Submitting Institution
Sheffield Hallam UniversityUnit of Assessment
Art and Design: History, Practice and TheorySummary Impact Type
SocietalResearch Subject Area(s)
Medical and Health Sciences: Public Health and Health Services
Summary of the impact
The research involved the first uncensored documentation of the
contemporary UK military pathway and has been used internationally to
raise awareness in professional participants and the general public of the
ethical and practical complexities of militarised healthcare.
The impact of this research was evidenced within three distinct>
territories: 1. Informing improvements in military and civilian
training leading to the creation of standard briefing materials for
British deployed forces, medics and civilians to ensure early awareness of
the `care pathway'; 2. Establishing additional reference points within contemporary
art discourse and reflecting on the role of independent observers of
conflict; and 3. Aiding patient recovery and understanding by
helping individuals reconcile the profound change that they have undergone
through injury and by establishing precedents for a format of
comprehensive patient diaries, enabling longer-term understanding of
traumatic experience.
Underpinning research
This research, made possible with initial support from the Wellcome
Trust, investigated the militarised and civilian contexts of Afghanistan
and the United Kingdom. Research was carried out between 2007 and 2012;
Cotterrell joined Sheffield Hallam University in 2005 as Senior Lecturer
in Fine Art, was promoted to Professor of Fine Art in 2008, and remains in
post.
The research reviewed the ethical and practical challenges of medicine
within conflict environments. This was achieved by direct immersion in the
environments of militarised medicine. Cotterrell examined, and reflected
upon, the personal dislocation experienced by those affected by trauma.
Through recorded testimony, artefacts, artworks and analyses, the major
aim of this research was to identify and illuminate key historical points
in the evolution of relationships between institutionalised healthcare and
violence. These were first introduced to the public domain in the public
exhibitions War and Medicine, (R1) Aesthetic Distance (R3)
and in the publication of extracts from Cotterrell's diaries (R2).
In 2007, support from the Wellcome Trust (G1) enabled Cotterrell to visit
`tier 2' British military medical facilities to observe contemporary
practice and to consider methods of synthesising the primary evidence
witnessed there. After two years of negotiation, the Ministry of Defence
exceptionally agreed to allow access (free from traditional media handling
or censorship) to operational facilities in the Helmand province of
Afghanistan (S1).
Following pre-deployment training, Cotterrell travelled to join 201 Field
Hospital Regiment and 5 General Support Regiment at Camp Bastion.
Cotterrell spent November 2007 living amongst medics and observing
evacuations, resuscitation and surgical operations conducted from point of
injury to strategic aeromed. Cotterrell visited the Helmand Executive
Group at Lash-Kagar and travelled to Forward Operating Base, Sangin with
40 Commando to observe the work of Combat Medical Technicians and Role 1
facilities in front-line conditions (S2).
With support from the RSA (G2), and via the UN Humanitarian Air Service,
Cotterrell returned to Afghanistan in April 2008 to areas beyond British
military control. Travelling on foot, or using local transport, visits
were undertaken to Afghan military hospitals, NGOs and local medical
facilities in Kabul, Masar-e Sharif, Balkh and the Panjshir Valley.
Interviews were conducted to contextualise the experiences of militarised
healthcare with representatives of ISAF forces, international and local
agencies, and individual doctors, academics, soldiers and civilians (S3).
In February 2009, supported by the Department of Health (G6), Cotterrell
negotiated access to the UK continuing care pathway in order to establish
a more complete picture of the fragmented narrative of military trauma
treatment. Over a period of six months, he photographed, interviewed and
recorded testimonials from service personnel he had previously encountered
in Afghanistan. In addition, he documented strategic aeromed arrivals and
handovers to Queen Elizabeth and Selly Oak Hospitals, Birmingham,
operations and acute treatment at the Royal Centre for Defence Medicine,
and also rehabilitation and therapy at the Defence Medical Rehabilitation
Unit at Headley Court (S4).
Significant insights were gained through this research. It became clear
that the challenges of reporting restrictions, patient confidentiality and
multiple governing agencies had meant that prior to Cotterrell's
negotiated access to view the care-pathway from point of wounding to
domestic rehabilitation, journalists and historians had not been able to
gain unrestricted access to the contemporary British military casualty
chain. Cotterrell's subsequent exhibitions, publications, lectures and
interviews provided the first public exposure of this complex and
sensitive subject to British audiences.
The research made clear that soldiers recovering from life-changing
injuries had limited means of re-constructing the narrative of their
transformative experiences. From the time of wounding through to secondary
operations in the UK, many soldiers remained sedated or unconscious for a
period of up to five days. The radical physical transformation that had
occurred during this period was not adequately reconciled through medical
notes, and the embargo on photographic documentation of incident and
subsequent medical procedures served further to obscure this period of
lost memory.
The culture of secrecy meant that medical professionals were unable to
access documentation of the expanded care pathway with which they, and
their colleagues, were engaged. This fragmentation of experience and
understanding within the process of evacuation, treatment and
rehabilitation meant that the assessment of the contradictions and
disorientation experienced by casualties and medical practitioners was
denied to front-line staff. Family members, colleagues and members of the
public outside the immediate environment of the military were unable to
visualise or understand the transformative effects of conflict on directly
affected civilians and soldiers. Partly as a result, the scope for public
debate to engage meaningfully with the longer term societal cost of
contemporary conflict was limited.
The research project's multimodal demonstration of the necessity to
enable more public and professional engagement with the challenging
subject of military medicine opened the way for subsequent documentaries
by newspapers and broadcasters (such as the 2011 BBC Documentary
`Frontline Medicine') and signalled a fundamental change in the way in
which the reality of injury within conflict would be permissible to
discuss in mainstream media. Cotterrell was the first civilian to be
deployed to Afghanistan and the first observer to gain permission to
document the work of the Joint Forces Medical Group engaged in the
Afghanistan campaign.
References to the research
Key Outputs:
R1. War and Medicine, exhibition shown at the Wellcome
Collection, London (2008), Deutsches Hygiene Museum, Dresden (2009) and
Canadian War Museum (2011) including the key works:
Cotterrell, David. 9-Liner 2008. 3-Channel Video Installation
documenting incompatible views of emergency helicopter recovery from three
incompatible vantage points and Cotterrell, David. Theatre 2008.
Immersive 5-channel installation documenting an aeromed evacuation (also
later shown at the Museum of Contemporary Art, Zagreb, 2011).
R2. An Artist's Diary, chapter published within `War and
Medicine' 256pp Colour Publication. Edited by James Peto, Melissa Larner.
Published by Black Dog Publishing with support from the Wellcome
Collection and Deutsches Hygiene-Museum. ISBN 978 1 906155 520. Published
with German translation in `Krieg und Medizin' 272pp Colour Publication
(German). Edited by Melissa Larner, Jame Peto and Colleen Schmitz.
Published by Wallstein, ISBN: 978 3 8353 0486 Extracts also reprinted in The
Guardian newspaper in 2008.
R3. Aesthetic Distance, Solo Exhibition at Danielle Arnaud
contemporary art (2008). Exhibition of photographic and video responses to
conflict. Artworks later included in the exhibition `Afghanistan' at
Wolverhampton Art Gallery, `Broken Stillness' at ISEA/Istanbul Biennial
`Engines of War' at Gasser and Grunert Gallery, New York and `Saving Lives
- Frontline Medicine' Exhibition at Imperial War Museum North (2012).
Awards and Prizes:
G1.Cotterrell, D, War Artist commission, Wellcome Trust, 2007-2008,
£20,000
G2.Cotterrell, D, Arts and Ecology International Fellowship, RSA, 2008,
£3,250
G3.Cotterrell, D, Arts and Business, 2008, £9,000
G4.Cotterrell, D, INTERACT International Fellowship, Arts Council
England, 2008, £8,000
G5.Cotterrell, D, Managed Funds Award, Arts Council England, 2008, £5,500
G6.Cotterrell, D, Department of Health, 2009, £5,000
G7.Cotterrell, D, ArtHubAsia, 2009, £4,000
G8.Cotterrell, D, Philip Leverhulme Prize, 2010, £89,100
G9.Kneebone, R and Cotterrell, D, AHRC Network Grant, 2010, £30,000 (S5)
Details of the impact
1. Military and civilian training
The primary research in Helmand province was documented through an
extensive photographic record and detailed diary. Two debriefings took
place on return to the UK in December 2007: one with Ministry of Defence
officials in Whitehall; the other with Wellcome curatorial staff. This
testimony precipitated a substantial re-evaluation of the War and
Medicine exhibition design and its development. Cotterrell was
subsequently invited to share his observations with individuals,
organisations and government agencies in order to support greater
contextualisation of their experiences and agendas. In Afghanistan (April
2008), Cotterrell presented to the ISAF joint chiefs of staff at the
British Embassy and to NGO, and embassy, representatives from Canada, the
UK, the US and other nations at the Turquoise Mountain Foundation in Kabul
(S3). In the UK, he delivered presentations to the Critical Care Air
Support Team (RAF Intensive Care evacuation team) at RAF Lyneham (Sept
2008) and to the Royal Army Medical Corps (201 Field Hospital Regiment,
2009 and 208 Field Hospital Regiment, 2012) (S2).
Recognition that the extensive and potentially indefinite care pathway
could not fully be understood by any one professional participant led the
Department of Health to commission Cotterrell to access UK civilian and
military medical facilities in order to build the first contemporary
record of the extended healthcare pathway. Between February and July 2009,
Cotterrell observed and documented CCAST hand-overs at Birmingham
International Airport/Queen Elizabeth Hospital, secondary operations and
trauma care at the Royal Centre for Defence Medicine (RCDM), Selly Oak,
and physical occupational therapy at Defence Medical Rehabilitation Centre
(DMRC), Headley Court (S4). This record is used by the NHS to inform the
general public through its NHS Choices website (S7), viewed by over 38,000
individuals between July 2009 and June 2012. It has been championed by the
Surgeon General, and is being used by the DoH and MoD to demonstrate
ongoing integration. Cotterrell's comprehensive documentation was used in
February 2010, at the request of the Chief of the General Staff (CGS), to
modify RSOI (Reception, Staging and Onward Integration) in-deployment
briefings for soldiers, medics and civilians to incorporate for the first
time comprehensive documentation of the post-injury casualty pathway.
2. Contemporary art discourse
Within the research project's proposed museum and gallery context, two
public exhibitions were realised in London of new time-based
installations, photographic series and video works (War and Medicine,
Wellcome Galleries, December 2008 (R1), and Aesthetic Distance,
Danielle Arnaud contemporary art, January 2009 (R3)) (S1, S2 & S3).
Accompanying and contextualising the exhibitions, extracts from
Cotterrell's diary, and selected photographs were published in books by
Black Dog Publishing and Wallstein Press (English/German translation)
(S1). Selected press outlets were allowed access to elements of this
documentary material, with The Guardian printing a selection as a
four-page feature (24/11/08) (R2). In November 2008, Cotterrell's work was
discussed on BBC Radio 4's Front Row, Start the Week and Today
programmes and BBC On-line and Broadcast programmes. Subsequently (between
November 2008 and January 2009), diary extracts, photographs and
exhibition documentation were reprinted and discussed internationally in
the Lancet, BMJ, Health Service Journal, Art Review, Frieze, Creative
Review, Museums Journal, RSA Journal, Soldier, RUSI Journal, in
national and international newspapers (Times, Telegraph, Guardian,
Financial Times, Wall Street Journal) and in on-line contexts
including service personnel discussion groups, anti-war web-sites,
cultural and news forums. Interviews and documentation were also broadcast
on CNN, BBC and SKY news channels. (S8)
`War and Medicine' attracted over 100,000 visitors, offering a heightened
awareness of an under- represented aspect of conflict (S6). The exhibition
toured to the Deutsches Hygiene Museum in Dresden, 2009 (S9) and finally
to the Canadian War Museum, in Ottawa, 2011 (S1). Extensive press coverage
and public debate occurred at each venue and total visitor numbers for the
touring exhibition exceeded 250,000. Individual works were subsequently
included in Afghanistan (Wolverhampton Art Gallery, 2010), Dislocations
(MoCA, Zagreb, 2011), ISEA/Istanbul Biennial (Sirket-i Hayriye Art
Gallery, 2011), Medicine on the Frontline (Imperial War Museum,
North, 2012- 13) (S2) and Engines of War (Gasser Grunert Gallery,
New York, 2013).
A portfolio of evidence of the above is available from SHU on request.
3. Patient recovery and understanding
While the focus of the project when undertaking the commission to work
with the Wellcome Trust in 2007 had been to provide a catalyst for greater
public debate regarding the human cost of war, it became clear that the
research had the potential to offer insights to individuals and
organisations involved in military medicine. From February to November
2009, Cotterrell visited each soldier who he had witnessed being seriously
injured during his short time in Helmand. In consultation with their
clinicians, he provided individuals with documentation of the medical
procedures, which had occurred during their time in the field hospital,
evacuation and subsequent treatment in the UK. These meetings with
recovering soldiers allowed individuals to reconstruct a lost narrative,
providing a bridge between the radically altered sense of personal
identities experienced prior to, and post-injury.
The understanding of the value of this more open approach was shared by
clinical staff and patients, and precipitated the development of improved
patient diaries offering a visual and textual record of their treatment.
Cotterrell presented his findings to the clinical teams at Queen Elizabeth
and Selly Oak Hospitals (S4) and to the wider medical community through a
keynote lecture at Tate St Ives for the Association of Medical Humanities
annual conference, July, 2010 (S5) and a paper at the Royal College of
Physicians and Surgeons of Glasgow 2nd Triennial Conference, 2011.
Sources to corroborate the impact
S1: Head of Public Programmes, Wellcome Trust
S2: Major in a Medical Regiment, British Forces
S3: Former Head of Art, RSA
S4: Live Well Editor, NHS Choices
S5 Professor of Surgical Education, Imperial College London
Online Sources:
S6: http://www.wellcomecollection.org/whats-on/exhibitions/war-and-medicine.aspx
S7: http://www.nhs.uk/tools/pages/militaryphoto.aspx
S8: http://www.cotterrell.com/search/?q=war+and+medicine
S9: http://dhmd.de/index.php?id=1427