Public Understanding of Jazz and Popular Music
Submitting Institution
Royal Academy of MusicUnit of Assessment
Music, Drama, Dance and Performing ArtsSummary Impact Type
CulturalResearch Subject Area(s)
Studies In Creative Arts and Writing: Performing Arts and Creative Writing
Language, Communication and Culture: Cultural Studies
History and Archaeology: Historical Studies
Summary of the impact
Dr Alyn Shipton's research focuses on jazz and popular music in the
twentieth century. As a scholar and broadcaster, Dr Shipton has a long
record of communicating the results of his research to audiences
considerably beyond academia, through his own regular appearances on BBC
Radio, and his writing for the broadsheet press. His work has led to
enhanced public awareness of significant (but hitherto neglected) figures
in jazz and popular music, a greater understanding of the American
recording and music publishing industries, and a reassessment of his
subjects' work which has generated commercial outcomes and affected
professional practice.
Underpinning research
Shipton's work on jazz history, oral history and popular music dates back
to his first oral histories published in the 1980s. His published output
now stands at four volumes of oral history, seven academic biographies and
a synoptic history of jazz. He has continued this work since being
appointed Lecturer in Jazz History at the Royal Academy of Music in 2008.
His particular interest has been in reconciling information from oral
histories and testaments with documentary biography and sound documents or
discography. A study of his research methods was published in the Jazz
Research Journal under the title `New Jazz Histories' (JRJ
3:2, 2009, pp 127-144) and it also formed the basis of an academic
conference on Jazz Research at Salford University in the spring of 2008.
His oral history interviews formed the basis of his `Jazz Library' series
for BBC Radio 3 (2007-2012), and over 150 of these are preserved in
perpetuity on the BBC website as downloadable podcasts.
His biography of the songwriter Jimmy McHugh I Feel a Song Coming On
was published in 2009, and explored the New York music publishing,
song-plugging and recording industry, as well as the early years of the
Hollywood musical. Material from it was incorporated in a subsequent
biography of McHugh's songwriting partner Dorothy Fields by the American
author Charlotte Greenspan.
Shipton's investigation of Mills Music publishing (in which McHugh was a
partner) led him to research Irving Mills' links with Cab Calloway in his
biography of the singer Hi-De-Ho published in 2010. This shed new
light on the early years of modern artist management and promotion, radio
broadcasting and recording policy, and Shipton appeared at events
organised by the 2010 Cheltenham and London Jazz festivals and at a
seminar at King's College London, on 26 April 2010, presenting the fruits
of this research with Dr Harvey Cohen, whose biography of Duke Ellington (Duke
Ellington's America, 2009) looked in detail at a later period of
Irving Mills' work. The interest in management and production of music
drew Shipton to research the life of the pop singer Harry Nilsson,
discovering new material on the development of studio recording techniques
and re-evaluating a body of work that led to RCA reissuing almost
Nilsson's entire catalogue of recordings in a 17CD boxed set, published in
tandem with Shipton's biography. Shipton worked in detail on the
documentary material on Nilsson's recordings held at the Sony / RCA
archives in New York, and in the singer's personal archive, publishing
most of this material for the first time.
His work on Nilsson brought Shipton's jazz research methodology to an
area of 1960s and 1970s pop music, and has led to subsequent broadcasts
and articles on the period, from Radio 4's Front Row to several
NPR stations in north America, and blogs including The Huffington Post.
In particular these have focused on the establishment of London as the
major base for pop music recording in the 1970s.
References to the research
Authored books:
I Feel a Song Coming On: The Life of Jimmy McHugh
(Urbana/Champaign, Illinois University Press, 2009) [REF2: RAM21a]
Hi-De-Ho, The Life of Cab Calloway (New York, Oxford University
Press, 2010) [REF2: RAM21b]
Nilsson: The Life of a Singer-Songwriter (New York, Oxford
University Press, 2013) [REF21: RAM21c]
Details of the impact
Shipton's research on twentieth-century jazz and popular music history
has been disseminated through books, radio and television broadcasts,
newspapers, and magazines. This has served to bring his subjects (and
related areas of jazz and popular music) to a wide public and generated
new professional and commercial interest in their work, in the UK and
internationally. McHugh's songs have been recorded by a new generation of
artists; Calloway and his work have featured on radio and television;
there has been a major CD reissue programme of Nilsson's work.
Throughout his career, Shipton has sought to communicate his research to
a wide public beyond academia. His weekly broadcasts on BBC Radio 3 have
sought to reach a general listenership, and so, for example, he has not
only presented programmes on Cab Calloway, but on members of Calloway's
orchestra including Dizzy Gillespie and Jonah Jones. Shipton's appearances
at Cheltenham Jazz Festival and King's College London in April 2010 to
discuss McHugh and Calloway were open to the general public, as was the
discussion of McHugh at the London Jazz Festival in November 2010. Shipton
has also chaired a round table discussion on Duke Ellington (and his
connections with Calloway and McHugh) at the Barbican, London, in November
2010.
McHugh's music is less well-known than that of his contemporaries George
Gershwin, Jerome Kern and Irving Berlin. However, as a direct consequence
of Shipton's book, Michael Feinstein presented a concert of McHugh's work
at the Zankel Hall (below New York's Carnegie Hall) in November 2009, and
interviewed Shipton on stage about the composer and his music. Feinstein
has subsequently presented similar programmes in New York and Los Angeles.
In November 2009, the singer Wesla Whitfield presented a concert of
McHugh's songs at the Barnes and Noble bookstore at Lincoln Center, New
York, at which Shipton talked about the composer and his work. This was
televised for local New York PBS stations, reaching a sizeable media
audience. Since Shipton's book was published, leading singers including
Michael Bublé and Jane Monheit have recorded McHugh's songs.
Shipton's research on Cab Calloway was used by the New York filmmaker
Gail Levin in making a television biography of the singer for the European
Arte Network (the leading Arts network in France and Germany) and for
public broadcasting Channel 13 in the USA. The book also generated renewed
interest in the singer and his work, as interpreted by his grandson
Christopher Calloway Brooks, and the present-day version of the Cab
Calloway Orchestra. In addition to a Jazz Library programme on BBC
Radio 3 in April 2011, Shipton broadcast extensively about Calloway in the
USA, including appearances on the WNYC book programme Soundcheck,
WNIC's Mark Hayes music programme, and the Daily Swarm blog. Jazz
Library at the time had a weekly audience of 150,000 (source:
RAJAR). WNYC has approximately one million listeners a week in the New
York area (source: WNYC website) and WNIC has a reach of over 100,000.
The reach of the impact of Shipton's research is also evidenced by sales
figures. Both the McHugh and Calloway biographies have sold approximately
2500 copies in hardback, with a further 1500 copies sold of the Calloway
paperback. Nilsson had sold approximately 6000 copies in its first four
months from publication in July 2013, plus half that number again as
Kindle e-book sales. It was serialised by The Mail on Sunday (with
a readership of 1.7 million), and broadcast as Radio 4's Book of the
Week in August 2013 (estimated audience, BBC figures: 1.2 million).
Japanese translation rights have also been sold.
The significance of Shipton's contribution to the public understanding of
jazz and pop music is such that in addition to being the weekly presenter
of Radio 3's Jazz Record Requests, he is a frequent contributor to
Radio 4 programmes such as Front Row and Last Word. He is
also a regular speaker at public events on jazz matters, including Jazz
and the Media Conference (Birmingham City University,) 2010; Fleet U3A,
2011; Abingdon European Society 2011; Jazz and Multiple Sclerosis
(speaker) House of Commons, 2011; 1azz in Europe conference, Paris, Cité
de la Musique, September 2011; Highgate School jazz lecture, 2012, Sage
Gateshead, Poetry and Jazz round table (chair), 2013; Cheltenham Literary
Festival 2013; Charles Mingus Experience Day, CBSO Centre Birmingham,
2013.
Other Indicators: I Feel A Song Coming On was shortlisted for the
ARSC awards for best research in popular music, 2009; Hi-De-Ho was
shortlisted for the ARSC awards for best research in jazz, 2010.
Sources to corroborate the impact
McHugh:
CEO of the McHugh Music Publishing Company
http://www.broadwayworld.com/article/Jimmy-McHugh-Biography-To-Be-Honored-in-Concert-by-Michael-Feinstein-20091007
Calloway:
The Hi de Ho Blog (www.thehidehoblog.com)
: director
Cab Calloway Sketches: director
Video.pbs.org/video/2223857692
Nilsson:
http://www.bbc.co.uk/programmes/p01fjk76
http://www.dailymail.co.uk/home/event/article-2382537/The-Beatles-When-Harry-met-John-Paul-George-Ringo-The-American-Beatles-18-month-lost-weekend-Lennon.html