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In the fast changing era of digital technology this cluster's research impacts upon audiences locally and internationally. Through experimental films and videos, interactive media and performances its outputs engage and challenges audiences in cinemas, galleries and on the worldwide web. As well as galvanizing public consciousness on climate change (Franny Armstrong) and engendering greater understanding of synaesthesia (Sam Moore), a significant dimension to the impact focuses upon the transition from analogue to digital technology. While the moving image and performance work (Guy Sherwin and Paul Harrison) also expands the boundaries of moving image technology in the spatialised context of galleries.