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This case study relates to research on cultural and creative industry clusters at local, sub-regional and city-region scales. Our work was highly influential at a critical moment in the evolution of creative cluster policies in London and Toronto and subsequently the rest of the UK, by influencing the development and implementation of the Creative London/Toronto strategies. Through collating and evaluating international comparative evidence the project enabled critical assessment of an increasingly popular planning strategy. Likewise by systematically applying geographical methods to the study of creative clusters this work offered methodological rigour to local intra-city analysis absent from the wider policy debate at that time.
As a prize-winning poet, novelist and teacher of Creative Writing, Professor Philip Gross's work is concerned with the development of individuals' creative practice (both adults' and children's), outside the academy as well as inside it. His work has led to a wider awareness of the ways in which creative process, particularly through cross-arts collaboration, can enhance our understanding of some of the most urgent challenges of contemporary society. Offering models of peace-building and communication in an age of cultural diversity and migration, it encompasses creative ways of envisioning the environment as well as human issues of dispossession, health and ageing.
Professor Pratt's work on the conceptualisation, measurement and operationalization of the cultural and creative industries has had significant impact within the field of cultural and economic policy at the urban, regional, national and international levels. These ideas have been taken up and used by policy makers to identify the contribution of the cultural economy. Professor Pratt's work has been instrumental in devising the United Nations Educational, Scientific and Cultural Organisation (UNESCO) Framework for Cultural Statistics (2009), the United Nations Conference on Trade and Development (UNCTAD) Creative Economy Report (2010 and 2013), and the World Intellectual Property Organisation (WIPO) report on the economic and social consequences of copyright for the creative industries (2013).