Summary of the impact

This case study describes how David Cesarani's research on modern Jewish history and the Holocaust has informed Holocaust education in the UK and influenced policy debates around Holocaust memorialisation and post-Holocaust issues domestically and internationally. It illustrates how Cesarani, research professor in History and director of the Holocaust Research Centre (HRC), has engaged with research users through his role as first a Trustee of and more recently Historical Consultant to the Holocaust Memorial Day Trust, a consultant to the Holocaust Educational Trust, an adviser to the Foreign Office, and by his contribution of research expertise to television programmes seen in the UK and around the world.

Summary of the impact

The Colonial Film project produced a major new website housing an online catalogue of all films showing life in British colonies held by three major film archives (the British Film Institute National Archive, the Imperial War Museum, and the British Empire and Commonwealth Museum) from 1895 to the separate moments of independence. The project conserved and made newly accessible — both practically and intellectually — a significant global cultural heritage in the service of memorialising the frequently occluded history of the British Empire. It is now a major national and international resource, and has been utilised by its partner archives and others to improve their own cataloguing and hold new exhibitions.

Summary of the impact

This case study refers to the impact of the work of one member of the submitting unit. The assertion is that the work of Zubillaga has had impact on civil society, cultural life and public discourse. It has: illuminated a repository of cultural capital (through archival research) and interrogated cultural values (specific to a Latin American context) enriched the imaginations of those who have viewed his films; enhanced sensibilities with regard to the cultural themes they explore; and extended the range and improved the quality of evidence, argument and expression to enhance public understanding of Venezuelan and more broadly Latin American cultural and political memory.

Summary of the impact

The London Screen Studies Collection (LSSC) based in Birkbeck School of Arts has played the key role in centralising, cataloguing and publicising the historic creative moving image record of London in the twentieth century. With the support of funding from Film London and UK Film Council Digital Film Archive Fund, it made a significant contribution to Screen Heritage UK, the £25 million project managed by the British Film Institute. Its ongoing collaboration with Film London has resulted most recently in a successful bid to the Heritage Lottery Fund. In addition, it led to a new exhibition at London Film Museum and a new initiative with a significant collection of historic industrial films in East London.

Summary of the impact

Interdisciplinary research by the Centre for Architecture and the Visual Arts (CAVA), based in the School of Architecture, is on the role of the moving image in the culture and identity of cities. By examining historic film, current trends and future developments in city branding and digital imaging, a new field of research has developed with three types of beneficiary: (1) institutions (museums and galleries); (2) municipal authorities (planning/urban development departments); (3) inhabitants of and visitors to cities. Liverpool's European Capital of Culture programme (2008) formed the basis of the research, which has spread nationally (London/Battersea) and internationally (China).

Summary of the impact

Roger Shannon's research on the legacy of the Birmingham Film and Video Workshop (BFVW) has fed directly into the curation and digitisation of previously neglected productions from this pioneering collective, which are now available for public exhibition at arts centres, cinemas, galleries and festivals. The specific examples of the public articulation of the impact include the Participation exhibition at the Vivid Gallery in Birmingham (2009), the digitisation of the original BFVW material, and the Hell Unltd/Traces Left event at the Glasgow Film Theatre (2013) which Shannon co-ordinated. He also worked closely with musician Kim Moore in her composition and performance to accompany the Hell Unltd event.

Three claims to impact stemming from Shannon's research are made here:

1. Engaged new audiences with a previously lost aspect of Birmingham's cultural history — the important legacy of the Film and Video Workshop from the 1970s and 1980s and their influence on independent film and television production
2. Curation and digitisation of BFVW film and video material, now archived at Vivid Gallery in Birmingham, for new audiences, curators and artists
3. Rediscovery of the life and work of Helen Biggar, neglected collaborator of Norman McLaren and pioneer of the women's protest movement.

Summary of the impact

This case study examines the impact of Catherine Wheatley's research into spectatorship, audiences, and critical contexts through engagement with the popular press and public-facing media institutions. It focuses on Wheatley's work with Sight & Sound, the monthly consumer magazine published by the British Film Institute, which reaches beyond academia to a cine-literate but non-specialist audience. Her research has influenced discussion and criticism of cinema for a large, interested cine-enthusiastic audience as well as contributing to broader public debate and cultural discussion of cinema through mass-media appearances. She has also judged a competition for budding female critics, encouraging more women to write thoughtfully on film, and nurturing a new generation of women critics through which her research has been able to influence the practice of film criticism more widely.

Summary of the impact

The outputs of two AHRC-funded research projects included

• a comprehensive database (launched in May 2009) of films about Liverpool, which includes rare and previously unknown or unseen material, and
• new ways of curating film material using GIS software.

The beneficiaries of this work were individuals and organisations interested in cultural heritage. There were two kinds of impact:-

1. Cultural impact through the preservation and interpretation of rare and previously unknown or unseen heritage films made about the city of Liverpool and Merseyside region. Also through the ease with which more than a million visitors to the Museum of Liverpool have been able to access a wealth of previously unseen historical material (including rare film footage) simply by touching an interactive map.
2. Impact on professional methods and practices for museum curation. Following a series of workshops (May 2009-Dec 2010), curators at the new Museum of Liverpool decided to create an interactive map of digitised artefacts as part of the permanent exhibition in the History Detectives gallery (launched December 2011).

Summary of the impact

The MyStreet project explores a new collaborative anthropology by training and facilitating filmmakers in in using techniques some of which were inspired by study of Mass Observation. This is achieved through a competition and online film archive with a global audience, and the annual Open City Docs film festival which has led to new partnerships with private and community organisations, and inspired a similar project in Prague. Through DocinaDay, about 350 students and community groups from high-exclusion areas received training in filmmaking and a screening platform, with positive impacts on social cohesion and individual welfare.

Summary of the impact

Michael Uwemedimo's research on re-enactment in non-fiction filmmaking has contributed to the development of innovative methods and approaches to documentary practice as a means of precipitating critical national and international reflections on histories of political violence. The Act of Killing (2012, 116mins) demonstrates the potential of film production and exhibition as a means of popular mobilization and political intervention through which accepted discourses around history and genocide are reframed. This work has had a significant impact in the following contexts:

• Influencing critical understandings of documentary practice and reaching new audiences;
• Intervening in and reframing the cultural representation of the 1965-66 Indonesian genocide both nationally and internationally
• Mobilising debate about Indonesia's history of political violence.
• Contributing to wider public understanding of basic standards of human rights.

Key indicators of the reach of this impact include the range of stakeholders in the project, such as local advocacy networks in Indonesia, the Indonesian Government's National Human Rights Commission, human rights NGOs, and international documentary makers, programmers and audiences.