Driving Participation in Ulster Poetry: the Ulster Poetry Project
Submitting Institution
University of UlsterUnit of Assessment
English Language and LiteratureSummary Impact Type
CulturalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies, Literary Studies
History and Archaeology: Historical Studies
Summary of the impact
This project is dedicated to the study of Ulster poetry, and focuses on
enhancing knowledge of vernacular literature. It researches and utilises
literary archives across the region to look at identity and cultural
diversity within Northern Ireland. The core impact lies in:
- increasing awareness of and participation in the literary, linguistic
and cultural traditions of Northern Ireland;
- interpreting this literature for audiences external to academia;
- facilitating contact with this literature in order to allow people to
appreciate connecting with voices from the past;
- and, recalibrating literary knowledge with significant impact on
education, policy makers, creative media and the general public.
Underpinning research
Ferguson researches the vernacular literary traditions of Ireland
and Scotland and their contribution to personal, local, regional and
national identities. He joined Ulster in 2005 and published the ground
breaking Ulster-Scots Writing, An Anthology in 2008. His
work is driven by contemporary examinations of UK and Irish national and
regional identities, as well as questions raised about the archival
materials pertaining to this literature and their impact upon contemporary
discourse on literature, culture, and identity. Within the university, Ferguson's
work is instrumental in sustaining a long tradition of research excellence
in the field of Irish and Scottish Studies, and has been recognised by his
appointment as executive Director of the CISS. Since his appointment as a
full-time lecturer the University has recognised the significance of his
work, by appointing White, a second Ulster-Scots Literature
lecturer in 2013.
Ferguson has extensive publications on Ulster poetry, literary
studies, and book history and has edited/ written a number of
internationally recognised books and articles on Ulster writing, Ulster-
Scots literature, Scottish culture, literary history, and poetry. This
includes an important exploration of Robert Burns' influence outside
Scotland, Revising Robert Burns and Ulster (Four Courts Press,
2009). Ferguson has also contributed two significant chapters for the Oxford
History of the Irish Book (Volume IV) on Ulster-Scots literature and
the industrialisation of the Irish book, both of which prominently place
Ulster-Scots literature within the wider subject area of
nineteenth-century book history. His academic research attracts
considerable attention locally, nationally, and internationally. As a
consequence of this he and White have developed a series of
projects which have brought significant amounts of internal and external
funding. In 2010, he project managed and created a digitisation programme
and talks series that were designed to create an online library and raise
awareness of John Hewitt and his library. The Hewitt Library contains
approximately 5000 books, as well as his own poetry manuscripts (3000
poems) and a significant collection of manuscript material. It is one of
the major collections of a Northern Irish poet's work in public hands in
Ireland, and is managed by the University of Ulster on behalf of the John
Hewitt estate.
This has led to the creation of the Ulster Poetry Project which balances
research into literature and book history with digital humanities and
public outreach. This was officially instigated through funding from
Ulster's Office of Innovation (£11,000), with further seed funding from
the AHRI in 2010 (£2000), as well as three separate external awards from
the Ministerial Advisory Group for an Ulster-Scots Academy (DCAL) in 2011,
2012 and 2013 (£435,603). Ferguson and White are now
developing a significant digitisation programme and curriculum materials
for NI Schools and the general public.
Other projects include a National Heritage Lottery grant to create an
exhibition and outreach project on the cultural heritage of John Hewitt
(£61,000), which is touring museums and libraries across Northern Ireland;
and a £24,000 grant from the Ulster Scots Agency to curate a multi-
location exhibition of John Hewitt's links to the Ulster-Scots literary
tradition.
References to the research
The high quality of these outputs is evidenced by their placement with
major international publishers such as OUP and Four Courts.
1. Frank Ferguson, ed. Ulster-Scots Writing: An Anthology.
Dublin. 527 pp. (Four Courts, Dublin 2008). ISBN-13: 978-1846820748
2. Frank Ferguson, `Ulster-Scots Literature' in Oxford History of the
Irish Book, vol. IV, ed. James H. Murphy (Oxford: Oxford University
Press, 2011), pp. 420-431. ISBN-13: 978-0198187318
3. Frank Ferguson, `The Industrialisation of the Irish Book' in Oxford
History of the Irish Book, vol. IV, ed. James H. Murphy (Oxford:
Oxford University Press, 2011), pp. 9-26. ISBN-13: 978-0198187318
4. Frank Ferguson and Andrew Holmes, eds. Revising Robert Burns and
Ulster: literature, religion and politics, c.1770-1920. (Four
Courts, Dublin, 2009). ISBN-13: 978-1846821974
5. Frank Ferguson, `Ulster-Scots Revival or Ullans Twilight?' in Language
Issues: Ireland, France and Spain, eds. Wesley Hutchinson and Cliona
Ní Ríordáin (Bern: Peter Lang, 2010), pp. 43-58. ISBN-13: 978-9052016498
Details of the impact
Preserving, Conserving, And Presenting Cultural Heritage
The development of an online library of approximately 30 books has
established one of the most substantial, free to access texts for Ulster
Poetry in the world (http://www.arts.ulster.ac.uk/ulsterpoetry/
and http://www.arts.ulster.ac.uk/ulsterscotspoetry/index.html).
These texts form a corpus which has multiple applications for the general
reader, for schools, for cultural tourism, language planning, for local
and national media and cultural institutions, as well as academic users.
Informing And Influencing Policy
Ferguson has acted as a consultant with the Ministerial Advisory
Committee for an Ulster-Scots Academy (MAGUS/DCAL), the Minister for the
Department of Culture, Arts and Leisure in Northern Ireland (DCAL), and
other public and private organisations in NI. His work has improved public
understanding of Ulster literature, and contributed to on-going debates on
Irish and Scottish cultural, linguistic and literary identity. Ferguson's
academic focus on Ulster writing is particularly relevant to contemporary
concerns about national identity and the place of vernacular language
within the public sphere. He contributes significantly to debates on
Ulster literature and history in Northern Ireland and the Republic of
Ireland, which are particularly pertinent within the post Good Friday
framework where Ulster-Scots identities have been given much attention.
[See section 5, sources 2, 5 and 9]
Influencing Design and Delivery of Curricula in Education beyond HE
Ferguson's work has assisted in the development of teaching and learning
materials on Ulster-Scots literature in schools and adult education in
Northern Ireland by providing students, teachers, and the general public,
with free to access versions of the texts that the project has collected
in conjunction with a school reader, and a literary encyclopaedia. It
makes a significant contribution to the updating of subject knowledge for
teachers, as well as the direct release of new material, fresh insights,
and interpretations into the non-HE educational sector. [See section 5,
sources 1, 5 and 7]
The project assists in the integration of Ulster-Scots literature within
the NI curriculum. It delivers talks in partnership with BBC Northern
Ireland and Libraries NI in venues across Northern Ireland. To date it has
carried out approximately twenty poetry and/or history workshops in 10
schools across Northern and talks and workshops in 20 libraries across
Northern Ireland. One teacher commented `the University of Ulster helped
Year 13 students explore the history, culture, and language of
Ulster-Scots poetry. Pupils found the experience very enjoyable and were
able to apply the knowledge gained from the workshop to their A-Level
English Literature poetry anthology' (See section 5, source 11).
Enrichment of Cultural Life in Northern Ireland
The Poetry Project curated the `Every Townland Earned its Name in Song:
John Hewitt's Ulster Scots Tradition' which was launched at The John
Hewitt Summer School in July 2012, and which ran in several museums,
libraries, and other public cultural spaces across Northern Ireland,
including: PRONI, the Marketplace Theatre (Armagh), Carnegie Library
(Bangor), public libraries in Ballymena, Omagh, and Enniskillen, and the
University of Ulster's Magee campus in Derry during the celebration of the
City of Culture award (2013). The exhibition is based upon Ferguson
and White's on-going research.
This year the project launched a new extensive exhibition based on the
life, work and legacy of John Hewitt as well as the publication of his
autobiography (co-edited by Ferguson and White) at the
John Hewitt Summer School. This is one of the major cultural events of the
year in Northern Ireland. The annual summer school is one of the most well
established and significant cultural and arts events in Northern Ireland,
and regularly attracts over 400 delegates per year, and boasts an
international audience and reputation. This guarantees maximum media
coverage for the project and demonstrated the ability of the project to
engage in top-level outreach and dissemination of its research to the
public, placing the project at the forefront of cultural endeavour in the
province. [See section 5, sources 1, 6 and 10]
Influencing Professional Creative Practice
Ferguson is a regular contributor to the BBC Northern Ireland and
consultant to television production companies, assisting them in the
development of programmes. A colleague from the BBC has commented: `the
research work undertaken as part of the John Hewitt online project is of
great value to on-going Ulster-Scots programmes within BBC Northern
Ireland. Some of our radio and web resources make reference to the
vernacular poetry of Ulster writers in the eighteenth and nineteenth
centuries, and the fact that the original texts are now available online
in an attractive and searchable format, adds significant value to our
programming' (BBC NI Ulster-Scots Director, 2012). Ferguson works closely
with the BBC in disseminating his research findings through media
recordings and online publications: http://www.bbc.co.uk/ulsterscots/library/category/meetthe-ulster-scots#category-frank-ferguson;
and
http://www.bbc.co.uk/programmes/p00y1rqb/episodes/guide. [See
section 5, sources 3, 4 and 8]
Sources to corroborate the impact
- Director, The John Hewitt Society
- CEO, The Ulster-Scots Agency
- Producer BBC Northern Ireland
- Double Band Films
- Heritage Officer, Belfast City Council
- Review of Ulster Poetry Project
http://clydesburn.blogspot.co.uk/2010/07/ulster-poetry-project-university-of.html
- School Website http://www.bangoracademy.org.uk/component/content/article/1-latest-news/481-poetic-licence-to-thrill
- Web programme commissioned by BBC http://www.bbc.co.uk/programmes/p00y4467
- Citation of project on DCAL website http://www.dcalni.gov.uk/index/language-cultural-diversity-r08/ulster-scots.htm
- Feature in Belfast Newsletter http://www.newsletter.co.uk/features/bringing-forgotten-poetry-to-life-1-3314090
- Email from Ashfield Girl's High School