Submitting Institution
University of GreenwichUnit of Assessment
Art and Design: History, Practice and TheorySummary Impact Type
SocietalResearch Subject Area(s)
Medical and Health Sciences: Public Health and Health Services
Studies In Human Society: Sociology
Summary of the impact
REBOUND is an interactive, media-based drug prevention programme targeted
at young people in Europe. Researchers at the University of Greenwich
worked with young people to redesign the curriculum and materials for a
British audience and produce a series of short educational films which are
being used in the programme's resilience training. Preliminary results
show a reduction in drug and alcohol harm amongst participants including a
drop in binge drinking, reduced cannabis use, increased search for help
and greater harm reduction knowledge. After using the films, young people
are making their own videos as educational tools to pass on their
learning.
Underpinning research
REBOUND is an EU-funded programme targeted at young people aged 14-25
coordinated by Henrik Jungaberle at the University of Heidelberg. It is
designed to be used by schools and youth projects: trained leaders use a
series of short films together with participative education methods to
help young people think about substance misuse issues and learn to make
wise, independent and healthy choices. It aims at prevention that `doesn't
merely consist of warnings by adults'. The University of Heidelberg and
partners established the programme in Germany and then looked for partners
in the UK. The University of Greenwich was invited to recreate the films
for a British audience because of its strong research base in relation to
film production and its expertise in the theory and practice of film as an
educational tool.
Dr Stephen Kennedy, Principal Lecturer and project coordinator,
and Dr Alev Adil, Artist in Residence (Head of Department of
Communication & Creative Arts 2008-2012) have shown that film, as a
popular medium, is an essential contributor to prevailing social
discourse. They argue in Technology on Screen: Projection, Paranoia
and Discursive Practice that film has a material spatio-temporal
effect on the environments that people inhabit. Film as a medium does more
than simply reflect the real world, it affects how people see and conduct
themselves. This basic starting point led to exploration of ways in which
it might augment an already established education programme. By making the
process as collaborative as possible, including script and performance
development, film production can open up opportunities for exploration and
learning. The resulting product can also be rich and authentic, leaving
room for reflection rather than offering simplistic messages.
Using a combination of traditional academic research and a practice-based
action research methodology, the Greenwich team worked with a range of
young people recruited from: the university student body and their
friends; through links with Kids Company; the theatre group Caught in
the Act; and via `call to participate' placed on Gumtree. During a
series of planned workshops, based on Kennedy's research into the concept
of listening as a focus of social engagement, participants were invited to
develop ideas that would be open to further future redevelopment.
The key finding of the research was that when immersed in a listening
process, participants were better enabled to develop meaningful production
scenarios. The specific process combined listening with visual
representation. It involved the physical coming together of all parties,
not to listen to each other's concerns in the conventional manner, but to
work together collaboratively in a way that evokes Jean Luc Nancy's
concept of listening as an immersive multidimensional creative practice
wherein commonalities are explored and coherences developed. (Nancy, J-L.
(2007). Listening. Fordham University Press: NY: 4)
The research started in 2011 and eight films were produced between May
and July 2012. In addition to Kennedy and Adil, the films drew on the work
of: Dr Chris Brown, Lecturer; Rosamund Davies, Senior Lecturer; and
Russell Duke, Funded Research Assistant and member of the steering group.
References to the research
(REF1 submitted staff in bold, **REF2 Output)
**3.2 Adil, A., & Kennedy, S. (2009). Technology on Screen:
Projection, Paranoia and Discursive Practice. In F. J. Ricardo (Ed.), Cyberculture
and New Media (pp. 219-230). Amsterdam: Rodopi. (Peer reviewed book
chapter, that was assessed by two external REF reviewers as a 3* output)
**3.3 Davies, R. (2010). Screenwriting strategies in Marguerite
Duras's script for Hiroshima, Mon Amour (1960). Journal of
Screenwriting, 1(1), 149-173. doi:10.1386/josc.1.1.149/1 (A
peer reviewed journal article that was assessed by two external REF
reviewers as a 3* output)
3.4 Kröninger-Jungaberle, H., Nagy, E., et al. (2013). REBOUND - a
media-based education and prevention program. Rationale, curriculum and
implementation. Health Education Journal Paper in review.
3.5 Kröninger-Jungaberle, H., Nagy, E., et al. (2013). Effekte des
Lebenskompetenz- und Risikopädagogik-Programms REBOUND auf Substanzkonsum,
Substanzwissen und Risikowahrnehmung. Suchttherapie Paper in
review.
Details of the impact
REBOUND targets a demanding age group in which many demonstrate
experimental use of psychoactive drugs. The programme aims to help young
people build resilience, a "strength which helps recognising challenges
and facing them actively. Resilience in regard to alcohol and other drugs
also means the ability to protect oneself." The challenge is to create
materials the target group can relate to rather than experience as a
parental or social directive.
Impacts
1. Reduction in drug and alcohol harm
UK charity Kids Company is providing the REBOUND resilience training.
The Greenwich team contributed to the training of six key workers from
the Kids Company who are delivering the course. Preliminary results from
a controlled study showed:
- a decrease in the number of binge drinking events by participants;
- a decrease in the use of cannabis;
- an increase in search for help;
- an increase in knowledge of risks related to drugs and alcohol.
2. Production of films which are being used and are widely accessible
By working in collaboration with a wide group of young people, the
research team has produced a series of films that engage British 16-24
year olds. These films are now being used in the REBOUND Programme UK
and form part of the resource library of the European programme. They
are available on the REBOUND website and YouTube.
After using and investigating the films, course participants produce
their own risk and resilience-related short videos, assess their
educational value and upload them to the REBOUND website. This is
building a material base for the course, and for critical public
dialogue by young people, parents, health workers, politicians etc.
3. Learning during the making of the films
Eighty-five young people were involved in the project at the initial
planning stage to discuss feasibility and script ideas, of whom 31 were
directly involved in the production of the eight films and appear on the
credits. The films were produced in their entirety in collaboration with
these young people. From script, through storyboarding to production and
final edit, the films set out to fulfil the needs of the REBOUND project
by centring them on the young people who would ultimately also
constitute the target audience. Using action research as methodology, we
found that the prospective target audiences were more likely to be
receptive to films that had been produced by their peers. Scripting,
storyboarding, shooting and editing all took place against a background
of constant dialogue between the production crew and the researchers.
The collective achievement was celebrated by showcasing the films at a
screening at the University of Greenwich, attended by all those who had
participated. The 31 involved in the production of the films were
awarded certificates in recognition of their contribution. Four of the
young people have gone on to train as mentors.
4. Redesigning the curriculum and programme for the UK
University of Greenwich's Russell Duke sat on the steering group to set
up REBOUND in the UK. The first step was an Implementation Conference in
November 2011 to discuss the planned adaptation and implementation
process, at which Duke and Kennedy presented the university's research
to project partners and supporting experts. They included six experts
from Mentor Foundation UK and representatives of the Kids Company and
Caught in the Act theatre company. The group concluded that a cultural
adaptation to British culture was going to be challenging, making it
especially important to integrate people from different professional
areas as well as students and young people from various backgrounds. The
steering group met every four to six weeks to discuss current steps as
well as focus group results.
The Greenwich team and young people had regular working sessions before
making the films, in which they adapted the German curriculum and
learning materials for the UK audience.
5. Extending the impact
Greenwich researchers ran two film workshops with young people at the
Urban Academy, which supports over 200 young people who reject or have
been rejected from other educational facilities due to their complex
emotional or behavioural needs. The long-term aim of such workshops is
to assist participants in moving into university, college, or
employment. We are keen to develop this link further in the future.
http://www.kidsco.org.uk/our-work/the-urban-
academy
Sources to corroborate the impact
REBOUND Programme:
Main website: http://my-rebound.de/en
Summary of UK programme: http://my-rebound.de/en/rebound-goes-uk
Health & Cultural Psychology Researcher
Institute of Medical Psychology
University Hospital Heidelberg