Submitting Institution
Edinburgh Napier UniversityUnit of Assessment
Communication, Cultural and Media Studies, Library and Information Management Summary Impact Type
SocietalResearch Subject Area(s)
Studies In Human Society: Policy and Administration
Language, Communication and Culture: Literary Studies
Summary of the impact
Research into publishing at the Scottish Centre for the Book (SCOB) based
at Edinburgh Napier University has examined the strategic development of
publishing in Scotland and, in a significant expansion of this work, its
nature within small nations and national regions. This established a new
perspective for a field that had hitherto focussed on the UK or
transnational, and fed into public policy and the operations of publishing
companies within Scotland. SCOB, in partnership with public and private
bodies, has raised awareness and understanding of the nature, role and
value of publishing in Scotland among government, policy-makers and the
public.
Underpinning research
The Scottish Centre for the Book team at Edinburgh Napier (McCleery
1995-present; Sinclair 1995-2005) undertook in 2002-3 research
commissioned by the Scottish Arts Council (SAC), using both qualitative
and quantitative methodologies, to produce the first systematic profile of
publishing in Scotland. This informed a more detailed study undertaken by
the team for SAC on the strategic future of publishing in Scotland,
published as a full report and summary report in 2004 [1]. The
methodologies adopted in 2003-4 proved sufficiently robust to permit, with
some updating, a further study in 2006-7 that allowed for the beginnings
of a longitudinal study as well as the introduction of new topics such as
e-publishing. This fresh study (including Gunn 2005-10) was conducted with
the collaboration of the trade body, Publishing Scotland, and consequently
received wide dissemination through industry seminars and conferences and
in academic outlets [2]. Successful applications for studentship funding
to the AHRC and the Carnegie Trust permitted the extension of this work in
three fresh directions: an examination (Ramdarshan Bold 2008-11) of the
internal rights market within Scotland (compared with the UK and Ireland)
from the perspective of both authors (in collaboration with the Society of
Authors Scotland) and publishers [3]; a transnational comparative study of
Scotland and Catalonia (Boswell 2009-13) examining in particular the NDPB
infrastructures supporting publishing in both national regions [4]; and an
investigation of the European market in fiction rights (Craighill
2010-present) that focussed on authors and publishers within the small
nations and national regions of the EU [5]. This critical mass of work was
underpinned by the development by McCleery of a rationale for
`small-nation publishing', and the establishment of that term as common
currency within the field, through a number of international presentations
and papers. This moved understanding on from the particular (Scotland) to
the commonalty of issues and challenges (Europe). This was initially
articulated in the 2009 COLICO Lecture on `Small-Nation Publishing'
delivered to the joint annual conference of professional library
organisations from both Northern Ireland and the Republic of Ireland [6].
This lecture was made available on the COLICO website for downloading and
published as a small booklet. The ideas expressed within it were further
developed at invited lectures in Oslo (2010) and Antwerp (2010), both key
loci for `small nation publishing'. McCleery and Ramdarshan Bold continued
the longitudinal study in 2010, and again extended it to include a profile
of authorship in Scotland. The latter represented a more sophisticated
outcome than the only other previous study (1998) that McCleery had
himself commissioned as a member of the then SAC Literature Committee. The
reputation gained by the Edinburgh Napier team from these longitudinal
studies led to an award from the Scottish Funding Council's Interface
scheme, promoting Knowledge Exchange with SMEs, to incorporate this
research within an annual glossy report, `Books in Scotland', that would
be distributed as widely as possible to increase awareness and
understanding of the sector. The first report was published in November
2012 and the second will follow in November 2013.
References to the research
2. McCleery, Sinclair & Gunn, `Publishing in Scotland: Reviewing the
Fragile Revival', Publishing Research Quarterly [PRQ] 24, 2
(2008) 87-97 — doi: 10.1007/s12109-008-9069-8
3. Melanie Ramdarshan Bold, `The Sorry Tale of Contemporary Authorship: A
Study of Scottish Authors', PRQ, 29, 1 (2013) 73-92 - doi
10.1007/s12109-012-9301-4
4. Daniel Boswell, `"Brave Words": A Comparative Study of Small Nation
Publishing — the cases of Scotland and Catalonia', in eds Boswell,
O'Shea and Tzadik, Interculturalism: Meaning and Identity (Oxford:
Interdisciplinary Press, 2013) 37-50 - ISBN 978-1-84888-159-4
5. Stephanie Craighill, `Henning Mankell: European Translation and
Success Factors — Part 1', PRQ 29, 3 (2013) 201-210 — doi
10.1007/s12109-013-9319-2
Details of the impact
The research made clear impacts on the development of the Scottish
publishing and on government policy towards it. The SAC circulated 1,500
copies of the summary report to policy-makers, other NDPBs, publishers and
throughout the creative community within Scotland as well as being made
available online [A]. The report was publicised by the SAC and received
considerable attention in the Scottish media. It was the subject of a
Royal Society of Edinburgh international symposium chaired by Prof Gavin
McCrone, drawing on both academics and non-academics, which considered and
debated its conclusions and recommendations. The impact of those
recommendations resonates through the assessment period.
-
The Books from Scotland e-commerce portal, created in direct
response to McCleery and Sinclair's research, has developed since 2008
as the key website for information on books published in Scotland [B]
- the strategy of Skills Development Scotland (and now Skillset) in the
professionalisation of the industry in Scotland derives from the
research's identification of the need for a clear framework for
skills and training in the sector
- increased support up to 2012 for the Gaelic Books Council and in
particular funding for the Itchy Coo Education and Outreach Project
between 2008 and 2012 drew on the research's pinpointing of the lack of
targeted-assistance for minority language publishing [C]
-
The Scottish Review of Books, currently distributed quarterly
with the Saturday edition of the Herald newspaper, had fulfilled
by 2012 the recommendation from the research for a national and
international, through its distribution by the British Council, forum
for critical discussion of books published in Scotland [D]
- The research's identification of gaps in the development of
Educational Publishing fed into Scottish Enterprise's funding
strategy and the creation of new companies such as Bright Red in 2008
and winner of the IPG's Education Publisher of the Year award for 2010
and 2011
The co-author of the report, Marion Sinclair, then left SCOB to become
CEO of Publishing Scotland, in which position she was able to pursue
further the conclusions of the research. That research, apart from these
immediate and long-lasting impacts, also raised awareness and
understanding of both the economic and the cultural role of publishing
within subsequent inquiries such as that of the Cultural Commission and in
evidence provided to them [E/F].
The support of the sector for this research, and its later iterations,
was made tangible not only in the essential collaboration needed for the
studies in 2006/7 and 2009/10, but also in the letters of support in
successful applications to the AHRC and the Carnegie Trust for FT
postgraduate awards in the extension of this work into the areas of rights
and of cross-country comparison. The doctoral students who pursued this
work have made not only an academic impact through their publications
[3/4/5 above] but also through participation in industry-facing seminars,
including the Publishing Scotland annual conference. Ramdarshan Bold, now
a FT lecturer at Loughborough University (a sign of the diffusion of the
`small-nation' research perspective) was also involved in a key public
engagement exercise — the creation of `The People Behind the Pages'
touring exhibition and booklet in 2009 designed to increase awareness
among the Scottish public of what publishers did and do. The exhibition
was shown at 12 venues in Scotland, primarily libraries but also secondary
schools [G].
In 2009 McCleery gave the annual plenary COLICO lecture at the meeting of
both the professional library associations of Ireland. He expanded on the
nature and common challenges of small-nation publishing to an audience
composed of key library managers and local politicians. Comparative
studies of Scotland, Ireland and Canada received wider circulation through
the availability of the lecture online and as a booklet in 1000 copies
distributed free to the library and publishing communities in Ireland and
Scotland as well as, upon request, to a further international readership
[H]. Such extension, in terms of both the book sector and national
interests, was consolidated through audiences of publishers and writers at
a symposium on International Publishing held in Oslo, funded by the Fritt
Ord Foundation, and a public lecture on `Maintaining the Cultural
Exception' at the Nottebohmzaal in Antwerp — both in 2010 [I].
In 2011/12 an award from the SFC Interface fund to enhance HEI/SME
collaboration was used to issue a report, `Books in Scotland',
incorporating the results of SCOB's ongoing research as the first of an
annual series. 1,000 copies were distributed in 2012 to all MSPs, MPs,
cultural policy-makers and other stakeholders within the Scottish
creative community. Downloadable copies were made available through many
independent websites [J].
Sources to corroborate the impact
A. The summary report produced in 1500 print copies by the Scottish Arts
Council and distributed also online can be found at:
www.scottisharts.org.uk/resources/publications/research/pdf/RES3%20Review%20of%20Publishing.pdf
B. The outlet for sale and information about books published in Scotland
continues to thrive and gives a brief history of its development at: www.booksfromscotland.com/About
C. Evidence of the impact in the area of language publishing and
increased support for its development can be found for example at: http://www.itchy-coo.com
D. The creation of the new magazine as a result of the research was
signalled at:
www.scottisharts.org.uk/1/latestnews/1001254.aspx
and the Scottish Review of Books is still being published in 2013.
E. The research was then used to inform government policy. See the sample
references at:
www.scotland.gov.uk/Publications/2005/06/22145256/52593
F. The research was used to inform the work and conclusions of the
Cultural Commission in its strategic overview of the development of the
cultural industries in Scotland. See:
www.culturalcommission.org.uk/cultural/files/Ph1%2082%20Scottish%20Publishers%20Association.pdf
— this is the Commission's Final Report and the relevant references can be
found in Section 3.6.4 et passim
G. The launch of the exhibition can be found at:
http://www.edinburghmuseums.org.uk/Venues/The-People-s-Story/Exhibitions/2008-9/The-People-Behind-the-Pages--Making-books-in-Scotl
H. Details of the cross-border meeting of librarians and local
politicians can be found at:
https://www.libraryassociation.ie/sites/default/files/LAIAR09.pdf
I. The details of the public lecture in Antwerp can be found at: http://www.val.ugent.be/2010
J. The report can be found for example at: http://scottishbooktrust.com/blog/news/2013/09/books-in-scotland-2013-report