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Research by the University of Reading's Dr Matthew Nicholls on the architecture and topography of ancient Rome has created a world-class digital asset - a huge and complex architectural model of the city. This visual resource, and the research underpinning it, harnesses new technologies and has advanced understanding of the urban environment of ancient Rome and the relationship of its buildings to each other and to the city's topography. The exceptional impact of this work is evident in various fields related to enhanced public understanding, notably: i) commercial publication and broadcast work, ii) pedagogical practice in universities and schools and iii) the travel industry.
Alliance researchers have devised and applied technologies that bridge the gap between the real and virtual worlds, linking digital data to physical entities. The ability to embed personal stories in objects and places has impacted on the way National Museums Scotland sources and displays collections, while Oxfam has used the research to bring added value to donated goods, leading to an increase in store sales of 53% over a week-long period. Mobile Visual Search technology has been taken-up by global brands and advertising agencies, including Nike, Disney, Vodafone, Nokia, Tesco, P&G, King & Partners, Mocom and Ogilvy, leading one industry expert to describe it as "the new model of marketing mobility". The work has led to a patent, the receipt of several awards, and influenced the formation of a spin-off company, Mobile Acuity (with revenue of over £0.5M to date), which has secured a major investment of over £1M, including from international corporation, [text removed for publication], to invest in the US and East Asia.
GATE (a General Architecture for Text Engineering—see http://gate.ac.uk/) is an experimental apparatus, R&D platform and software suite with very wide impact in society and industry. There are many examples of applications: the UK National Archive uses it to provide sophisticated search mechanisms over its .gov.uk holdings; Oracle includes it in its semantics offering; Garlik Ltd. uses it to mine the web for data that might lead to identity theft; Innovantage uses it in intelligent recruiting products; Fizzback uses it for customer feedback analysis; the British Library uses it for environmental science literature indexing; the Stationery Office for value-added services on top of their legal databases. It has been adopted as a fundamental piece of web infrastructure by major organisations like the BBC, Euromoney and the Press Association, enabling them to integrate huge volumes of data with up-to-the-minute currency at an affordable cost, delivering cost savings and new products.
Founded in York in 1996, the Archaeology Data Service (ADS) has transformed how archaeological research is communicated in the UK, and impacted digital archiving throughout the world. Without the ADS, much of the fragile digital data (often the primary record of sites now destroyed) would have been lost. Instead, they are freely available to all. This impact extends across national heritage agencies, local government, commercial archaeology, and the public. Our resources are widely used with over two million page requests per month; almost half from beyond the HE sector. A recent study has concluded that the ADS is worth £5m per annum to the UK economy (Beagrie & Houghton 2013). The ADS has helped shape the digital preservation policy of English Heritage and informed practice in the United States, Australia, Canada, the Netherlands, Sweden, and Germany.
Research at the University of Dundee providing original insights and new directions in the way that internet technologies and data can be embedded in the real world through being given physical forms has lead to impacts that include:
COnnecting REpositories (CORE) is a system for aggregating, harvesting and semantically enriching documents. As at July 2013, CORE contains 15m+ open access research papers from worldwide repositories and journals, on any topic and in more than 40 languages. In July 2013, CORE recorded 500k+ visits from 90k+ unique visitors. By processing both full-text and metadata, CORE serves four communities: researchers searching research materials; repository managers needing analytical information about their repositories; funders wanting to evaluate the impact of funded projects; and developers of new knowledge-mining technologies. The CORE semantic recommender has been integrated with digital libraries and repositories of cultural institutions, including the European Library and UNESCO. CORE has been selected to be the metadata aggregator of the UK's national open access services.
Research at Sheffield has led to international cultural and conservation impact, as well as commercial impact in the UK. Two free international exhibitions designed to attract visitors of all ages and nationalities (Royal Armouries 2007/08, 20,000 visitors; and Musée national de l'Armée, Invalides, Paris (2010, 80,000 visitors) were underpinned by research on illuminated manuscripts of Jehan Froissart's Chronicles of the Hundred Years' War (covering the years 1325-1404). The exhibitions were inspired by the desire to raise awareness, regionally and nationally, of the culture of the Book and of Franco-English relations in the later Middle Ages. Miniatures from the manuscripts depicting key events were displayed alongside items selected from each country's national collection of arms and armour; interactive displays showed how the manuscripts were copied and illustrated. The research enabled an SME to be launched and opened up new access to major aspects of French cultural heritage whilst enabling the preservation of the originals' integrity, part of the intellectual and artistic patrimony of Western Europe.
This case study describes the impact of research undertaken by Falmouth's Autonomatic Research Group on developments in the UK Craft and Designer-Maker sector. This sector consists of individual or small groups of creative practitioners producing high value individual and bespoke products in studio/workshop environments using ceramic, glass, metals, textile and mixed media. This sector has been slow to benefit from the digital economy for reasons including cost, perceptions of relevance, accessibility and training. Autonomatic has worked to highlight digital technologies relevance to small scale and bespoke manufacturing, increase accessibility, and provide opportunities for businesses' and communities' creative development.
This case study demonstrates sustained impact on UK government and devolved government policy in the area of creative digital participation; on the regional implementation of that policy; on publicly funded community initiatives that benefited from that implementation; and on the NI school curriculum. It will also outline the beginnings of similar impact on an international scale: on government education policy and school and university curricula in, for example, Namibia and South Africa, where the underpinning research has been disseminated.