Mrs. Peabody Investigates: Enhancing Public Understanding of German, European and International Crime Fiction
Submitting Institution
Swansea UniversityUnit of Assessment
Modern Languages and LinguisticsSummary Impact Type
CulturalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
Dr Katharina Hall's blog Mrs
Peabody Investigates (http://mrspeabodyinvestigates.wordpress.com/;
henceforth MPI) has been fostering public debate on German, European and
international crime fiction since January 2011. Beneficiaries include
readers, authors, translators, publishers, critics and bloggers in 130
countries. With over 220,000 hits and 2,500 comments, MPI has been
featured on BBC Radio 4 and is linked to by BBC Online, crime blogs, and
publisher/author websites (C10). Providing a distinctive service of
academically-informed reviews of high-quality crime fiction, MPI is
regarded in the industry as 'a ground-breaking blog that is
transforming readers' understanding and appreciation of international
crime' (The Times crime-fiction critic).
Underpinning research
The underpinning research is Dr Hall's current research project, `Detecting
the Past: Representations of National Socialism and its Legacies in
Transnational Crime Fiction', which emerged from work on Bernhard
Schlink's Der Vorleser (The Reader) in 2006 (see Section 3,
R1 and R2). The project comprises the first large-scale,
comparative analysis of representations of National Socialism in post-1945
transnational crime fiction, including adaptations for television and
film. Thus far, over 150 primary texts of `Nazi-themed crime
fiction' have been identified from over 25 countries (R3).
The project investigates three main aspects of Nazi-themed crime
fiction: the texts' conceptual- isations of history, memory, guilt
and justice in the context of the dominant historical, political and
cultural discourses of the post-war era; the ways in which texts seek to
shape public perceptions of the Nazi era through the manipulation of
generic conventions and claims to historical authenticity; and the
cross-cultural traffic between German- and English-language texts and
films. This research is highly interdisciplinary, with recent outputs in
2012 and 2013 examining representations of occupied Germany and German
wartime suffering (R4); the intersections between Nazi-themed crime
fiction and historiographical movements such as Alltagsgeschichte
(R4); and representations of Nazi policing and the `Nazi detective'
since the 1990s (R5).
Dr Hall is also currently researching the emerging subgenre of `European'
crime fiction thematising European identity, history, politics and
policing. She gave a paper entitled `Mapping European Crime Fiction since
1989' at Manchester Metropolitan University in April 2012, and submitted a
Collaborative Research Project bid to HERA in May 2012 (referencing this
impact case study), with colleagues from the UK, Ireland, Belgium and
Sweden: Cardiff University's Crime Narratives in Context network;
the Jean Monnet Centre of Excellence at MMU; Cork and Lund Universities.
Dr Hall is Associate Professor of German in the Department of Languages,
Translation and Communication (LTC) at Swansea University. Her research on
transnational crime (2006 to the present) dovetails productively with work
by other LTC colleagues (Dunnett (deceased October 2013) on crime fiction
under Mussolini; Preece on 68er crime) and has been supported by Swansea
University's Research Institute for Arts and Humanities as follows:
funding to give keynote address at the academic crime-writing conference
`States of Crime: The State in Crime Fiction', Queen's University Belfast,
June 2011; funding to interview crime authors and make contacts in the
crime-writing community (Harrogate Crime Writing Festival 2012 and Bristol
CrimeFest 2013; the former led to involvement in Mark Lawson's Radio 4
'Foreign Bodies' series); research grant to carry out archival research on
East German crime fiction in Berlin (2012); research leave for monograph
(January 2014).
Dr Hall's outputs include a series of papers, articles and an online
database (see below). Future outputs include an edited volume, Crime
Fiction in German (European Crime Fiction Series, University of
Wales Press), and the Detecting the Past monograph.
References to the research
R1. Katharina Hall, 'The Author, the Novel, the Reader and the
Perils of Neue Lesbarkeit:
A Comparative Analysis of Bernhard Schlink's [crime novel] Selbs
Justiz and Der Vorleser', German Life and
Letters, 59/3 (2006), 72-88.
• DOI: 10.1111/j.0016-8777.2006.00360.x
• URL: http://onlinelibrary.wiley.com/doi/10.1111/j.0016-8777.2006.00360.x/abstract
Quality: GLL is a refereed journal (two readers' reports).
Submitted to RAE2008.
R2. Katharina Hall, `Text Crimes in the Shadow of the
Holocaust: The Case of Bernhard Schlink's Der Vorleser/The
Reader', in German Text Crimes: Writers Accused, from the 1950s
to the 2000s, ed. Tom Cheesman (German Monitor 77) (Amsterdam
and New York: Rodopi, 2013), 193-208.
• URL: see http://www.rodopi.nl/senj.asp?BookId=GM+77
Quality: two readers' reports. Article awarded 2 stars in
internal/external research audits at Swansea University.
R4. Katharina Hall, `The Crime Writer as Historian:
Representations of National Socialism and its Post-war Legacies in Joseph
Kanon's The Good German and Pierre Frei's Berlin', Journal
of European Studies, 42/1 (2012), 50-67.
• DOI: 10.1177/0047244111428846
• URL: http://jes.sagepub.com/content/42/1/50.abstract
Quality: Journal of European Studies is a refereed journal (two
readers' reports). Article awarded 3 stars in internal/external research
audits at Swansea University.
R5. Katharina Hall, `The "Nazi Detective" as Provider of Justice
in post-1990 British and German Crime Fiction: Philip Kerr's The Pale
Criminal, Robert Harris's Fatherland, and Richard Birkefeld
and Göran Hachmeister's Wer übrig bleibt, hat recht', Comparative
Literature Studies, 50/2 (2013), 288-313.
• DOI: 10.5325/complitstudies.50.2.0288
• URL: http://www.jstor.org/stable/10.5325/complitstudies.50.2.0288
Quality: CLS is a refereed U.S. journal that accepts 20% of
submissions (two readers' reports). Article awarded 3 and 4 stars in
internal/external research audits at Swansea University.
Details of the impact
Through the creation of a widely read blog in 2011 (see Section 5, C1),
Dr Hall has had a major impact on public understandings of international
crime fiction. MPI has become a dynamic forum for the non-academic crime
fiction community to interact (readers, bloggers, authors, translators,
publishers, cultural commentators), and in the process has generated very
significant interest and activity. It has global reach, with users
from over 130 countries, and is hosted by 'Mrs. Peabody', a
friendly persona encouraging maximum user-participation. Its posts have
generated over 220,000 hits (average 6,500/month, 1,500/week,
225/day) and over 2,500 comments (WordPress statistics;
blog-curator's hits excluded, C2).
MPI is built around two novel innovations: a researcher `opening up' her
on-going critical reflections on emergent crime fiction genres to a wide
audience, and making accessible a growing database of research texts (C3).
Over 50 'Detecting
the Past' texts are examined in the blog (click hyperlinks in C3 for
relevant posts), showcasing Nazi-themed and German/European/international
crime. Dr Hall's academic expertise underpins reviews, themed posts,
author interviews, and conference/ convention reports, with users invited
to access the project database and research articles on MPI's
'About' page and in relevant
posts. Blog discussions involving readers, bloggers, authors,
translators and publishers (such as Bitter Lemon, MacLehose and Hersilia
Press) explore crime fiction's capacity to offer
social/political/historical critiques, and core themes such as guilt and
justice. The quality of debate is often extremely high and incorporates
discussion of Nazi-themed and European texts (see threads on 'Violence
and Women in Crime', 'Would
the real Finland please
stand up', 'Arne
Dahl', and `Philip
Kerr').
MPI is a mutually beneficial space for the blogger and its users. By
discussing texts iteratively with a highly motivated non-academic
audience, Dr Hall has captured a host of new insights about the production
and reception of crime fiction that inform her research. Non-academic
impacts are also significant and include the following:
- By sharing her critical reflections on high-quality crime fiction, Dr.
Hall has had a notable impact on user reading practices. In a
July 2013 user-survey (C4), over half of the respondents
felt that their `reading habits had been influenced or changed by the
blog'. Comments include: `introduced to many new European crime
writers'; `pointed towards writers, particularly German, that I
might not otherwise have encountered'; `have read a lot more
since following Mrs P'; `have become more adventurous in what
crime fiction I read'; `have purchased titles I wouldn't have
done without your recommendation' (Users 1-5, C4).
-
Users' lives are enriched by Dr Hall's expert interpretation of
cultural capital. 85% of survey respondents felt that `the
blogger's academic expertise adds value to the blog' and 70%
that `the blog introduces me to crime fiction that enriches my life'.
Comments include: `I really appreciate MPI. There are many book
blogs, but this one really stands out in terms of the quality of its
reviews. The fact that the blogger is an academic is very apparent in
the breadth and depth of the analysis'; `I enjoy the blog
because it is more than a compendium of reviews. I like the way it
gives an insight into the culture and background of the novel, which
enriches my reading'. (Users 6 and 7, C4).
- Crime is often consumed unreflexively as entertainment. MPI has successfully
encouraged users to explore the thematic and ethical complexity of the
genre more deeply: `I feel encouraged to be an active reader,
drawing comparisons with other crime novels/films rather than simply
reading the text for the story'; `I've learned new ways to
think about crime fiction'; MPI `has made me think differently
about crime novels I've read' (Users 8-10, C4); `Mrs.
Peabody's analysis encouraged me to read the book, as she dealt with
critical moral questions that arose during WWII and its aftermath'
(User 11, `Reactions
to Reading' blog, June 2013).
Cumulatively, Dr Hall has had an impact on wider public discourses about
crime fiction. By creating so much informed dialogue and debate through
her blog, she has influenced how discussion about crime fiction is framed
in more mainstream media. In October/November 2012 she contributed to two
episodes of Mark Lawson's BBC
Radio 4 series, Foreign Bodies: A History of Modern Europe
through Literary
Detectives (C5), in which she explored the engagement
of Friedrich Dürrenmatt's and Jakob Arjouni's crime fiction with the
legacy of National Socialism (aired between World at One and The
Archers; Radio 4's weekly audience figures for the fourth quarter of
2012: 10.75 million (BBC/RAJAR),
C6). In 2013 Dr Hall was invited to judge the international Petrona
crime fiction award (C7), to contribute to The Times
crime-fiction critic's new Euro Noir book (C8), and to
attend a programming meeting with the Head of BBC Wales Drama. MPI's
companion Twitter
account (C9) has over 800 followers including a number of
crime writers (Ann Cleeves, Arne Dahl, Mons Kallentoft, Ernesto Mallo,
Derek B. Miller, Stuart Neville, Jason Webster), publishers/publishing
contacts (Penguin Books; Bitter Lemon Press; Hersilia Press; MacLehose
Press; Alison Hennessy, Harvill Secker Commissioning Editor), and critics
(James Kidd/Independent; Barry Forshaw/The Times). These
broader activities evidence MPI's influence and its recognition within the
industry as `a ground-breaking blog that is transforming readers'
understanding and appreciation of international crime' (The Times
crime-fiction critic, C8).
Sources to corroborate the impact
C1. Mrs Peabody Investigates blog posts, comments and discussion
threads:
http://mrspeabodyinvestigates.wordpress.com/
C2. Mrs Peabody Investigates WordPress user statistics —
available on request.
C3. `Detecting the Past' project database:
http://mrspeabodyinvestigates.files.wordpress.com/2011/01/detecting-the-past-nazi-themed-crime-fiction-database-with-hyperlinks-june-2013.pdf
C4. Mrs Peabody Investigates user-survey results (188
respondents, July 2013) — available on request.
C5. Mark Lawson's BBC Radio 4 series, Foreign Bodies:
A History of Modern Europe through Literary Detectives Episodes 2
and 11, October/November 2012:
http://www.bbc.co.uk/programmes/b01mnz34
http://www.bbc.co.uk/programmes/b01mnz8v
C6. RAJAR BBC Radio 4 2012 Q4 (fourth quarter) audience figures:
http://www.bbc.co.uk/mediacentre/latestnews/2013/main-rajar-q4.html
C7. `The Petrona Award', The Bookseller http://www.thebookseller.com/news/new-award-targets-scandinavian-crime-fiction.html.
C8. Letter from freelance writer and crime critic for The
Times.
C9. MPI companion Twitter account: Mrs_Pea68.
C10. Selected links to MPI on BBC / crime / publisher / author /
bookseller websites: BBC (http://www.bbc.co.uk/programmes/b00xzy0f/buzz);
Black and White Publishing (http://www.blackandwhitepublishing.com/index.php/books/view/what_lots_wife_saw),
Chronicles
of Crime Bookshop (http://www.chroniclesofcrime.com/links.shtml);
`Confessions of a
Mystery Novelist'; `Crime Time' (http://www.nudgemenow.com/article/crime-time-with-barry-forshaw-4/); `djskrimiblog';
`Euro Crime'; Hersilia Press
(http://www.hersilia-
press.co.uk/?s=di+giovanni);
`The Game's Afoot'; `In
Search of the Classic Mystery Novel' (http://classicmystery.wordpress.com/2011/01/19/mrs-peabody/);
`International Noir';
`It's a Crime!';
Philip Kerr (http://berniegunther.com/book/field_grey/);
Derek B. Miller (https://www.facebook.com/Derekbmillerauthor);
Dror Mishani (http://d-a-mishani.com/the-missing-file/); Jo
Nesbø (http://jonesbo.com/2999); `Novel Heights'; `Reactions
to Reading'; `Tipping
my Fedora'.