Understanding collective and personal identity in Russian culture: a challenge to received opinion
Submitting Institution
University of OxfordUnit of Assessment
Modern Languages and LinguisticsSummary Impact Type
SocietalResearch Subject Area(s)
Studies In Human Society: Policy and Administration
Language, Communication and Culture: Cultural Studies
History and Archaeology: Historical Studies
Summary of the impact
Professor Kelly`s studies of national identity in Russia seek to
challenge stereotypes about enduring traditions of political oppression
and social decay as the culture`s main characteristics. Focusing on
everyday life rather than high politics, they work towards an
understanding of change within Russian culture, and of the part played by
factors such as generation and locality in producing often very diverse
forms of self-expression and self-understanding. A central topic is the
role of social memory, whether as a force of solidarity or as an engine of
argument. Kelly`s work draws directly on collaborations with Russian
scholars and informants and has been widely noted in media and online
discussions within the country, as well as informing media discussion of
Russia and social policy work in the UK and elsewhere in the West.
Underpinning research
Constructing Russian Culture in the Age of Revolution [§3.1] and An
Introduction to Cultural Studies [§3.2], two innovative
interdisciplinary studies co-edited by Kelly, which appeared two years
after Kelly`s appointment to her position at the University of Oxford in
1996, have made a major contribution to the transformation of study of
Russian and Soviet culture in the twentieth century. The books moved
beyond the fixation on political resistance versus conformity, that
preoccupied researchers during the Cold War, to look at the way in which
Russian (and later Soviet) identity was shaped by specific social
practices such as consumption.
Kelly`s later research has also employed interdisciplinary methodologies,
and has focused on two key areas. `Childhood in Russia: A Social and
Cultural History, 1890-1991' (2003-2006; supported by the Leverhulme
Trust, Principal Investigator Kelly, post-doctoral fellow Andy Byford)
addressed the centrality of children`s welfare and development to the
legitimacy of Soviet rule, and the creative interest in childhood that
transformed the social sciences, particularly psychology, and the arts in
twentieth-century Russia. In Taubman`s review (see §3.3), `She [Kelly]
combed government archives for information on education, orphanages,
social services, juvenile delinquency, and the changing legal status of
children; conducted personal interviews; mined memoir literature; and
studied children's literature, theatre and film, children's games and
leisure activities, and childbearing/child rearing`. Combining massive
historical and archival data with imaginative empathy, the studies
produced by the project - Kelly`s Children's World [§3.3],
Byford`s articles on the early history of Russian paidology [e.g §3.4]-
encompassed a range and depth of research that was entirely new. A
by-product of this work was Comrade Pavlik [§3.5], in which Kelly
dismantled the myths surrounding Pavlik Morozov, the boy who was said to
have denounced his father to the Soviet authorities, and whose murder in
1932, almost certainly as the result of a family row, was exploited as
`evidence` of the malign activities of a ring of kulaks opposed to
collectivisation.
`National Identity in Russia from 1961' sponsored by a major grant
from the AHRC (2007-2011; Principal Investigator Kelly, Co-investigator
Professor Hilary Pilkington, U. of Warwick), brought together a core team
of 9 academics from the UK and Russia in a range of different fields
(anthropology, sociology, and history, as well as literature and cultural
studies); there were also two doctoral students attached to the project,
one based in Oxford. Two major international conferences in 2009,
`National Identity in Russia 1: Traditions` and `National Identity in
Russia 2: Migration` brought academics from Western Europe, America,
Australia, China and various parts of the former Soviet Union (including
Armenia and Kazakhstan as well as Russia) to Oxford for discussions. There
were also several workshops, and participants in the project presented
conference papers and lectures at a range of other venues (the total
number of outputs stands at well over 100, and publications are already in
the pipeline). Key outputs include Kelly`s own St Petersburg: Shadows
of the Past [§3.6], a study of the relationship between memory and
city identity in the country`s former capital, 1957-present, and the essay
collection, Soviet and Post- Soviet Identities [§3.7], with
articles by a number of the project participants. Fundamental to both
projects also was the development of a large digital archive of
interviews, `The Oxford Archive of Russian Life History` [§3.8], which is
available (upon application) to researchers and others with interest in
this corpus of oral history.
References to the research
[1] Catriona Kelly (ed.) [with David Shepherd), Constructing
Russian Culture in the Age of Revolution (Oxford University Press,
1998). Available on request. Leading academic press.
[2] Catriona Kelly (ed.) [with David Shepherd), Russian
Cultural Studies: an introduction (Oxford University Press, 1998).
Available on request. Leading academic press.
[3] Catriona Kelly, Children's World: Growing Up in Russia,
1890-1991 (Yale University Press, 2007). Available on request.
Awarded the Grace Abbott Prize of the Society for the History of
Childhood and Youth, USA - 2009.
Reviews: `Kelly`s encyclopedic history of childhood in
twentieth-century Russia masterfully brings to life both happy and
not-so-happy childhoods, demonstrating that many of the most intimate
details of childhood experience are neither timeless nor culturally
universal [...] A rich catalog of Russian childhoods in their immense
variety.` Tara Zahra, Journal of Modern History, 81 (2009),
749-51.
`Children's World is an encyclopedic, meticulously researched,
cultural history of Russian childhood from the last years of the Russian
empire through the fall of the Soviet Union. Although Kelly's subject and
sources are genuinely interdisciplinary, her argument and approach are
traditionally historical... A major virtue of the book is its more than
100 illustrations, ranging from rare archival photographs to propaganda
posters.` Jane A. Taubman, Journal of Interdisciplinary History,
39 (2009), 588-9.
[4] Andy Byford, `Turning Pedagogy into a Science: Teachers and
Psychologists in Late Imperial Russia (1897-1917), Osiris 23
(2008), pp. 50-81. DOI: 10.1086/591869
[5] Catriona Kelly, Comrade Pavlik: The Rise and Fall of a
Soviet Boy Hero (Granta Books, 2005). Available on request.
Reviews: Though published with a commercial publisher, this book
was favourably reviewed in the academic press (see below, and also Slavic
Review, 65 (2006), 610; Modern Language Review, 102 (2007),
614-16). The leading Soviet historian Sheila Fitzpatrick reviewed it
prominently and at length in the London Review of Books, 27, no. 1
(2005).
[6] Catriona Kelly, St Peterburg: Shadows of the Past
(Yale University Press, 2013). Available on request. Leading university
press.
[7] Catriona Kelly (ed.) [with Mark Bassin], Soviet and
Post-Soviet Identities (Cambridge University Press, 2012). Available
on request. Leading academic press.
Reviews: `The collection`s major strengths—strong scholarship,
rigorous inquiry, and an interdisciplinary approach—are evident in its
explorations of state policy, mass media, education, cinema, literature,
religion, museum collections, and social practices.` A. Lanoux, Russian
Review 72.4 (2013), 725-7.
Research Grants
Catriona Kelly, PI. `Childhood in Russia: A Social and Cultural History`,
Leverhulme Trust, October 2003-October 2006. (£93,605). www.mod-langs.ox.ac.uk/russian/childhood
Catriona Kelly, PI, `National Identity in Russia from 1961: Traditions and
Deterritorialisation`, Arts and Humanities Research Council, September
2007-April 2011 (£706,000). www.mod-langs.ox.ac.uk/russian/nationalism.
Details of the impact
A key feature of Kelly`s work on identity has been close collaborative
work with Russians, both as members of the project team and as informants.
The research starts from, and feeds back into, the experiences of members
of the general public. The interviews were often highly significant for
the participants and members of their family, for example, sometimes
interviewees would air experiences they had not talked about before
because they thought no one was interested. Their memories also helped to
suggest new lines of investigation. For example, a chapter of Kelly`s book
on Petersburg [§3.6] is devoted to the importance of districts, something
almost never remarked on by foreign commentators but which turns out to be
very important to locals. During his work on interviewing Russian émigrés
in Britain, Byford became an informant about life in the UK for
interviewees who had almost no contact with locals, and so on. In turn,
this new content has facilitated impact at a variety of different levels,
including:
A new view of contemporary Russia for policy-makers and other
professionals
In 2009, Kelly gave a keynote address on Russian national identity at the
UBS Arts Forum, `Go East: Contemporary Arts in Central and Eastern
Europe`, attended by gallery owners and museum staff from across the
German-speaking world. This was intended to give professionals who have
increasing contact with the art scene in Russia and other post-socialist
countries an immersion in the cultural background [i].
She also addressed the Youth Policy Conference at Upshaw, County Durham,
speaking about Russian childhood to an audience of social workers and
other professionals involved in work with children and young people [ii].
Other ways in which research material from the projects has been used
include a satellite investigation sponsored by Geschichtswerkstatt Europa
that included a play about the life of migrants into Russian cities based
on interview transcripts, performed at the British Consulate in Petersburg
[iii]. This provided the mainly expatriate audience with
a view of a side of Russian life with which they have little direct
contact.
The Oxford conferences on national identity were attended by a number of
policy-makers, including Elizabeth Teague, analyst of Russian Politics at
the UK Foreign and Commonwealth Office [iv]. Andy
Byford was invited to a briefing at the Russian Embassy in London in order
to discuss perceptions of `Russianness` among émigrés, as part of the
Russian state`s efforts to engage in nation-building abroad. The interview
database [§3.8] has been used not only by scholars and students for their
work, but also by creative writers and by those working in applied areas
of social science, such as Erica Richardson, who works for the World Heath
Organisation and consulted the interviews with paediatricians and other
medical professionals working with children. In her words: `Health care
workers are the most valuable resource in any health system and their
attitude towards changes in the system determines whether reforms will be
implemented or undermined. Therefore, it is imperative to hear their
voices - this doesn't always happen.` [1]
Contributing to public debates in the UK
The studies of Russian identity [§3.6, §3.7] have generated a good deal of
media interest, and Kelly is regularly approached to contribute to
discussions based on her expertise in this area, in turn raising public
awareness and understanding of the topic. As well as various invitations
to discuss `Putin`s lifestyle` which were turned down, there were many
serious requests - for example, Catriona Kelly appeared on BBC Radio`s
`The World Tonight` in order to discuss the Pussy Riot case (September
2012) and was invited to take part in a discussion of modern Russia on BBC
Newsnight (August 2013, had to be declined). Public events have included
an appearance by Kelly at a discussion of modern Russia at Waterstones
Bookshop, Oxford (9 May 2013), to mark the shortlisting of the first ever
Pushkin House Russian Book Prize in 2013 (Kelly appeared with the writer
Andrew Miller and the historian Robert Service) [v]. A
critical review written by Kelly of Oliver Bullough`s The Last Man in
Russia, published in the Guardian (7 June 2013), about the
alcohol-fuelled decline of Russia, was described by the books editor of The
Guardian as `such a good piece` and has led to further commissions.
The article provoked a heated debate in the reader comments with around 40
posts discussing Kelly`s arguments, the trends in alcohol consumption in
Russia compared to other countries, and if the author, or more generally,
if the West was `Russophobic` or not.
Engaging with Russians in debates about national identity
Several of the project workshops were held in Russia, and were extremely
well attended, including by representatives of heritage preservation
organisations, who were able to put their views forward also at `Global
Aspirations and Pastiche Identity`, a conference organised by Kelly and
Professor Andreas Schönle at QMUL. The conference was attended, for
example, by representatives of Moscow Architecture Preservation Society [vi].
Kelly has also taken part (in April 2013) in a Russian TV debate about the
destruction of architecture in Soviet Leningrad. Her work has a high
online presence with Russians: for example, Children's World
[§3.3] was described by the leading poet and influential blogger, Linor
Goralik, as one of the best ten studies of Soviet everyday life [vii],
and in an online interview, the famous Russian historian Evgeny Anisimov
described her book on Pavlik Morozov [§3.5], translated into Russian in
2009, as a model of how to write history [viii]. At a
different level of engagement, Kelly is a regular user of Facebook, with
over 500 `friends`, many of them Russian, and uses the site primarily as a
resource for discussions about contemporary Russia and a way of locating
research materials. Kelly`s lecture talking about the history of the
Museum of the History of Leningrad (December 2012) was selected as a text
for dissemination on the online portal `Lectorium`, which is a Russian
non-profit organisation providing access to educational materials of
outstanding quality.
Increasing knowledge and understanding among the general public
In August 2012, Kelly was invited by Dmitry Esakov, director of the
cultural programme for the Volga Dream line offering high-quality river
cruises for visitors to Russia, to present a programme of lectures during
a cruise from Moscow to St Petersburg [ix]. In his
letter of invitation, Esakov wrote: `we try to invite guest speakers who
are connected to Russia professionally and can speak about the subject
passionately. I was very impressed about the way you chose you show life
in Russia - through the attitude to childhood. This along with excellent
recommendation from Geoffrey [i.e. Professor Geoffrey Hosking] makes us
very interested in inviting you on the Volga Dream` [2].
The lecture programme attracted a lot of interest at the time, and
passengers have written since to say that they enjoyed the lectures [3].
One of them has been in touch to ask Kelly about his family history, and
she was able to put him in touch with some academic experts who would be
able to tell him more about one of the documents he had (an internal
passport issued by the short-lived Soviet administration in Khabarovsk at
a period after the issuing of passports had been terminated by the central
authorities).
Kelly has also been acting since February 2010 as a consultant to a
project organised by Anthony Gould, an independent UK businessmen, to
market recordings from the State Archive of TV and Radio for commercial
use [4]. She produced a short citation about the
importance of the archive for use in publicity material, and has been
invited to present an introduction to a series of CDs being produced by a
company in Germany using this material.
In December 2012, Kelly was contacted by the Irish artist, Gareth
Kennedy, commissioned by a local authority in Petersburg to produce `The
Last Wooden House of Kupchino`[x]. Kennedy wrote: `I have been
reading with great interest your "Making a Home on the Neva" which I came
across online.` Kelly provided Kennedy with local contacts and a briefing
session on Petersburg history, which informed Kennedy`s installation and a
film made about it.[5]
Sources to corroborate the impact
Testimonials:
[1] Email statement from Honorary Research Fellow, European Observatory
on Health Systems and Policies (London hub), 27 September 2013.
[2] Email statement from Director of the Marketing, Volga Dream, 28
August 2012.
[3] Email statement from a passenger on the Volga Dream tour, 14 July
2013.
[4] Email statement from independent business consultant, 10 February
2010.
[5] Email statement from professional artist, 6 December 2012.
Non testimonial evidence:
[i] Keynote at UBS Arts Forum http://www.wolfsberg.com/documents/Kelly_Keynote.pdf.
[ii] The history of youth and community work study conference, Ushaw
College, 6-8 March 2009 http://www.infed.org/events/history_conference_2007.htm.
[iii] Information about the project and theatre performance http://www.geschichtswerkstatt-europa.org/expired-project-details/items/plough-furnace.html
[iv] Information about Elizabeth Teague http://www.oussg.org/main/index.php?option=com_content&task=view&id=30&Itemid=46.
[v] Information about the Pushkin House panel discussion http://www.pushkinhouse.org/single-event/events/pushkin-house-russian-book-prize-186
[vi] Write up of the Global aspirations and Pastiche Identity conference
by the Moscow architecture preservation society http://www.maps-moscow.com/index.php?chapter_id=209&data_id=362&do=view_single.
[vii] Linor Goralik blog post "10 non-fiction books" http://slon.ru/books/10_non_fiction_knig_ot_linor_goralik-859141.xhtml
[viii] Evgeny Anisimov, online interview by Tatiana Chernova: "History -
a natural part of the human soul" http://www.hse.spb.ru/behse/material.php?id=1331451911.
[ix] Information from the website of Volga Dream about Catriona Kelly`s
lecture series 28 June-9 July 2013 http://www.volgadream.com/volga/guests.php
[x] Gareth Kennedy`s project: http://tok-spb.org/new/en/events/vistavka-critical-mass-2013