The Libertadoras: Engaging and empowering audiences and communities
Submitting Institution
University of NottinghamUnit of Assessment
Modern Languages and LinguisticsSummary Impact Type
SocietalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
Using a ground-breaking database of recovered narratives of Latin
American women during the Wars of Independence,
- new histories have been created and shared with audiences in Buenos
Aires, London and Nottingham through exhibitions, workshops, guided city
tours, theatre productions and translation programmes leading to new
public knowledge and raised awareness;
- drama and photography workshops have enabled a community of young
Latin American migrant women in London to understand their collective
heritage and cultural identity more fully, and through this
understanding, to develop personal confidence and pride;
- employees of Southwark Council have changed how they work with their
growing Latin American community after participating in a cultural and
language exchange series contributing to improved community cohesion.
Underpinning research
Key researcher: Professor Catherine Davies (University of Nottingham
2004- ).
The research investigates the significance of women in the Independence
process in Spanish America and explores the reasons for their subsequent
exclusion from political culture until recently. The importance of gender
in Independence had not been thoroughly studied previously, and women's
contribution had been largely overlooked. In the period leading up to 2010
and subsequently there was increased public interest in women's role in
the Wars of Independence generated by the celebrations of the
Bicentenaries of Independence and by women's unprecedented contemporary
prominence in Latin American politics since there were at the time women
Presidents in Brazil, Costa Rica, Argentina and Chile. The research,
funded by the AHRB/AHRC 2001-2006, 2012-13 and by the University of
Nottingham, made a seminal contribution to revisionist accounts of
Independence. The project's website (3.1) is the first consolidated and
comprehensive resource making publicly available information about women's
participation in the Wars of Independence.
The three core strands in the project were: a) the study of women's
political culture; b) the discovery and evaluation of women's activities
and writings between 1810 and 1850; and c) the analysis of the textual
construction of gender in political discourse. In particular, the research
addressed four key research questions: (i) how the category `woman' was
produced discursively and politically in Spanish America at the time; (ii)
in what ways women were constructed ambi-guously as subjects and objects
in political discourse; (iii) what women's responses were to the
republican discourse of individual rights that equated individuality with
masculinity; and (iv) why, after Independence, political rights were still
denied to over half the population according to the criterion of sexual
difference.
The key findings and insights were:
- that women had a hitherto unacknowledged and significant role in
Spanish American culture and history between 1810 and 1850 (3.1 to 3.4);
- that there were shifts in gender parameters and discourse about gender
throughout the period in which the wars were fought but that
subsequently there was a return to earlier positions, which have
persisted until recently (3.1 to 3.4);
- that aggressive and violent masculinity in militarized,
post-Independence societies had a profound cultural impact and shaped
the social norms deemed appropriate for women (3.2);
- that the textual and visual representation of women as mythical
figures and literary tropes (e.g., liberty, `patria') rather than real,
historical figures rendered their exclusion from the public sphere
natural and acceptable (3.2, 3.4);
- that patriarchal nationalist agendas were a driving force in
male-centred historiography (3.1, 3.2, 3.3);
- that there was a significant number of hitherto unstudied writings by
women, including letters and educational texts (3.1-3.5) which revealed
forgotten aspects of women's contribution to the Independence struggles.
In addition to the research outputs, there were two research meetings
which helped to develop the scope of the research: an international
conference co-organized with Anthony Macfarlane (War-wick), `Unequal
States: Gender and Race at Latin America Independence', funded by the
universities of Warwick and Nottingham, 2004; and an international
symposium, `Women in Latin American Independence: History, Society,
Culture', at the Institute for the Study of the Americas, London, 2012,
funded by JISLAC in collaboration with Sara Beatriz Guardia, Director of
the Centro de Estudios la Mujer en la Historia de América Latina
(Universidad de San Martín de Porres, Lima).
References to the research
Website (including database)
3.1 On-line database of female participation in the Wars of
Independence (2300 people, 3900 events, 330 images). Contains biographies
of individual women, their writings, public and private culture, social
networks, group activities, associated places and commemorations. Accessed
via the project website: http://www.genderlatam.org.uk/.
Print publications (all refereed)
3.2 Davies, C., C. Brewster and H. Owen, South American
Independence: Gender, Politics, Text (Liverpool: Liverpool
University Press, 2006). Davies wrote 7.5 of 11 chapters. Available on
request.
3.3 Davies, C., `Unequal States: Gender in Latin American
Independence', in a special issue of Hispanic Research Journal,
`Unequal States: Gender in Latin American Independence', edited by C.
Davies, 7.1 (2006), pp. 3-10. Available on request.
3.4 Acevedo de Gómez, Josefa, A Treatise on Domestic Economy,
for the Use of Mothers and Housewives [1848], edited with
introduction by C. Davies. Translated from the Spanish by Sarah Sánchez
(Nottingham: CCCP, 2007). 108 pp. Introduction, pp. i-xxvii. Available on
request.
3.5 Davies, C., `Gendered Interpretations of Independence Poetry:
Mexico and Peru, 1820-1822', in Power, Place and Representation.
Contested Sites of Dependence and Independence in Latin America,
edited by Bill Richardson and Lorraine Kelly (Oxford, Bern: Peter Lang,
2012), pp.129-55. Submitted to REF2.
Evidence of quality of research
• AHRB 2001-2006 (Standard Award £134k) `Gendering Latin American
Independence: Women's Political Culture and the Textual Construction of
Gender 1790-1850'. (PI Davies, CI Hilary Owen, University of Manchester,
RA Claire Brewster, University of Newcastle). Final outcome: outstanding.
• AHRB Feb-June 2005 (Research leave award £14k), to complete book, Spanish
American Independence: Gendering the Text. Final outcome: outstanding.
• AHRC 2006-2007 (Pilot Dissemination Award £10.5k to PI Davies).
Dissemination of the website, database and publications: translation and
edition of rare book, the first in English (2007) and translations into
Spanish and Portuguese of the webpage/working papers.
• AHRC April 2012-Feb 2013 (Follow-on Fund £94k) `Women and Independence
in Latin America. A New Multi-media Community-contributed Community-driven
Online Resource'. (PI Davies, CI Iona Macintyre, University of Edinburgh,
CI Professor Derek McAuley, Horizon Hub, Nottingham, RA Maria Thomas).
Details of the impact
A database of narratives of women who participated in the Latin American
Wars of Independence (3.1) underpinned three strands of international
public engagement activity which have effected changes in public awareness
(transnationally), contributed to community cohesion (locally) and
inspired pride and reflection for young migrant women.
Davies presented the Libertadoras project and its database (3.1)
to the directors of the Latin American Women's Rights Service (LAWRS) in
London, the Women's Museum in Buenos Aires, the New Art Exchange (NAE),
Nottingham, and Southwark Council along with key research findings
(3.1-3.5). The programmes which were subsequently developed with these
partners drew directly on these outputs and followed the theme of women's
historical struggle for independence in Latin America and the impact of
gendered political discourse. They engaged specifically with the critique
of androcentric historiography and political discourse (3.2 & 3.3),
and the recovered names and stories of women who participated in the Wars
of Independence, translating the research insights and findings into
cultural and community events to highlight the continued relevance of the
Libertadoras to a contemporary audience (3.2-3.5).
Sharing recovered histories to create new knowledge and raise
awareness
A range of cultural activities developed in collaboration with the
Women's Museum in Buenos Aires and based on Davies' research included
readings and workshops using primary historical sources, round-table
discussions, an exhibition of historical and contemporary art, theatre
productions and a community translation programme in which volunteers
translated the biographies of the women in the database from English into
Spanish. The programme attracted 300 visitors from Buenos Aires, and from
Brazil, Venezuela, Bolivia, and Colombia, giving people new knowledge
about and new perspectives on their history, challenging
androcentric narratives of the Wars of Independence. Participant feedback
(which demonstrates a palpable sense of excitement) includes the following
comments: `I am sure there are important women from the independence
struggles [in my region]. I am going to find them!'; `[The material] helps
us to recognise difficulties from the past that are also present in the
current day'; `I intend to carry out readings with the women at the
public library where I participate in events', and `I certainly learned a
lot and I was reminded of things I had studied at university. I learnt
to value the work of women that exists "behind" grand events. For
example during war. Women are essential!' (5.1).
The programme of events, Libertadoras 19th C to 20th
C: A Century of Struggle, 15th August to 22nd September
2012, generated widespread national media coverage in Argentina, extending
the reach of the research into a wider public domain. Radio stations that
covered the events included Rock Nacional, Universidad de Buenos Airies,
Radio Gráfica and several shows specifically targeted at women including Monday
Again and Mothers' Voice. The National News Agency of
Argentina, national newspaper El Comercial, and Yahoo Mexico's
news page also all covered the exhibition (5.1). The Museum Director
reflected on how Davies' research (3.1-3.6), which had been embedded in
the activity, had stimulated discussion, particularly around
Independence, and the relationship between `national' and `personal'
independence. The participants were `keen to express opinions and to
deconstruct official points of view influenced by liberal, misogynist
history that hides the participation of women in historical crises' (5.2).
Increasing confidence and self-esteem within a community of young,
first-generation Latin American women in London
Young Latin American migrant women in London engaged with a programme of
cultural workshops (with outputs including exhibitions and theatre
performances) that had profound personal impacts on them. The
Director of LAWRS commented that `using the vehicle of Las Libertadoras
to explore issues of identify and belonging, and cultural pride, has had a
notable impact on these young women's sense of self and their social
engagement more broadly. The project has rescued the value and courage of
the libertadoras to inspire [...] all of us so that we can follow
their example' (5.3). The LAWRS Development and Outreach Officer said: `It
was clear the young women had been inspired by the libertadoras
and that they identified with them. This can be seen clearly in the photos
too' (5.4).
The impact of the performance and the exhibitions that were the outcome
of the LAWRS activity extended beyond the individual women involved, to
the audiences who engaged with the work through its performance/display,
providing new awareness of the nature and experiences of the immigrant
Latin American community in London. The play, written and produced
by the young women (with the support of a drama teacher and LAWRS youth
workers), was entitled `Razones por las que luchar' (Reasons for
Fighting). It was based on re-enactments of the lives of individual Libertadoras
that the women had selected from the database (3.1). The play was
performed at the LAWRS AGM (November 2012) with an attendance of c. 150
women from the Latin American community and at the Institute of the
Americas, UCL (May 2013) to an audience of c. 50 including parents and
friends. Attendees' feedback focussed on the link between the histories
presented and contemporary politics and culture: `...the performance was
important for young Latin Americans who were born in the UK to remember
their roots. [These projects are] an awakening for our Latin American
community, for us to improve our conditions and have a better future';
`[...] it is good to get back in touch with history in order to
understand and change the political processes of the present' (5.5).
4,040 attended the exhibition Empowerment through Art: Photography
and Latin American Girls, at the NAE in March/April 2013 and at
Southwark Council premises in May/June 2013 (curated by British-Mexican
photographer Pablo Allison in collaboration with Roxana Allison). The
exhibition featured 11 portraits of the girls and their own photographs on
the theme of women's independence. The girls were photographed in the pose
of `heroines' having seen the images of `heroínas' in the image bank.
Visitor feedback attested to the effect of the work in raising awareness
about Latin American culture in general, and about gender identity within
the Latin American community more specifically: `The exhibition provoked
me to reflect on gender and ethnic identities'; `I learned about new
depths and richness in terms of Latin culture, history and identity'; `I
had no idea there were so many Latin Americans in the UK and that the
girls need support.' Visitors who spoke to the young women `got a real
sense that the project had raised the awareness, but also expectations, of
the young women involved' (5.6). A Southwark Councillor and cabinet member
for communities and economic wellbeing said: `We are thrilled to have
supported such an imaginative and inspiring project. I hope visitors of
all backgrounds will be encouraged by the stories and go on to fulfil
their own potential in a way that positively impacts upon the local
community' (5.7). The NAE curator reported that `audience feedback was
positive and the idea of how art can be a tool for empowerment especially
for recent immigrants was appreciated by all those who saw the exhibition'
(5.8).
Contributing to community cohesion in Southwark: the cultural and
language exchange
Southwark Council identified a need to improve communication with Latin
American migrants to their community, and invited Thomas (a Post-doctoral
researcher working with Davies on the project) to run a series of
workshops for its employees. The aim was to help them better understand
the cultural, linguistic and social profile of its Latin American
community. As part of these workshops, participants were introduced to the
image bank and database (3.1). Feedback from council employees
demonstrates the wide-ranging influence of the talks, which they praised
for increasing knowledge and understanding, helping the teams to build
networks with the Latin American community and identify contacts within
it. A council employee commented: `The sessions have definitely helped
with my job as I now have contacts with South American organisations
that I can refer some of our private tenants to [...]. The sessions have helped
my team to build networks with the South American community in Southwark'.
A Development Manager for the Safeguarding Children Board said `The
photographic presentation and meeting [with the Director of] LAWRs [...]
really gave me insight into Spanish and Latin American culture. It
also gave me a good connection with the LA community which I know I will
be returning to in my professional life.' Local community groups have been
so pleased with the effects that they have requested the project continues
(5.9).
Sources to corroborate the impact
5.1. Translation of Evaluation Data from Buenos Aries Women's Museum on Libertadoras
19th C to 20th C: A Century of Struggle
(available on request).
5.2. Director of the Women's Museum, Buenos Aires (Factual Statement,
available on request).
5.3. Director of Latin American Women's Rights Service (Factual
Statement, available on request).
5.4. Development and Outreach Officer of LAWRS (Factual Statement,
available on request).
5.5. Feedback from Performances at the Institute of the Americas, UCL
(available on request).
5.6. Feedback from photography exhibition at New Art Exchange (available
on request).
5.7. Empowerment Through Art: Photography and Latin American Migrant
Girls in London, 17/05/13
http://www.southwark.gov.uk/news/article/1250/empowerment_through_art_photography_and_latin_american_migrant_girls_in_london,
accessed 19th September 2013.
5.8. Curator Empowerment through Art: Photography and Latin American
Girls, New Art Exchange (Factual Statement, available on request).
5.9. Feedback from Southwark council employees (available on request).