The Centre for Worktown Studies
Submitting Institution
University of BoltonUnit of Assessment
Social Work and Social PolicySummary Impact Type
SocietalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies
History and Archaeology: Curatorial and Related Studies, Historical Studies
Summary of the impact
The Centre for Worktown Studies was established by the University with
Bolton Museum in 2009 to promote research inspired by the Museum's
Humphrey Spender `Worktown' documentary photographs produced for Mass
Observation between 1937 and 1939. It has presented five leisure history
conferences with post-conference reviewed publications, obtained AHRC
funding for a doctoral community arts project, delivered two oral history
projects in Bolton, offered four `Humphrey Spender Scholarships,
contributed to a Mass Observation 75th anniversary exhibition
and established a collaborative partnership with the Mass Observation
Archive. It has had a significant impact on public cultural life in Bolton
and beyond.
Underpinning research
The initial research upon which this case study is built was Snape's PhD
and subsequent book, Leisure and the Rise of the Public Library,
published in 1995. These and further research outputs on the social
history of leisure in Britain developed a specific angle of approach to
Mass Observation's Worktown project as an historical archive of everyday
leisure, leading to the presentation of a leisure histories conference in
Bolton Museum in 2008. This conference created high levels of academic and
public interest and led to the establishment of the Centre for Worktown
Studies in 2009. The Centre therefore evolved from research.
Further `Recording Leisure Lives' conferences on the social history and
photographic documentation of leisure in 20th century Britain
were jointly presented by the University and Bolton Museum, attended by
academic historians, documentary photographers and members of the public.
Key research outputs emanating from the five conferences 2008-2012 were
the published post-conference volumes with Snape [Reader in Leisure and
Sport] as principal editor. The Centre has engaged Bolton's public in the
historical research of leisure, enabling collaborative work with Bolton
Museum, the Octagon Theatre and the Mass Observation Archive.
Swain's research in sports history has adopted Bolton / Worktown as a
case study locus and has been published in national and international
reviewed journals. It has also been featured in local newspapers. He has
conducted two funded oral history projects in Bolton on rounders and the
cinema. In addition to the post-conference volumes, Snape (2013) has
published research on All-in wrestling in Worktown and presented this to a
public audience at the Museum's Spender Anniversary conference in October
2012. He also presented on Worktown at the University of Sussex Mass
Observation 75th Anniversary conference, July 2012.
The Centre obtained funding for an AHRC PhD studentship in October 2011.
The student is undertaking practice-based community arts research with the
Spender Worktown Collection and co-curated the Museum's 75th
Mass Observation Anniversary Spender exhibition. The University's
Institute for Educational Cybernetics has researched a geo-location mobile
phone "app" for the Spender pictures. Beyond the University the Centre has
been visited by Worktown scholars from Australia and Canada.
The Centre has established a working partnership with the Mass
Observation Archive at the University of Sussex. Snape presented at the
Mass Observation 75th Anniversary conference at Sussex in July
2012.
Beesley [Course Leader MA Documentary Photography] obtained Marriott
Trust funding for four Humphrey Spender postgraduate scholarships for
practice-based research through community projects; these engaged the
public of Bolton with the Spender Mass Observation collection through
active involvement and exhibitions at Bolton Museum. Beesley has displayed
4 major exhibitions of social documentary photography and has presented at
national and international documentary photography conferences.
Speake [Senior Lecturer in Documentary Photography] was commissioned to
produce documentary images of disability by the Office for Disability
Issues and has supported professional practice and policy development in
working with disabled people in addition to producing a photographic
exhibition curated by young disabled people.
References to the research
Snape, R. (1995) Leisure and the rise of the public library,
London: Library Association Publishing. isbn 1 85604 131 X
Snape, R. and Pussard, H. (eds.) (2009) Recording Leisure Lives:
histories, memories and archives of leisure in Britain in the 20th
century. Brighton: Leisure Studies Association. isbn 978 1 905369
140.
Snape, R. and Pussard, H. (eds.) (2010) Recording Leisure Lives:
games, sports and pastimes in 20th century
Britain. Brighton: Leisure Studies Association. isbn 978 1 905369 18
8, + 3 further annual post-conference volumes
Snape, R. (2013) All-in Wrestling in inter-war Britain: science and
spectacle in Mass Observation's `Worktown', International Journal of
the History of Sport 30 (12) pp. 1418-1435.
Swain, P. (2012) `Pedestrianism, the Public House and Gambling in
Nineteenth-century South-east Lancashire'. Sport in History.
Vol.32, No.3, September, 382-404.
Beesley, I. (2011) T'Ales from Tetley's Brewery. Leeds: Carlsberg
& The Darkroom Press. isbn 978-0-9569049-0-4.
Speake, T (2010) `The Client, the Photographer and his Audience(s):
interpreting positive constructions of disabled people in photography',
Difference International Conference, Manchester Metropolitan University,
6-7 January.
Grant Award
AHRC Collaborative Doctoral Award — bid written and submitted by Snape
and awarded to Caroline Edge October 2011 [value £54,250]
Details of the impact
The Centre has enhanced the cultural life of Bolton by increasing public
knowledge of the identity of Bolton as Mass Observation's `Worktown'.
Through its collaborative research partnership with Bolton Museum, the
Centre has undertaken research activities which have engaged the public of
Bolton in oral history other activities inspired by MO's Worktown project.
The benefits of this research partnership to wider society were recognised
in the designation of the Centre as a Good Practice Case Study of Museum —
HEI collaboration by Renaissance North West in 2009. Social impact has
been achieved by:
1. Five annual `Recording Leisure Lives' social history of leisure
conferences presented in Bolton Museum 2008-20012. All were attended by
residents of Bolton as well as academic historians and photographers. A
reviewed post-conference volume of each conference was published by the
Leisure Studies Association, widening the impact of the conference.
Staff members of Bolton Museum have acted as co-editors of several
volumes, thus enabling their participation in the publication of
research. Members of the public published in these volumes, extending
the impact of the conferences beyond academia and stimulating further
interest in Worktown. Conferences were reported in the national press,
extending awareness of the Spender collection to national and
international audiences. A sixth conference, `Leisure in Worktowns' is
planned for April 2014.
2. Swain's two oral history projects in Worktown involved the public of
Bolton. Both were funded by the Marriott Trust, were extensively covered
in the local press, and drew substantial engagement from Boltonians at
home and living abroad.
3. A community arts project with young people in Bolton based on the
Spender Collection was funded through an AHRC Collaborative Doctoral
Award (2011-2014), supporting a research student placement in Bolton
Museum. This studentship involved the re-classification of the Spender
photographs and engaged the public in the identification of unknown
locations. The student was principal co-curator of the Museum's 75th
Worktown Anniversary Exhibition at the Museum from October-December
2012.
4. Four Humphrey Spender scholarships under the supervision of Ian
Beesley through funding from the Marriott Trust. These combine
documentary photographic practice and research and enable community
projects to connect the Spender photographs to the people of Bolton. All
four projects engaged and involved members of the public.
5. The establishment of a working relationship with the Mass Observation
Archive at the University of Sussex with reciprocal visits by staff of
each institution. This supported the collation of the Worktown written
texts at Sussex and the corresponding photographs at Bolton, for example
the loan of written documents from Sussex for display in the 75th
Worktown Anniversary exhibition. The impacts on public understanding of
the Mass Observation Worktown project will be realised further realised
through a Lottery funded education programme on Mass Observation in
2013.
6. The Centre has inspired research in other fields; examples include the
production of a mobile phone "app" to locate the Spender images by the
University's Institute of Educational Cybernetics and a public
exhibition on textiles at Bolton Museum in summer 2013 presented in
collaboration with the University's Institute for Materials Science.
7. Beesley has presented national and international documentary
photographic exhibitions at the National Media Museum, National Coal
Mining Museum for England, Liverpool International Photo-festival,
Orange Photo-festival Huang China, and the Peoples History Museum
Manchester.
8. Snape has spoken on MO and Worktown to sixth form colleges, the North
West Region of the Photographic Collector's Club of Great Britain (April
2012) and Greater Manchester Council of Voluntary Organisations Research
Group (April 2013).
9. The Centre actively supported a 75th Worktown Anniversary
Exhibition at Bolton Museum and the production of a new `Worktown
website, http://boltonworktown.co.uk/.
Between 1/9/2012 to 22/2/2013 this attracted 5,918 visits and 94,654
page views with an average length of visit of five minutes.
10. Speake presented a photographic exhibition on disability at Bolton
Lads and Girls Club.
11. The Centre has been approached by journalists and film-makers wishing
to use Worktown as the basis of newspaper and magazine articles and the
subject matter of a documentary film. A film is currently in production.
12. The Centre is also the locus of Rudd's work on the playwright Bill
Naughton who was a member of the Worktown team of observers. While this
work is submitted to a different Unit of Assessment, its impacts include
a public conference to celebrate Naughton's centenary.
Sources to corroborate the impact
Bolton News (2009) `New Centre to focus on Mass Observation.
Museum and University join forces' 22nd September, p. 4
O'Hara, Mary Guardian [Society section] (23 July 2008) `Oh, they
did like to be beside the seaside'.
http://search.proquest.com/newsstand/docview/244248974/13E9D7753F35751FE74/1?accountid=9653
Harding, C. (2011) `Behind the scenes at the National Media Museum: the
era of the Kodak Girl' April Issue pp. 84-85.
Kelly. A. (2010) `Wish you were here' The Lancashire Magazine,
March Issue, pp. 118-121.
McClarence, S. (2010) `Changing pleasures of leisure', Yorkshire Post
Magazine, 27th March pp.4-7.
Mulhearn, Deborah (2008) `Time Out' Museums Journal February
Issue, pp. 32-35
Renaissance North West (2009) Shared Interest: collaboration between
museums, visual arts organisations and universities in England's North
West. `Case Study 7. Bolton Museum and Archive Service and the
University of Bolton' p. 11.
New Worktown Website — http://boltonworktown.co.uk/
Visits September 1st 2012 to February 24th 2013:
- Visits - 5,918; % New visits - 65.5%;
- Page views - 94,654 [September 2013]