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This case study describes the reception and impact of Patrick Crotty's Penguin Book of Irish Poetry (2010), an unprecedentedly capacious anthology drawn from many languages and seventeen centuries of poetic composition in Ireland. The anthology presents poems in modern English and Scots alongside verse translations from Middle English, Old French, Old, Middle, Classical and Modern Irish, Latin and Old Norse. Many of the book's specially commissioned translations are by internationally renowned poets. The study considers responses to the anthology terms of its high sales, wide range of reviews, coverage by news media, and engendering of public events.
The peace process in Northern Ireland and recent Anglo-Irish rapprochement has spurred fresh interest in new approaches to Irish history that venture beyond the traditional confines of nationalism. In a series of books, public lectures, essays and broadcasts over the last 20 years, Roy Foster has offered a distinctive perspective on the development of Irish history and identity, rejecting the idea of the uniqueness of Irish nationalism and showing how Irish and British culture and history have developed in dialogue with each other. Challenging inherited perceptions of Anglo-Irish exchanges, he has enhanced the quality of media representations and public discussion of Irish history, and improved public understanding of our shared past (and future).
Multiple, reinforcing impacts where Kelly and Ó Ciardha's research has been repeatedly utilised to develop the cultural presentation of Derry legacies in museums and events. Public policy impact exist in the authors' roles as historical advisors to Donegal County Council's €1m commemoration of the Flight of the Earls (1607-2007) and Derry City Council's winning of UK City of Culture (2013), which utilised the Ulster Plantation as an historical base. Their research changed professional practice among museum officials and teachers, and enhanced popular historical knowledge through outreach and media. It impacted creative practice via programme content and the economy via tourism.
The Seamus Heaney Centre for Poetry promotes the cultural economies of Ireland through its impact on education and tourism; it encourages the understanding and practice of creative writing both nationally and internationally; its research has been utilised by other artists, in exhibition and performance, and in acknowledged stylistic and aesthetic influence; it provides a cultural benefit to an extensive readership and to audiences worldwide, and, specifically, in the enhancement of cultural understanding both in and concerning Northern Ireland.
James Loughlin's peer-reviewed research on the British monarchy's role in Ireland formed the essential basis for Irish state broadcaster's, RTÉ's, account of Elizabeth II's historic visit to the Irish Republic in 2011. He was advisor to the programme-makers from inception and his work formed the spine of the resulting documentary, `The Queen and Us'. Loughlin's research fundamentally shaped how the programmers presented knowledge of the monarchy's standing in Ireland, both historically and contemporaneously, and influenced strongly their creative practice. Audience levels reached 400,000+, including the Queen and Duke of Edinburgh themselves. The work spread worldwide via the RTÉ player.
The Northern Ireland Place-Name Project was designed to have a range of public impacts since its inception and this case study focuses especially on the following three overlapping impacts: 1) It has enriched cultural life by recording, preserving and publishing free online the corpus of local place-names, and 2) has enhanced public understanding of aspects of language and history as preserved in these names. In particular, 3) it has impacted on civil society by creating space in which linguistic and cultural diversity can be encountered in an inclusive manner, and by illuminating the depth of connection between place and people across the range of historically diverse ethnic groups.
Ó Ciardha's underpinning research had a major impact on creative practice in the form of `Wolfland', a flag-ship, two-part Irish-language documentary considering Irish relations with the wolf. His research on outlaws fundamentally shaped the content and presentation of the films. He provided the historical, literary, folkloric background to Ireland's instinctive fascination with the wolf, a sense matched by viewing figures. Ó Ciardha's research for the documentary produced an original re-telling of the English/British re-conquest of Ireland through the character and place of the wolf. He was researcher, conceptualiser, advisor and narrator.
Unit members Hope historians have enhanced public understanding of modern Irish cultural and political history. Principally, this was achieved through the extensive media exposure of biographical monographs published by Bryce Evans and Sonja Tiernan. Tiernan and Evans gained thorough research exposure through several prominent arteries of the national broadcast and print media in the Republic of Ireland and Britain. Collectively, this impacted awareness of Irish women's labour, political and economic history, both regionally and nationally. Research was cited in current affairs discussion, public discussion, and media reviews by journalists and commentators. Research provoked public comment through national radio phone-ins, blog coverage, and reviews. Research also impacted amongst `hard to reach' groups, particularly women and the gay community. Moreover, the press coverage of works by Kelly and O'allaghan significantly impacted on the policy-making and culture-informed public in Ireland, as discussed below.
Dr Ian Bradley's research on the history and practice of pilgrimage in Scotland has had an impact on public understanding of cultural heritage, on the tourist industry, and on the development of new practices by local authorities, churches and the military. Dr Bradley has been commissioned to devise and lead pilgrimages in Scotland and beyond, which have yielded quantifiable economic benefits of over £250,000. His research has contributed to the conservation of cultural heritage through a range of consultancy work, with impacts including the establishment of the Scottish Pilgrim Routes Forum in 2012 and enhancements to the visitor experience at Iona Abbey. It is continuing to shape pilgrim route infrastructure development by national and local agencies, church groups and the army.
Research produced at Northumbria on migration to and from Britain in the nineteenth and twentieth centuries has enriched the presentation and understanding of cultural heritage and public discourse in the North East of England and in South Carolina. It has contributed to the creation of:
1) a permanent exhibit at the Discovery Museum in Newcastle
2) a series on Englishness at the Literary and Philosophical Society of Newcastle
3) an exhibition in Charleston, South Carolina that will become the first permanent digital exhibition in the Lowcountry Digital Archive
This research has shaped the cultural sector's historical understanding of the role played by migration on English and Irish identity and resulted in more durable collaborations between history at Northumbria and public history practitioners.