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From strains within a single carbon fibre to deflections in a bridge, dam or railway line, accurate measurement is vital to industry and public infrastructure. In many engineering contexts, traditional approaches to measurement are inadequate or involve unacceptable costs and delays. These shortcomings have been addressed by the University of Bristol's research into high-precision, video-based metrology and its application through Imetrum, a spin-out company. Imetrum was founded in 2003 and launched its first product - the Video Gauge - in 2007. In the area of mechanical testing, the company has brought the first video-based extensometry system that can be supplied calibrated to international standards to market. For structural monitoring and safety inspections, deformation measurements are usually required. The Imetrum system is being used to precisely measure such deformations in rail bridges and other vital parts of the infrastructure without costly and inconvenient interruptions to their operation. Imetrum has approximately doubled its turnover each year since 2007. [text removed for publication].
The primary impact of the research in the exhibition and the catalogue entitled The Bruce Lacey Experience is the Tate's commitment to acquiring additional pieces of Lacey's work (the gallery presently owns two works) and to purchase Lacey's archive. The exhibition that David Mellor curated at the Camden Arts Centre (CAC) jointly with Jeremy Deller also directly affected contemporary art curators and the public by influencing outputs on Lacey in film: both the film of the artist made by Deller, and Lacey's own films, released as a DVD set through the British Film Institute (BFI) in conjunction with the exhibition.