ENG06 - Literary history promoting national reconciliation and cross-cultural awareness in South Africa
Submitting Institution
University of YorkUnit of Assessment
English Language and LiteratureSummary Impact Type
CulturalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
Attwell and Attridge's paradigm-shifting research on the culturally and
linguistically diverse literary history of South Africa has had a
significant influence on the country's reassessment of its cultural past,
present and future. In a national situation in which literature has always
been embedded in political life, apartheid divisions left different racial
and linguistic groups out of touch with each other's literary heritage.
Attridge and Attwell undertook to bridge these differences by producing
the first comprehensive history of literature across all languages and in
all periods, widely seen as a major step forward in national
cross-cultural awareness. The key beneficiaries are a range of political,
cultural, media and educational institutions, and the people served by
them, in South Africa and across the world.
Underpinning research
This research was carried out at the University of York by Professor
Derek Attridge (joined HEI in October 1998) and Professor David Attwell
(joined HEI in January 2006), building on a long investment in Southern
African studies at York.
Joint research by Professors Attwell and Attridge between 2006 and 2011
investigated the history of South African literature from its oral
beginnings to the postmodern present, examining original publications and
earlier attempts at South African literary historiography. Their aim was
to discover the common threads underlying the diversity of the various
cultural groups in South Africa, and to trace their shared, though often
conflicting, histories in order to contribute to the rebuilding of
national identity. Negotiating the difficulties of bringing together
scholars from different, often divided, linguistic and racial communities,
they convened a conference of contributors in Johannesburg and created
online tools for the collective discussion of draft chapters. These were
reviewed and revised by Attwell and Attridge and organized into an
877-page volume with 41 contributors, including an introduction, headnotes
to six periodised sections and a forty-page index. CHSAL was
published in January 2012; for the first time, an in-depth, comprehensive
picture of the entirety of South Africa's literary production was made
available to a global readership. CHSAL has been shortlisted for Times
Higher Education's International Collaboration of the Year Award
(2013).
Underlying this project was the research Attwell and Attridge conducted
on specific South African authors. Between 2006 and 2013 Attwell carried
out research on the writing of the Nobel laureate J. M. Coetzee,
interviewing him on a number of occasions, publishing four essays in
peer-reviewed journals and two chapters in collected editions. In 2011 he
was awarded a Leverhulme Research Fellowship (£45,000) to write a critical
biography of Coetzee, a book commissioned by Coetzee's Dutch publisher and
aimed at a broad audience. From 2006 to 2009 he collaborated with the
distinguished intellectual N. Chabani Manganyi (Chair of South Africa's
Council for Higher Education, a former Vice-Chancellor and
Director-General of Education in Mandela's Presidency) to collect and
annotate the letters of Es'kia Mphahlele, published in 2009. This research
probed the life and writing of one of the most significant members of the
South African intelligentsia and an important political voice in the
apartheid era; a key element was tracing Mphahlele's world-wide
connections with leading intellectuals throughout the Black Diaspora.
Attridge undertook research on the novels of Coetzee between 1998 and
2010, investigating, by means of close analysis and theoretical
discussion, their importance in current discussions of the ethical
dimension of literature. This research led to a monograph, six chapters in
collections, and three articles in peer-reviewed journals. He co-edited a
special issue of the journal Interventions on Coetzee, and was
invited to contribute the introduction to a collection of Coetzee's
non-fiction. His research demonstrated the centrality of Coetzee's work in
contemporary global literature and its relation to the modernist tradition
of European writing.
References to the research
1. D Attwell and D Attridge, eds. The Cambridge History of South
African Literature. Cambridge: Cambridge University Press, 2012.
ISBN 978 0 521 19928 5. Listed in REF 2.
2. D Attwell, "Life and Times of Elizabeth Costello: J. M. Coetzee and
the Public Sphere," in J. M. Coetzee and the Idea of the Public
Intellectual. Athens, Ohio: Ohio University Press, 2006: 25-41. ISBN
978 0 8214 1686 0. Can be supplied by HEI on request.
3. D Attwell, "J. M. Coetzee and the Idea of Africa," in Journal of
Literary Studies 25, 4 (2009), 67-83. DOI 10.1080/02564710903226684.
Listed in REF 2.
4. N. Chabani Manganyi and D Attwell, eds., Bury Me at the
Marketplace: Es'kia Mphahlele and Company: Letters 1943-2006,
Johannesburg: Wits University Press, 2010. ISBN 978 1 86814 489 1. Listed
in REF 2.
5. D Attridge, J. M. Coetzee and the Ethics of Reading: Literature in
the Event, Chicago: University of Chicago Press, 2004, and
Pietermaritzburg: University of KwaZulu-Natal Press, 2004. ISBN 0 226
03116 0. Can be supplied by HEI on request.
6. D Attridge, "Coetzee's Artists, Coetzee's Art," in J. M. Coetzee's
Austerities, ed. G Bradshaw and M Neill, London: Ashgate, 2010, pp.
25-42. ISBN 9780754668039. Listed in REF 2.
Evidence of quality: 1, 4, 5 are books published by leading presses; 2,
3, 6 are peer-reviewed collections and journal. 1 and 5 have been widely
and favourably reviewed. 2 and 4 were submitted to RAE 2008 in which 95%
of department's research was 2* or above.
Details of the impact
Overview of Impact
Designed to have a direct influence on the political, cultural and
educational institutions of South Africa, and to play a part in the
reshaping of the public's understanding of the country's multiple cultural
traditions, Attwell and Attridge's CHSAL made a significant
contribution to the current process of national reconciliation and
self-evaluation after the ending of apartheid. To ensure the book's widest
possible reach, especially in South Africa, Attwell and Attridge secured
an exceptional agreement by Cambridge University Press to publish a
special inexpensive paperback edition for the African market at a third of
the international price, making the book accessible to African students as
well as readers outside universities. These unusual publishing
arrangements were designed to maximise the influence of CHSAL as
the most comprehensive literary history of South Africa yet to be
published, covering the country's huge linguistic range. Within the first
year of its publication (2012), the volume had been reprinted three times,
demonstrating sales, and thus readership, well in excess of expectations.
In a country where literary culture continues to be integral to the
political process, Attwell and Attridge have made possible new perceptions
of the achievements of South Africa's writers and new understandings of
the complex history of literary production from pre-colonial oral
narratives to recent developments in South Africa's eleven official
languages. The beneficiaries of the impact are: South African political
and cultural institutions and leaders, media, universities and
schools, contemporary South African writers, and South African and
global reading publics.
Beneficiaries
Attwell and Attridge's research directly impacted on leading South
African cultural, educational, political and literary figures. They
arranged public events to coincide with the publication of CHSAL,
most importantly well-attended launches in both Johannesburg and Cape Town
in March 2012. The influence of the volume on major cultural leaders was
in evidence in their direct involvement in the launches. In Johannesburg,
the address was given by Achmat Dangor, leading novelist and CEO of the
Nelson Mandela Foundation; in Cape Town, by Njabulo Ndebele, writer,
public intellectual and former Vice-Chancellor of the University of Cape
Town. World-renowned South African authors from across the nation's
different linguistic communities, including Nobel laureate Nadine
Gordimer, André Brink and Mandla Langa, attended the launches. The
willingness of Dangor and Ndebele to launch CHSAL and the presence
of major writers illustrates the quick recognition within South Africa of
the importance of the volume's social and political intervention. Both
Dangor and Ndebele praised its impact on the country's perception of its
culture; Ndebele commented that the book will be read "in schools,
universities and public libraries, and will spread its intellectual
presence in our public lives well into the future." A commentator on the
multilingual literary blog SlipNet agreed with Ndebele that the sharing
of South Africa's history is itself a story that "must be opened up, as
this book does, if we are to develop a greater understanding of ourselves
and our positioning in the world". Such strong statements recognise the
book's contribution to the shaping of public discourse and civic
values. (See #1, 2, 3, 4 below)
The South African media quickly saw the extensive public
significance of CHSAL. The volume provided the media with new
frameworks for debating the country's multiple cultural traditions. The
launches were widely reported on literary websites and in the mainstream
South African press. The book was reviewed in newspapers such as the
Cape Times and the Mail & Guardian, on popular internet
sites such as LitNet and SlipNet, and on South African radio, and was
discussed in a public debate at the Mail & Guardian Literary
Festival at the Market Theatre in Johannesburg in September 2012. (The
Mail & Guardian is a weekly national South African newspaper,
widely read for its political and cultural coverage; it has a
distinguished history of oppositional and investigative reporting going
back to the 1980s.) The Mail & Guardian's solicitation of a
full-page article from Attwell is a measure of the volume's success in
shaping the media's representation of South African literature and of the
widespread sense that the country needed this new, cross-cultural and
multilingual narrative about its cultural heritage. (See # 5, 6, 7 below)
Although recently published, the volume has already been adopted as a
course text in South African universities (e.g., the Honours
course in African Literatures at the University of Johannesburg, the
"Africa Live" course in the English Department at the University of Cape
Town, and the course on "Algemeene Literatuurwetenskap" in the Afrikaans
Department at the University of Pretoria) where its definitive status is
influencing a new generation of cultural producers, fulfilling Ndebele's
prediction. The remark by Linda Kwatsha, Professor and Head of African
Languages at Nelson Mandela Metropolitan University, in her review of CHSAL
captures the book's importance to black educators and their students: "The
question as to what South African literature is has been answered in this
volume. South African literature is not South African English literature,
but embraces all the languages and cultures of the people of South Africa"
(See #4 below). Such comments point to the volume's re-positioning of the
country's literary heritage in South African education. (See # 8 below)
The impact of Attwell and Attridge's research has reached South Africa's
National English Literary Museum (NELM), the country's major
manuscript and book archive, with a lively outreach programme. Responding
to the same cultural imperatives as CHSAL, NELM has expanded its
remit to include the indigenous-language literatures. In March 2013, York
and NELM's Director, Beverley Thomas, agreed to a partnership which
includes an exhibition of literary materials curated by Attwell and
Attridge to coincide with the opening of NELM's new multi-million rand
facility. Attwell and Attridge have begun to develop funding applications
to support collaborative projects enabling NELM's archivists to work with
UK and South African researchers. Through this partnership Attwell and
Attridge enhance NELM's international profile and provide an academic
dimension to their archival training programme. (See #9 below)
Alongside their work in changing South Africa's perception of its own
literary culture, Attwell and Attridge have helped to create a wider
appreciation of South African literature and its strong political voice
within global postcolonial literatures. As a result of the prominence of
their research on Coetzee and other South African writers, and their
commitment to using it to reframe international perceptions of South
Africa, Attwell and Attridge have promoted South African literature in the
media (interviews on BBC and Australian Broadcasting Corporation), hosted
launches (CHSAL) and readings (Coetzee, Wicomb) at York, and
participated in literary festivals and public fora around the world (The
Netherlands, Poland, Norway, Australia). (See #10 below)
Sources to corroborate the impact
- Transcript of Ndebele's speech at Cape Town launch of CHSAL:
www.apc.uct.ac.za/gazette/archive/?id=54&t=int
-
SlipNet: online South African literary journal: slipnet.co.za/view/event/an-auspicious-occasion-as-cambridge-history-of-sa-literature-is-launched/
(report on Cape Town launch of CHSAL);
slipnet.co.za/view/reviews/anodyne-cambridge-history-still-hits-the-mark/
(Review of CHSAL);
slipnet.co.za/view/event/many-literatures-few-readers-the-end-of-south-african-literary-culture/
(report on Mail & Guardian Literary Festival discussion of CHSAL)
-
Books Live, South African literary blog: bookslive.co.za/blog/2012/03/16/david-attwell-and-derek-attridge-launch-the-cambridge-history-of-south-african-literature/
(report on Cape Town launch of CHSAL);bookslive.co.za/blog/2012/02/13/margie-orford-and-isobel-dixon-at-the-uk-launch-of-the-cambridge-history-of-sa-lit/
(coverage of UK launch of CHSAL)
- Sample reviews emphasizing the volume's contribution to South African
cultural identity: African Studies Quarterly 13.4 (2013), 95-98,
DOI 10.1353/ral.2013.0046; litnet.co.za/Article/the-possibility-of-inclusivity-a-review-of-the-cambridge-history-of-south-african;
http://litnet.co.za/Article/south-african-literature-is-not-south-african-english-literature-linda-kwatsha-reviews
-
Mail & Guardian newspaper coverage of CHSAL: mg.co.za/article/2012-07-26-a-festival-wordy-of-note
(announcement of discussion of CHSAL at Mail & Guardian
Literary Festival);
mg.co.za/article/2012-03-02-the-many-voices-of-south-africas-past
(Attwell's invited article in the Mail & Guardian); mg.co.za/article/2012-11-16-the-a-to-z-of-local-writing
(review of CHSAL)
-
LitNet, online South African literary journal: www.litnet.co.za/Article/speaking-with-many-voices-the-cambridge-history-of-south-african-literatureicape-town-la
(report on Cape Town launch of CHSAL); www.litnet.co.za/Article/toward-an-inclusive-literary-history-three-scholars-review-the-cambridge-history-of-south
(triple review of CHSAL)
-
Fine Music Radio (South African radio station) review of CHSAL,
broadcast on 7th May, 2012:
www.gorrybowestaylor.co.za/reviews/156/the-cambridge-history-of-south-african-literature-editors-david-attwell-derek-attridge
- Example of South African university curriculum including CHSAL:
archived e-mail correspondence, University of Johannesburg; archived
syllabus, University of Pretoria; and seapointcontact.files.wordpress.com/2012/11/ell2010-africa-live-course-outline-2012.pdf.
- Correspondence with Director of South African National English
Literary Museum
- European literary festivals featuring Attwell and Attridge:
http://archief.debalie.nl/artikel.jsp?articleid=354333
(De Balie, Amsterdam: Is Dit J. M. Coetzee? Festival, 13-16 May
2010); malta-festival.pl/public/upload/files/raport-malta-WEB.pdf (Malta
Festival, Poznań, 6 July 2012); www.back2.pl/between1983_conference_programme.pdf
(Between Festival, Sopot, 18 May 2013); www.litteraturfestival.no
(Norway Literary Festival, Lillehammer, 30 May 2013)