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Classical Receptions at the OU raises awareness of how Greek and Roman texts, ideas and material culture have been interpreted, used and reworked, particularly in society today. Our research provides cultural and arts practitioners around the world — translators, poets and actors — with the tools to interpret ancient texts in modern contexts. Much of our research is presented in open-access assets — website, journals, seminars, workshops, conferences — thus providing resources both nationally and internationally. Working with the creative industries and beyond, we also help the wider public to gain a fuller understanding of the place of the classical within the contemporary world.
The Archive of Performances of Greek and Roman Drama (APGRD) project approaches the understanding of Greek and Roman tragedies and comedies through gathering evidence about their performance and traces their evolving significance through the way they have been received in performance practice. The APGRD has had significant impact on theatrical performance through its lively interaction with practitioners in the theatre and other performing arts, which has expanded the repertoire of classical drama, and through the commissioning of new work. This research has provided significant cultural and pedagogical benefits through being presented in various public forums (radio, lectures, exhibitions) and through the creation of a searchable open-access online database of more than 11,000 productions from the Renaissance to the present.
Research on the historian Herodotus, the history of the Achaemenid Persian empire, and the complex relationship between Greek and Persian worlds in the Classical period has had an impact in two main ways:
Dr Juliette Harrisson's blog based on her research has had an impact on wider society:
Research 2005-12 has opened up new perspectives on Herakles-Hercules, tracing links between the ancient hero and his post-classical incarnations, and laying the foundations for further study of Hercules' long-lasting cross-cultural significance. The impact has three strands:
Professor Maria Wyke's research on representations of classical antiquity on film has had significant influence on public access to and understanding of antiquity in silent cinema, both nationally and internationally, through a series of public screenings, film festivals and broadcasts. Her research has influenced the curation, restoration and exhibition of such films by national archives (such as the British Film Institute) as part of the cultural heritage of Europe and the USA. It has also led to the development of `antiquity on film' as an established course in universities in the UK, the USA and Australia.
Public understanding of the classical world has been informed and enhanced through new editions of the prestigious and internationally acclaimed Oxford Classical Dictionary (OCD) and its spin-off publications. These key reference items, which have sold in high numbers and been translated into several languages, are available in specialist, university, college and public libraries worldwide, thereby benefitting a wide range of users, including the general public, students, school pupils, and fellow professionals.
IMAGINES is an interdisciplinary project and research group exploring the influence and impact of antiquity on modern cultures. The project addresses the reception of antiquity in film, theatre, dance, opera, sculpture, architecture, painting, graphic novels, design and photography and other forms of visual culture. The project has sought to make its work accessible to the public through a series of exhibitions and talks, while it has also sought to engage members of the creative and cultural industries such as art professionals in the fields of architecture, music, graphic novels, and the theatre.
Research by Irene Lemos and Robin Lane Fox on Euboean culture and its dissemination across the Mediterranean has provided cultural, pedagogical, and economic benefits to a range of users. Archaeological investigation by Lemos has contributed to a radical reconfiguring of views of the Iron Age of Greece and of links between Greece and the Near East. Lane Fox integrated this archaeological evidence with research into landscape and mythographic traditions in a monograph Travelling Heroes. The main beneficiaries of the research have been, internationally, readers of Lane Fox's book, viewers of the BBC television programme Greek Myths, and visitors to exhibitions in Athens and Switzerland; within Greece, the people of the village of Lefkandi; and in the UK, the BBC, which has gained revenue from the sale of the TV programme to other broadcasting corporations.
Durham University research on Homeric epic has had four main forms of impact:
A. Broader and better informed public appreciation of Homeric poetry, established through collaborations with publishers, museums, and the media.
B. Enhanced learning and teaching of Homeric epic in secondary and tertiary education. This has been achieved through publications and collaborations with schools, teacher associations, private education and teacher-training providers.
C. Homer in the local community: in collaboration with community arts companies, and not-for-profit associations for cultural regeneration, Homeric research has reached new audiences.
D. Improved understanding, treatment and prevention of Post-Traumatic Stress Disorder, through a close collaboration with a clinical psychiatrist and leading international authority on the condition.