Globalization and Culture
Submitting Institution
Nottingham Trent UniversityUnit of Assessment
Communication, Cultural and Media Studies, Library and Information Management Summary Impact Type
SocietalResearch Subject Area(s)
Studies In Human Society: Sociology
Language, Communication and Culture: Cultural Studies
Summary of the impact
Professor John Tomlinson produces world-leading research on the cultural
dimensions of the globalization process. His research findings influence
policy at an international level, shape professional and public
understanding of the consequences of globalization and encourage public
debate about international cooperation. Tomlinson has acted as a
consultant to national and international bodies including UNESCO and the
BBVA Foundation (Banco Bilbao Vizcaya Argentaria) in Madrid, influencing
their thinking, policies and practices. He has shaped cultural
practitioners' understanding of the cultural consequences of globalization
through presentations to cultural bodies such as Impakt Arts Festival
Utrecht and the Royal Institute of British Architects (RIBA).
Underpinning research
Tomlinson has conducted work on the cultural dimensions of globalization
at Nottingham Trent University since1996. The first major outcome was the
publication of the influential Globalization and Culture (Polity
Press, 1999). This was the first study to attempt to interpret the
cultural dimensions — as distinct from the economic, technological and
political dimensions — of the globalization process. Situating itself
theoretically at the interface between sociology and cultural analysis,
the book (and the body of work which followed) analyses and interprets
both the impact of globalization in the sphere of culture, and the role of
culture in the constitution of the dynamics of globalization itself.
The focus of this case study is on three main areas. In each of these
areas the research has broad relevance for a range of end users in the
cultural and political spheres.
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Emergence of globalized culture. Tomlinson's research
aims to understand the emergence and trajectory of globalized culture
which, whilst giving due weight to the specificity of the cultural,
nonetheless insists on its complex entanglement with economic,
technological and political factors. In particular, Tomlinson interprets
globalized cultural production and experience as outcomes of, on the one
hand, the time-space transformations of social and cultural modernity
and, on the other hand, of the dynamics of contemporary capitalism. His
work is informed by a focus on the intersection of cultural modernity
and the global capitalist economy. As a result, he interprets culture as
everyday practice and lived experience framed within an analysis of
global and national institutional processes. One significant implication
of this has been a re-interpretation of theories of cultural imperialism
in terms of a more complex process of the deterritorialization of
culture, significantly inflected by the commodification of cultural
experience deriving from capitalism.
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Nature & prospects of cultural identities.
Tomlinson's research explores how cultural identities are constituted in
globalized societies. In particular, he explores this in relation to
debates over the agenda of cultural diversity, and the nature and
prospects for cultural cosmopolitanism. His analysis views cultural
identities as essentially plural subject positions that are generated,
rather than threatened, by the dynamics of global modernity so that
cosmopolitan forms of identity co-exist with national and ethnic ones.
These insights have been developed in consultation work for
international public sector institutions such as UNESCO.
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Communications & Media. Tomlinson has examined the
key role of communications and media technologies in the
deterritorialization of cultural experience. This work has developed in
recent years in two directions. Firstly, it explores the role of
contemporary media and communication practices in the organization of
people's experience of their locality and its relation to distant events
and processes. Secondly, it analyzes the role of media technologies in
the constitution of cultural `immediacy'.
References to the research
John Tomlinson (1999) Globalization and Culture, Cambridge:
Polity.
John Tomlinson (2002) `Interests and Identities in Cosmopolitan
Politics', in S. Vertovec and R. Cohen, eds, Conceiving Cosmopolitanism. Oxford: Oxford University
Press: p. 240-53.
s
John Tomlinson (2003), The Agenda of Globalization, New Formations,
50: 10-21.
John Tomlinson (2007) Globalization and Cultural Analysis, in D. Held and
A. McGrew, eds, Globalization Theory: Approaches and Controversies.
Cambridge: Polity, pp. 148-68.
John Tomlinson (2007) The Culture of Speed. London: Sage.
This work had a significant presence in earlier RAE submissions and work
in the field of globalization was judged to be world-leading in the 2008
RAE. His reputation for world-leading research is also corroborated by
citation data: for example, Globalization and Culture has over 1900
citations on Google Scholar. The same book has been reprinted 6 times
(1999, 2000, 2001, 2002, 2003 and 2005). It has also been translated into
numerous languages: Japanese Translation: Seidosha, 2000; Chinese
Translation (complex character): Weber Publications, Taipei, 2000; Korean
Translation: Nanam Publication House 2000; Italian translation:
Giangiacomo Feltrinelli 2000; Spanish translation, Oxford University Press
Mexico 2001; Chinese Simplified Character, Nanjing University Press, 2000
; Farsi Translation, Cultural Research Bureau, Tehran, 2003; Turkish
Translation: Ayrinti Yayinlari,;Lithuanian translation: Leidykla "Mintis"
Vilnius; Romanian translation: Editora Amacord, 2004; Arabic Translation,
Kuwait Cultural Bureau, 2008.
Details of the impact
Because Tomlinson's research generated interest beyond the academy, he
was invited to give many public talks and to offer expert presentations
and consultations to high-level international bodies. In this way, he
provided conceptual and contextual analysis of cultural policy related
issues to inform the thinking and decision-making of international bodies.
This has included keynote addresses to the Council of Europe (Budapest
2003; Strasbourg 2005), an `expert presentation' on cultural respect and
understanding to the Commonwealth Civil Society Consultations Meeting and
a submission to the `Commonwealth Commission on Respect and Understanding'
which reported to the Commonwealth Heads of Government Meeting in Kampala
(2007). From 2008, these impact activities have continued.
Influence on UNESCO policy-making. The most significant
impact stems from Tomlinson's 10,000 word expert briefing document for
UNESCO in 2008 on the theme of `Cultural globalization and the
representation of otherness through the Media' for use in the preparation
of the second UNESCO World Report (1). This paper informed UNESCO's World
Report: Investing in Cultural Diversity and Intercultural Dialogue (2010).
Tomlinson's research underpinned conclusions drawn by UNESCO on cultural
diversity in a changing media landscape in Chapter 5 (Communication and
Cultural Contexts) and informed UNESCO's recommendations on supporting the
production and distribution of media that respond to the needs of local
contexts (2). In particular, he influenced the way in which the report
addressed the relation between globalization and cultural diversity by
directing attention to the process of `deterritorialization' (a concept
that was at the heart of Tomlinson's Globalization and Culture).
An example of this direct influence can be found in Section 1.1 (p. 14) of
the UNESCO Report where it states that `One of the most far-reaching
effects of globalization is a weakening of the usual connection between a
cultural event and its geographical location as a result of the
dematerialization or deterritorialization process facilitated by
information and communication technologies (Tomlinson, 2007). Likewise, in
Chapter 5, there is clear evidence of Tomlinson's influence in the
discussion of `Counter flows, local and regional trends' (p. 133 ff.) and
`A changing media landscape' (p. 135 ff.) These particular recommendations
continue to feed into UNESCO's sectoral priorities and policies (3).
Facilitating responsible corporate action. The BBVA (Banco
Bilbao Vizcaya Argentaria) Foundation, Madrid invited Tomlinson as one of
`the finest researchers and creators worldwide' to write a chapter on
`Cultural Globalization Reconsidered' for a book The Multiple Faces of
Globalization (2009) as part of the Foundation's `Frontiers of
Knowledge Programme' (4). The BBVA Foundation is one of the world's
largest corporate sponsors of research as, `the most effective means to
address the challenges facing contemporary society'. The findings of
contributors to the book have been used by the Foundation to produce
strategies for responsible corporate action to meet the demands of a
globalized world.
Encouraging international cooperation in development.
Tomlinson was commissioned to write an article — "Supermarkt der
Weltdeutungen: Der Austausch zwischen den Kulturen wirkt zugleich
befreiend und verunsichernd' (Supermarket of Interpretations about the
World: Cultural Exchange as Liberation and Uncertainty) — for the German
magazine Welt-Sichten (World View). This new magazine for global
development and ecumenical cooperation is published by a coalition of
church-based charities in Germany and Switzerland (5). A revised version
of the article was published in the 256 page Eine Welt Taschenkalender
(2012) published by Volker Harms Ltd, a diary-calender that aims to engage
the public and provoke discussion (6). These publications are further
evidence of Tomlinson's impact on public debate and understanding.
Promoting global artistic expression. The other
dimension of impact made during the review period is in relation to
cultural/arts bodies. Tomlinson delivered a keynote lecture on
`Accelerated Living' at the Impakt Arts Festival Conference on Accelerated
Living in Utrecht (2009). The impact was in providing an analytical
framework within which artists from across Europe could reflect on their
practices in the context of the cultural condition of global immediacy. In
a paper on `Architecture, Globalization, Locality' to the Royal Institute
of British Architects Research Symposium 2011, Tomlinson offered a
cultural-analytical case study which provided opportunities for architects
to reflect on the cultural impact of their professional practice in the
context of the globalization process. A paper on Globalization and
Acceleration in Nottingham Contemporary Gallery's Uneven Geographies
Lecture Series (May 26 2010) provided members of the local community with
a cultural-analytical narrative within which to interpret the artworks in
a major international exhibition.
Sources to corroborate the impact
(1) Evidence of the work commissioned by UNESCO can be found here:
http://www.unesco.org/new/en/culture/resources/report/the-unesco-world-report-on-cultural-diversity/background-activities-in-preparation-of-the-world-report-on-cultural-diversity/
(2) UNESCO (2010) UNESCO World Report: Investing in Cultural
Diversity and Intercultural Dialogue. UNESCO Publishing. See, in
particular, p. 129-159 and Recommendations on p. 257.
(3) See UNESCO's Sectoral Priority 1 for Culture, clause xiii:
http://www.unesco.org/new/en/culture/about-us/how-we-work/programme/
(4) Information about the aims behind this BBVA report and the report
itself (complete with Tomlinson's chapter and the BBVA's outline of how
its own strategies are informed by the findings of the report) can be
found here: http://www.bbvaopenmind.com/book/en/25/the-multiple-faces-of-globalization/
(5) Supermarkt der Weltdeutungen: Der Austausch zwischen den Kulturen
wirkt zugleicbefreiend und verunsichernd' in Welt-Sichten, 10-2011
Oktober, pp. 13-18. (ISSN 1865-7966 "Welt-Sichten").
(6) Information about the range of calendars and the Eine Welt 2012
calendar can be found here:
http://www.harms-verlag.de/kalender/index.htm.