Engaging with the Holocaust Today: The Parkes Institute
Submitting Institution
University of SouthamptonUnit of Assessment
HistorySummary Impact Type
SocietalResearch Subject Area(s)
Language, Communication and Culture: Literary Studies
History and Archaeology: Historical Studies
Philosophy and Religious Studies: Religion and Religious Studies
Summary of the impact
Academic work carried out at the University of Southampton's Parkes
Institute has greatly raised public awareness and understanding of the
Holocaust. The research has challenged audiences to reflect on the
individual consequences of discrimination and urges them to recognise and
respond to the continuing contemporary dangers of genocide. Through
various projects, the research has impacted upon international audiences:
with a website averaging 24,000 hits per month; with museum exhibitions,
for close to three million visitors; and with research-based study-days
for school and adult learners. Throughout, the work emphasises the
devastation wrought by the Holocaust on `ordinary' people, and reflects
upon the `ordinariness' of genocide in the twentieth century.
Underpinning research
Based at the University of Southampton, the Parkes Institute is the
world's oldest centre for the study of Jewish/non-Jewish relations and is
at the forefront of international Holocaust studies. Its academic research
informs a well-developed global programme of educational initiatives,
exhibitions and electronic resources. The following three research
projects demonstrate this wider initiative.
Dr Shirli Gilbert has held the post of Senior Lecturer in
Jewish/Non-Jewish Relations since 2007. Her most recent research focuses
on the role of music in remembering the Holocaust [3.1]. Findings have
demonstrated the extent to which music opens a window onto the internal
world of prisoner communities in the ghettos and the camps, showing the
diverse ways in which they understood, interpreted, and responded to their
experiences. The project was underpinned by Gilbert's earlier work,
published in a pioneering monograph and refereed articles, which focused
on songs created by Jewish, Polish, German, and Czech prisoners in ghettos
and concentration camps. The monograph has recently been translated into
Spanish and Japanese [3.2].
Tony Kushner has been Professor of Jewish/Non-Jewish Relations since 1999
and Director of the Parkes Institute since 1986. His research since 1996,
featuring in a monograph [3.3] and a collection of essays [3.4], has
analysed the experiences of young Holocaust survivors who were brought to
Britain after the war. It focuses on the identity of these children and
how they related to their places of origin, persecution and refuge, as
well as the journeys they endured between them. The largest initial camp
at Windermere was the most important: there the main refugee agencies
working with children were located and the greatest contact with the
surrounding population occurred. Detailed research has revealed how
difficult it was for the children to adjust to freedom, and for British
citizens to understand the horrors these survivors had recently endured.
The project demonstrates that even these young victims had agency and
that, through them, many people in the western democracies began to
confront the real horror of the `Final Solution'.
Dr Mark Levene has been Reader in Comparative History at the University
of Southampton since 2000. His research places the Holocaust in a broader
context, relating it to the destruction or near- destruction of
innumerable other minority peoples. He has achieved this through a series
of books and articles, most notably Genocide in the Age of the Nation
State [3.5], an ongoing multi-volume series which attempts to chart
and interpret the entire sequence of genocide from the early modern period
to the present day. His research findings conclude that genocide developed
out of modernity and a striving for the nation-state, and demonstrates the
devastating consequences of genocide for peoples such as the Armenians and
the East European Jews.
The three projects encompass diverse responses to the history of
genocide. They are united by their desire to demystify the events and to
show that genocide, including the Holocaust, happened in the everyday
world and secured a range of responses, from empathy with the victims
through to collaboration in mass murder. Moreover, the humanity of those
persecuted has to be at the forefront of our understanding of these
frequent moments in the recent past.
References to the research
3.1 Shirli Gilbert, La música en el holocausto. Una manera de
confrontar la vida en los ghetos y en los campos nazis, tr. María
Julia de Rusch (Buenos Aires, 2010); Japanese translation (2012). English
edition submitted to RAE 2008.
3.2 `Buried Monuments: Yiddish Songs and Holocaust Memory' in History
Workshop Journal, 66 (2008), pp.107-128. (refereed journal)
3.3. Tony Kushner and Katharine Knox, Refugees in an Age of Genocide:
Global, National and Local Perspectives during the Twentieth Century
(London, 1999).
3.4 Tony Kushner, `Wandering Lonely Jews in the English Countryside', in
Tony Kushner and Hannah Ewence (eds), Whatever Happened to British
Jewish Studies? (London, 2012), pp.231-258.
3.5 Mark Levene, Genocide in the Age of the Nation State. Vol. 1: The
Meaning of Genocide (London, 2005); Vol. 2: The Rise of the West
and the Coming of Genocide (London, 2005). Submitted to RAE 2008.
3.6 Mark Levene, `Connecting Threads: Rwanda, the Holocaust and the
Pattern of Contemporary Genocide', in Roger W. Smith ed., Genocide:
Essays Toward Understanding, Early Warning and Prevention
(Williamsburg, VA., 1999), pp. 27-64.
Grants
1. Dr Gilbert's website project has raised over £200,000 from the Lord
Ashdown Charitable Settlement, the Claims Conference, the Samuel Sebba
Charitable Trust, the Ruth Berkowitz Charitable Trust, and the Maurice
Marks Charitable Trust (2006-present). This includes covering research
leave for Dr Gilbert in 2011-12 (£18,000).
2. Professor Kushner was PI of an AHRC Parkes Research Centre (2000-2006)
at the University of Southampton under the `Holocaust and its Legacy'
theme (£850,000).
3. Dr Levene was awarded a 9-month Leverhulme Research Fellowship for
'Total War and Genocide, 1914-1945' in 2004-5 (£20,995).
Details of the impact
All three pieces of Holocaust research reflect on individual experiences
in the Holocaust and, in their impact, focus individuals on their
responsibilities in the contemporary world.
Dr Gilbert's research into `Music and the Holocaust' has had a sustained
and widespread impact through digital media. The website
holocaustmusic.ort.uk, produced in association with World ORT, makes her
research accessible and beneficial to a broad general audience. As one of
the world's largest non-governmental educational organisations, World ORT
promotes learning and training for a global Jewish community. ORT website
developer Sadler Johnson has described the site as "`the most substantive,
comprehensive website on this subject currently available." [5.1]
It is used by a diverse audience, with one key group of beneficiaries
being secondary school teachers and students aged 14-18 [5.2]. Since
February 2010, it has been Google's top-ranking site for the search terms
`music' and `Holocaust', receiving an average of 14,000 unique hits per
month. Visitors come from the USA, UK, Russia, Germany, Canada, Spain,
Ukraine, Israel, and France. Broadening access further, the site has been
translated into Spanish and Russian (completed December 2013); and German
and French translations are pending. Dr Gilbert is regularly contacted via
the site by musicians, filmmakers, radio producers, and events organisers
seeking advice and providing their feedback. Most recently this has led to
her advising BBC Radio 3 producer Mark Burman on the music for a series of
documentaries on Jewish life in Poland, broadcast in July 2013. [5.3]
Extensive feedback confirms the website has been successful in its aim of
stimulating audiences to consider music as a key medium for understanding
the responses of genocide victims, as well as inspiring teachers to
incorporate music into lessons on History, Social Studies, Language Arts,
and Citizenship. User Bret Werb, musicologist at the Holocaust Memorial
Museum in Washington D.C., observed that "the new World ORT website Music
and the Holocaust completely supersedes our website and any other websites
on the subject." Typical of the feedback received was one German filmmaker
who remarked: "It's great to see there are other creative and motivated
people who share their interest in the special part music played during
the Third Reich and especially the Holocaust." [5.4]
Professor Kushner's research has been widely disseminated through museum
exhibitions, online media and talks. The most significant outlet has been
the Ambleside-based heritage project `Another Space', for which Kushner
helped to produce an exhibition, From Ambleside to Auschwitz, as
well as a website. [5.5] The exhibition was hugely successful in
attracting visitors, with numbers rising from 16,000 to 41,000 per annum
since it opened in 2010; as a result it has become a permanent museum
housed at the former Windermere Library [5.6]. The website has enjoyed
similar popularity, with 7,000-10,000 hits per month.
In 2012 the research was also the focus of a temporary exhibition, Windermere
Boys, hosted at the Manchester Jewish Museum and visited by more
than 5,800 people [5.7]. As major tourist destinations in northern
England, the sites at Ambleside and Manchester have taken the project to a
global audience (with visitors from across the UK, Europe, north America,
and the far east especially) as well as to regional school and adult
education audiences. Kushner continues to advise the project team and has
delivered public talks to adult learners in Britain, Australia and South
Africa, stimulating new audiences to re-think the idea of Holocaust
survivors as passive victims. Typical comments from schoolteachers
include: "I have invited Holocaust survivors to talk to my students — this
has helped me appreciate their stories even more." [5.8] The venture was
runner-up in the 2010 Lottery Good Causes competition, with the director
of the Lake District Holocaust Project, Trevor Avery, confirming that
Kushner's research input has been "tremendous." [5.6]
Dr Levene used his research to create a 30-minute film on genocides
throughout the twentieth century. The film was the centrepiece of the
Imperial War Museum's Crimes Against Humanity exhibition, which
ran from 2001 to 2012 as a complement to the museum's Holocaust
exhibition. The film drew upon Levene's `Connecting Threads' article as
well as his broader work on genocide over the past two decades, asking
audience to reflect on their relationship with twentieth century violence.
Hundreds of comments in the IWM visitors' books attest to the fact that
visitors were stimulated and challenged. One commented: "This moving and
thought-provoking film should be on the National Curriculum, to show all
children the need for tolerance and world understanding." Another
described it as "a brilliant, thought-provoking climax [which] brings all
under this roof into focus, and lends everything resonance." The
exhibition attracted close to three million visitors. According to the
IWM's Head of Research, the exhibition significantly extended the museum's
reach beyond its historic display on the Holocaust and confronted the
ongoing problem of genocide. She commented: "Mark Levene's very valuable
input as one of two historical consultants creating the exhibition has had
a lasting impact." [5.9]
Sources to corroborate the impact
[5.1]
http://www.ort.org/news-and-reports/world-ort-news/article/groundbreaking-new-holocaust-website/]
[5.2] Teachers' resources can be accessed at http://holocaustmusic.ort.org/resources-references/teacher-resources/
[5.3] BBC 3. Jewish Life in Poland. Producer Mark Burman.
Broadcast July 2013. http://www.bbc.co.uk/programmes/b036j072
[5.4] Shirli Gilbert website feedback collection.
[5.5] http://www.anotherspace.org.uk/a2a/
[5.6] Trevor Avery, director of the Lake District Holocaust Project and
director of `Another Space'.
[5.7] Alexandra Grime, Curator, Manchester Jewish Museum.
[5.8] Feedback secured after a public talk given on 11 March 2012
[5.9] Suzanne Bardgett, Head of Research at the Imperial War Museum.