Submitting Institution
Anglia Ruskin UniversityUnit of Assessment
English Language and LiteratureSummary Impact Type
CulturalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
Mick Gowar's critical and creative practice has impact on culture and
education within the community. His work has had, and continues to have, a
significant impact on children's reading and writing, in particular
introducing children to the heritage of British folklore through
initiatives such as the World Wide Story Web which both preserves and
presents cultural heritage. A key impact of his research is the way it has
enabled adults and children, including children with special needs, to
express themselves through writing and music making, thus having a
positive impact on wellbeing, educational achievement and personal
development.
Underpinning research
Gowar's research expresses itself both through traditional criticism and
scholarship and through creative practice. Since taking up his permanent
fractional post at Anglia Ruskin in 2006 as a Senior Lecturer in
Contextual Studies based in the Cambridge School of Art the main focus of
his critical and creative practice has been in the fields of writing and
storytelling for (and by) children.
A major focus of Gowar's critical work is poetry for children, in
particular the poetry of Ted Hughes. His research into the origins of
creative writing as a discipline is evidenced in his essay on Ted Hughes's
reflections on creative writing aimed at child readers and writers, Poetry
in the Making. Another research interest, and one which is also
apparent in his impact activities, is the relationship between poetry and
the community. This is the subject of his essay on Richard Berengarten and
the Cambridge Poetry Festival (2011).
Gowar's work as an adapter has had an impact on his critical practice,
and he has published a paper reflecting on his experiences of adapting the
folk tale `Yallery Brown', suggesting ways in which his different versions
of the narrative might shed light on why and how stories change over time.
This paper was originally presented at a colloquium on Literature and
Transhistoricism held at Anglia Ruskin in 2010. This research interest in
the adaptation of folk literature led to Gowar making a successful bid to
bring Jack Zipes, a leading expert on fairy tales, to Anglia Ruskin as a
Visiting Leverhulme Professor (2013).
It was his expertise in adaptation, both as a researcher and
practitioner, that led him to design and implement the Story Web, an
initiative for which he secured a grant of £7,500 from the British Academy
in 2010. Its patrons are children's author and poet Kevin Crossley-Holland
and Jack Zipes. The project exemplifies his commitment to innovative work
on the digitization and dissemination of narratives in new, more
interactive formats for a range of audiences. This element of his research
is also apparent in his co-editorship of Book 2.0, a refereed
journal on the future of the book. The journal showcases cutting edge
research, much of which is expressly targeted at publishers and other
industry professionals.
Since 2006, Gowar has either written or edited more than twenty books for
children and young adults, including fiction and non-fiction published by
major publishers such as Collins, Evans, Franklin Watts and Oxford
University Press. This work can be viewed both as creative practice (as
research) and as a vehicle for impact. Particular specialisms are writing
for reluctant readers and children with special needs, also re-tellings of
traditional stories; these include a prose re-telling of Beowulf
for young readers (Oxford University Press) and school editions of Bram
Stoker's Dracula and Mary Shelley's Frankenstein for
Hachette. He has contributed to the Oxford University Press Treetops
and Project X reading schemes which are very widely used in UK
schools and other English speaking countries.
References to the research
Grants and Awards
In 2010 Gowar was awarded a British Academy Small Grant of £7,500 and a
CoDE Honorarium of £3000 (internal funding); in 2012 he was instrumental
in securing a Visiting Professorship (£47,000) from the Leverhulme Trust
for Jack Zipes (for 2013).
1. `Richard Berengarten and the Cambridge Poetry Festival: a vision of
community' in The Salt Companion to Richard Berengarten, ed. Norman
Jope, Paul Scott Derrick & Catherine E Byfield, Cambridge: Salt Books,
2011.
Salt is a leading publisher of contemporary poetry, and critical
discussions of modern poets. This item is included in REF2.
2. `Within The Seeing and Hearing of Children: The illustrated children's
books of Ted Hughes and Leonard Baskin', (with Peter Cook), Vol 1 No 1 Journal
of The Ted Hughes Society, 2011.
The Journal of the Ted Hughes Society is a well-regarded peer
reviewed journal. This item is included in REF2.
3. Beowulf, Grendel & The Dragon, Oxford University Press,
2010.
OUP is a leading publisher of both academic and educational books. This
item can be supplied by the HEI on request.
4. Book 2.0, Vol 1, no 1, Bristol: Intellect Books, February 2012. ISSN:
20428022
http://www.intellectbooks.co.uk/journals/view-Journal,id=198/
This is a peer-reviewed journal, co-edited by Mick Gowar, which publishes
cutting-edge research on a range of issues relating to research and
practice in publishing. Copies can be supplied by the HEI upon request.
5. `Poetry in The Making: Fifty Years Old', Vol 1 No 2 Journal
of The Ted Hughes Society, 2011.
This item was published by a well-regarded peer reviewed journal and is
included in REF2.
6. `Thou's let oot thy-sel' fro' unner th' sto'an': the narrative
environment of Yallery Brown.
Mick Gowar gave this paper at a conference, Literature and
Transhistoricism, held at Anglia Ruskin University in 2010. The item can
be supplied by the HEI on request.
Details of the impact
Gowar's work has made a significant impact on children's early
experiences of reading and writing. His work is widely read in primary
schools, and his popular retellings of traditional stories have introduced
new generations of readers and potential storytellers and writers to the
rich heritage of British folk tales. His work has been broadcast on BBC 2
schools television (2012). The Story Web has helped preserve, conserve and
present the cultural heritage of communities both inside and outside the
UK, including minority communities, thus enhancing understanding of
different cultures and traditions. Digital technology offers powerful
tools to preserve cultures, languages and dialects which are under threat.
It offers new media through which stories can be told and shared. What the
Story Web offers to children is a modern, digital analogue to traditional
oral storytelling through which young people can not only re-tell and
share traditional and contemporary stories but also take ownership of
digital technology instead of being merely passive users of pre-packaged
content.
As well as preserving heritage the Story Web contributes to innovation
through the design of new products, and has informed practice by
educational practitioners. The most significant recent development is in
adjusting the design of the site and preparing support materials to reach
out to children with special needs. A series of digital picture books has
been prepared for publication, specifically written and illustrated for
older teenagers, and these have been very warmly welcomed in piloting by a
group of language and literacy coordinators from Suffolk Special Schools.
The project has also helped generate new ways of thinking that influence
creative practice, as well as enhance children's personal development. Dr
Gowar has worked with pupils and students with special needs, drawing on
his research to design creative workshops to help them express themselves
both through writing and music-making. This has also led to part-time and
voluntary work with Squeaky Gate, a Cambridge-based creative arts
charity.
Other storytelling projects linked to the Story Web project since 2008
have had a beneficial impact on a range of stakeholders: children,
educationalists, representatives from the heritage industry. These have
helped generate new approaches to creative practice, create new forms of
artistic, literary and spiritual expression, and give fresh stimulus to
the local community, contributing to its profile as a destination for
tourists.
2011:
- Making the past present, panel discussion on the relevance of
world classics, epics and oral traditions to schools, museums and cultural
organizations.
- Keywords for Children's Literature, talk by Prof. Lissa Paul,
Brock University, Toronto, and Prof. Philip Nel, State University of
Kansas.
- Imagining The Past, Creative workshops for children and adults
using items from the Museum of Archaeology and Anthropology as starting
points for creative writing and illustration, jointly led with Chris
Draper, Cambridge School of Art.
2012:
- Faith, Dreams and Signs, panel discussion on the connections
between dreams and the foundations of religious faith.
- Dispatches from the Literacy Wars, panel discussion on past
and present methods for teaching reading and writing and for assessing
competences in literacy, jointly chaired with Prof. Lissa Paul, Brock
University, Toronto.
- Creating Dreamtimes, Creative workshops for children and
adults using items from the Museum of Archaeology and Anthropology as
well as the writings of Ted Hughes as starting points for creative
writing and illustration.
Gowar has also been very heavily involved in music education, both in
creative workshops in schools and as a librettist and lyricist. Since
2008, he has taken part in the following projects:
(i) Digital film-making project jointly led with stage-designer and
mask-maker Gwen Taylor, and cellist Sam Glazer, re-telling the myth of
Theseus and the Minotaur (2008-9).
(ii) Joint leader, with composer Simon Gunton, of a creative project with
students from Cambridge School of Art to produce original visual work and
musical compositions based on the paintings and songs of Syd Barrett, as
part of The City Wakes, a ten-day celebration of the life and work
of Syd Barrett of Pink Floyd (2008)
(iii) Storytelling and song and drawing workshops based on an exhibition
of Sara Fanelli's illustrations for Pinocchio for more than 120
children from twelve Cambridgeshire primary schools (2008).
In 2013 Gowar organised and participated in a series of well attended and
received talks and `in conversation' sessions given by Jack Zipes,
Visiting Leverhulme Professor, all of which were open to the general
public. Some of these events were heavily oversubscribed requiring a
larger auditorium to be booked.
Sources to corroborate the impact
- This link evidences Mick Gowar's extensive contributions to Oxford
University Press's Oxford Reading Tree series.
https://global.oup.com/education/searchresults?search_input=gowar®ion=uk
- This is the link to the World Wide Story Web.
http://www.mickgowarcsa.org.uk/World_Wide_Story_Web/World_Wide_Story_Web.html
- Details of the Cambridge Festival of Ideas event `Making the Past
Present' can be found on p. 6 of this PDF.
http://www.cam.ac.uk/sites/www.cam.ac.uk/files/foi2011.pdf
- This link is a reference to the Faith, Dreams and Signs event for the
Cambridge Festival of Ideas.
http://www.cambridgeshire.net/event/faith-dreams-and-signs-/80287.aspx
- A reference to `Dispatches from the Literacy Wars'
http://www.wereallneighbours.co.uk/cambridge_events/event.php?id=107260
- A report on the workshops based on Sara Fanelli's Pinocchio
illustrations.
http://www.anglia.ac.uk/ruskin/en/home/faculties/alss/deps/csoa/news/2007-8_news_archive/the_ruskin_gallery.html
- The poem `Aquarium' on BBC Learning Zone
http://www.bbc.co.uk/learningzone/clips/mick-gowar-aquarium-poem-only/6471.html
and BBC Schools `English Express' http://www.bbc.co.uk/programmes/p011mvdv
- Video of reading of Yallery Brown on Youtube
http://www.youtube.com/watch?v=zb1_K4HJcDQ
- Statement by former Deputy Head of St Paul's CE Primary School,
Cambridge.
- Statement by former Commissioning Editor at Oxford University Press.