shedload of class' 1st November 2009
— 100,000 readers/day. Cf. http://www.thesundaytimes.co.uk/sto/style/homes_and_gardens/Buying_and_Selling/article188939.ece.
- http://www.studio-international.co.uk/architecture/drummond-house-2011.asp
C. To establish benchmark reference approaches guiding planning
and design judgements for sensitive rural locations:
- http://www.scotland.gov.uk/Topics/Built-Environment/AandP/InspirationalDesigns/ProjectType/Singlehouserural/Drummond
- Royal Incorporation of Architects in Scotland publication `Why Choose
a CharteredArchitect' http://www.rias.org.uk/files/2011/156/F4940062-17D6-5007-4DE4-4D0701095742.pdf
D. To transcribe rural design research to a wider public building
context:
- http://www.urbanrealm.com/news/2930/VIDEO%3A_Kengo_Kuma_
- http://www.dundee.ac.uk/geddesinstitute/projects/landworkers/symposium/