Transforming public awareness of the impact of the Atlantic Slave Trade on British culture
Submitting Institution
University of the West of England, BristolUnit of Assessment
HistorySummary Impact Type
SocietalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies
History and Archaeology: Curatorial and Related Studies, Historical Studies
Summary of the impact
Research at UWE Bristol has transformed public awareness of Bristol's
history and the impact of
the Atlantic Slave trade in Britain, particularly in relation to the built
environment, the evolution of
racial attitudes and the continuing legacy of slavery. It raised
consciousness about the connection
between existing stately homes, public buildings and monuments and slavery
generated wealth in
Bristol, London and throughout Britain. It has stimulated and informed
reinterpretations of English
heritage and National trust properties and has been utilised in national
website projects. Its findings
also made explicit the link between Bristol's social and cultural
institutions and slavery-generated
wealth.
This research has also benefited the wider public by enabling the
production of historically well
informed teaching and tourist resources for Bristol. It has generated new
museum exhibitions and
informed the acquisitions policies of libraries and archives. It informed
the content and
interpretation, and acquisitions policies, of both national and local
museum and stimulated the
generation of websites, popular plays, artwork and literature.
Underpinning research
Lead Academic: Dr Madge Dresser. When this research was
undertaken she was a Principal
Lecturer, Reader and then Associate Professor.
The research was begun in 1997 and undertaken by Dresser whose
publications and findings [see
section 3] both before and after 2007 have continued to make an impact.
Overall, this research
sought to document the social and cultural impact of the Atlantic slave
trade on Bristol, Britain's
second most important slaving port in the eighteenth century and to
consider the links between
Atlantic slavery and Britain beyond the city itself. It has demonstrated
the extent to which
Bristolians became involved in the establishment of both Barbadian and
Virginian plantocracy, the
role of religious groups in the city played in the abolitionist movement
and the way slavery informed
the nature of Britain's historic relationship with Jamaica in particular.
It has established heretofore
unrecognised connections between Britain's stately homes (Tyntesfield,
Ashton Court et alia) and
London commemorative statues and slavery generated wealth. It has informed
the way that past is
contested and commemorated by different parts of the British public today.
Whilst acting as a consultant at Bristol Museum and full-time UWE
academic, Dresser has
undertaken extensive research in a variety of archives in the UK, the
Gambia, United States (the
Huntington Library, Library of Congress and various collections in
Virginia and Rhode Island) and
Australia, as well as in provincial record offices and libraries and
private collections in Leeds,
Bristol, Wiltshire, Somerset, York, London, Virginia and Gloucestershire.
This was supplemented
by research in museum collections, most notably within the Bristol Museum
Service, the Empire
and Commonwealth Museum, the British Museum and the De Witt Museum in
Williamsburg,
Virginia. Since the research grew out of her formal involvement as a
consultant to the Bristol
Museum Service, it benefited from curatorial advice and unhindered access
to their collection of
artefacts and artwork, including pieces collected through the Service from
members of the African
Caribbean community in the UK. As recently as 2012, she was awarded the
Gilder Lehrman
Fellowship to conduct further research on slavery at the John D.
Rockefeller Jr. Library at Colonial
Williamsburg.
Dresser's research has pieced together fragmentary sources and
interrogated records whose
relationship to slavery has not been realised previously or which has been
used to provide more
narrowly economic interpretations of the subject. It utilised literary as
well as economic and political
sources and archaeological findings to provide a new approach to the
subject which, though local
in focus, was mindful of wider historiographical debates around the
significance of the Atlantic
slave economy, the ideological dimensions of pro- and anti-slavery
campaigns and the
significance of class, gender and race as analytical categories. It has
established the
pervasiveness of slavery's impact on the built environment, including
Bristol and the West
Country's stately homes and London's commemorative monuments.
References to the research
1. Madge Dresser Slavery Obscured: the social history of the slave
trade in an English Provincial
Port (London and New York: Continuum: 2001) reprinted as Slavery
Obscured: the social
history of the slave trade in Bristol, (Bristol, Redcliffe Press,
2007). ISBN 978-0826448767 - Available through UWE
2. Madge Dresser and Sue Giles (eds.), Bristol and Transatlantic
Slavery (Bristol: Bristol
Museums & Art Gallery, 2000). ISBN 0-900199-46-6 - Available
through UWE.
5. Madge Dresser, `Slavery and West Country Houses' in Madge Dresser and
Andrew Hann
(eds.), Slavery and the British Country House, Abingdon: English
Heritage Publishing, 2013,
ISBN: 978-1848020641, pp.12-29. - Available through UWE.
6. http://www.history.org.uk/resources/resource_223.html;
7. http://www.victoriacountyhistory.ac.uk/explore/assets/edward-colston-bristol-slavery-trail-location-32
Details of the impact
The research laid the groundwork for a reinterpretation of the cultural
impact of the Atlantic slave
trade on British culture, especially in relation to the built environment,
the black presence in
England and racial attitudes.
Generating debate and informing the discourse around slavery, it
established the extent of a Black
presence in Bristol before mass immigration and assisted in forcing a
furious debate from the
1990s onwards about the way prominent Bristolians such as the celebrated
seventeenth century
Philanthropist, Edward Colston, should be judged and commemorated. This
has forced a
recognition that Bristol's history needs to include a wider and diverse
constituency including the
descendants of enslaved Africans.
A dedicated, permanent and self-contained slavery section was installed
at the new M-Shed
museum in 2011 which derived from earlier exhibitions which Dresser
had helped to initiate before
2008 and where again she acted as the main historical consultant. She
helped to author displays
and obtain artefacts for the exhibition and is also featured in one of the
filmed displays. [Source 1].
Dresser's research has fed directly into the way the history of
Atlantic slavery has been articulated
to a wider public on The National Archives website, including one of its
Readers' guides. [Source 2]
Her contribution as a member of the advisory boards of the Legacy of
British Slave-ownership
Database project since 2008 and on the advisory board of the AHRC project
`Historicising and
reconnecting rural community: Black presences and the legacies of slavery
and colonialism in rural
Britain, c.1600-1939' has also had an impact as these projects have
changed the terms in which
slavery heritage is discussed and researched and Dresser's research has
contributed to this
change. [Source 3]
As a result of her research, English Heritage asked Dresser to mentor a
researcher commissioned
to investigate slavery links to their own properties. This precipitated a
close relationship with
English Heritage and a looser one with the National Trust resulting in
2009 in a joint conference of
heritage professionals, user groups and academics which attracted over 100
delegates (Interview
with a member of the Black and Asian Studies Association at the Conference
led to a jointly
published book and web resource co-edited by Dresser and published in June
2013. [Source 5]
By articulating in a dispassionate and fair minded way how networks of
merchant families were
embedded in Bristol's Atlantic slavery economy, Dresser's research also
directly influenced the
Society of Bristol Merchant Venturers' decision to put on permanent loan
to the Bristol Record
Office their world class archive documenting the Society's links with
slavery since the seventeenth
century. It affected the way slavery records were acquired, catalogued and
featured by the Bristol
Record Office. [Source4]
Dresser's independent slavery research, and her continuing collaborative
work with the
Ethnography Curator at the Bristol Museum Service, fed into nationally and
internationally funded
websites, including Anti-Slavery International's website and the Port
Cities website and Lottery
funded projects such as the Sweet Heritage project, aimed specifically at
young people. [Source 6]
Dresser's research continues to affect Bristol Museum and Archive
Services' collections and
acquisition policies. It has also inspired a number of community and
family histories and creative
projects, including Sweet Heritage, and in 2008 generated seven short
plays about slavery in
Bristol by seven writers from across the UK, including Sandi Toksvig,
Mustapha Matura and
Dresser herself. [Source 7] In addition, her research inspired a popular
book published by Bristol
City Council's Race Forum in 2010. [Source 8]
Having previously influenced the national commemoration of the
bicentenary of the abolition of the
slave trade in 2007 Dresser's research subsequently generated a much
replicated Bristol slavery
trail, sold at the City Museum [M-Shed], and which has appeared in a
variety of guises on various
websites. The Bristol Slavery Trail page received 865 hits accounting for
0.9 per cent of overall
traffic of the VCH Explore website for that period and ranked as the third
most visited page on the
site. The Bristol Slavery Trail has been used by teachers on the
Historical Association site `Bristol
and the Slave Trade: a virtual slavery trail for school children and their
teachers' while the Bristol
Radical History Group has utilised the research to produce a pamphlet on
the Abolitionist Thomas
Clarkson for public consumption. [Source 9]. Such that a plaque has been
installed in the city
commemorating a public house with anti-slavery associations; a ceremony at
which Dresser
officiated. [Source 10]
Sources to corroborate the impact
1.1 Public
Engagement Website — Creating the M-Shed
1.2 Email from Director — National Coordinating Centre for Public
Engagement. 25 September
2013. - Available through UWE. [1 on REF portal]
2.1 TNA (The National Archives) website: British transatlantic slave
trade: Slavery Obscured
cited in the on-line guide for researchers and Dresser credited for her
contribution to the
construction of the guide. Link
- Available through UWE.
3.1 Legacy of British Slave Ownership Project: Link.
Website relating to the Arts and
Humanities Research Council [AHRC] project on public memory and slavery in
rural areas
in Britain citing Dresser's and Hann's Slavery and British Country
Houses book — Available
through UWE.
3.2 Email from the Deputy Director, Institute for the Study of Slavery
dated 2 August 2013 and
attachment. [2] - Available through UWE.
4.1 Emails from Archives Manager, Bristol Record Office, 26 September
2013. - Available
through UWE. [3]
5.1 Email from Head of Social Inclusion and Diversity, English Heritage.
1st October 2012. — Available through UWE. [4]
6.1 Sweet History media Project on Slavery: `We would like to acknowledge
the support of
Madge Dresser, University of the West of England and Mark Horton,
University of Bristol,
for their contribution to this project'. Link-Available through UWE.
7.1 Leaflet of Commissioned Plays performed by Show of Strength Theatre
groups Link-
Available through UWE.
8.1 Email dated 25 May 2012 from the Head of the HLF-funded Bristol Black
Archive
partnership and the Black-led consultancy firm in Bristol `First Born
Creatives', attesting to
the impact Dresser's research has had on his publications and the Black
Archive
partnership work. — Available through UWE. [5]
9.1 Bristol Slavery trail used by teachers on the Historical association
site: `Bristol and the
Slave Trade; a virtual slavery trail for school children and their
teachers', — Available
through UWE. Link
9.2 Bristol Radical History Group pamphlet, Cry Freedom, Cry Seven
Stars: Thomas Clarkson
in Bristol 1787 (2010). - Available through UWE.
10.1 Photo of the unveiling of a plaque in Bristol honouring anti-slavery
campaigner Thomas
Clarkson at which Dresser officiated as a result of her research. This has
an impact on the
way the city is represented to the public and came with an accompanying
pamphlet: Link