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Unit members Hope historians have enhanced public understanding of modern Irish cultural and political history. Principally, this was achieved through the extensive media exposure of biographical monographs published by Bryce Evans and Sonja Tiernan. Tiernan and Evans gained thorough research exposure through several prominent arteries of the national broadcast and print media in the Republic of Ireland and Britain. Collectively, this impacted awareness of Irish women's labour, political and economic history, both regionally and nationally. Research was cited in current affairs discussion, public discussion, and media reviews by journalists and commentators. Research provoked public comment through national radio phone-ins, blog coverage, and reviews. Research also impacted amongst `hard to reach' groups, particularly women and the gay community. Moreover, the press coverage of works by Kelly and O'allaghan significantly impacted on the policy-making and culture-informed public in Ireland, as discussed below.
The outcomes of this research have directly influenced practices and policies for injury prevention and player health in both rugby league and rugby union. Besides giving a detailed analysis of injury profiles in rugby league, the research has served to raise the profile and awareness of two major issues, heat stress and concussion.
Presentations of research findings to members of the Rugby League Medical Association (RLMA) have enhanced CPD workshops, and resulted in bylaw changes in Rugby Football League medical standards. More recent work has highlighted the seriousness of concussion in both rugby league and union.
Brad Beaven's research into the changing character and form of popular culture in the English city between 1850 and 1945 underpinned the `Portsmouth Voices' project, a collaboration with Portsmouth City Museum supported by a £223,500 Heritage Lottery Fund award. Previous exhibitions had presented rather narrow and parochial narratives of Portsmouth's history. Beaven's research significantly structured the project's engagement with class, gender and ethnicity in narrating the city's past, and played a guiding role in the curation of a major exhibition that successfully challenged preconceived ideas on generation, race and sexuality. In presenting both an inclusive and challenging story of Portsmouth's history, the exhibition attracted significant visitor numbers and a new section of the public who engaged with the Museum for the first time.