Submitting Institution: Norwich the Arts (University of)

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Impact Case Study 2 ‘EASTinternational’: the impact of an international open-submission exhibition on the professional, career and commercial development of contemporary artists, curators and dealers

Summary of the impact

The leading open submission exhibition `EASTinternational' is significant in establishing the reputations of prominent artists and curators who have become major forces in contemporary art in the UK and across the world. `EASTinternational' parallels the rise of the Young British Artists, and is not dependent on an established commercial network. Many influential curators and dealers have used the exhibition as a serious sounding board for new artists, who otherwise might not have been provided a platform through which to engage with high profile practitioners, curators and dealers, and to access new markets. In researching contemporary and emerging practice, identifying topical exhibition themes, commissioning new works, originating solo exhibitions and developing international networks `EASTinternational' has supported the professional, career and commercial development of over 700 artists, curators and dealers, and enhanced critical discourse in a variety of disciplines.

Submitting Institution

Norwich University of the Arts

Unit of Assessment

Art and Design: History, Practice and Theory

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Creative Arts and Writing: Film, Television and Digital Media
History and Archaeology: Curatorial and Related Studies, Historical Studies

Impact Case Study 1 Picasso Peace and Freedom: the impact of a curated exhibition on economic development and public discourse of relationships between art and politics

Summary of the impact

`Picasso Peace and Freedom' was presented at Tate Liverpool, Albertina and Louisiana Museum of Modern Art in 2010-11. This major exhibition, curated by Professor Lynda Morris and Dr Christoph Grunenberg, presented a reassessment of the impact of Picasso's politics on his paintings, drawings and sculptures, challenging what has been seen as the artist's lack of engagement with serious politics. 711,905 people visited the three exhibitions, gaining new views of the artist's political engagements with major international developments of the twentieth century and with leaders of countries that remain centres of tension today. As an example of the economic impact of the research, the exhibition brought direct visitor spend of almost £5 million to the city of Liverpool, in which it was initially presented.

Submitting Institution

Norwich University of the Arts

Unit of Assessment

Art and Design: History, Practice and Theory

Summary Impact Type

Cultural

Research Subject Area(s)

Studies In Human Society: Political Science
Language, Communication and Culture: Literary Studies
History and Archaeology: Historical Studies

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