'I Am Breathing': raising awareness about, and lending a voice to, people with Motor Neurone Disease
Submitting Institution
University of EdinburghUnit of Assessment
Art and Design: History, Practice and TheorySummary Impact Type
SocietalResearch Subject Area(s)
Medical and Health Sciences: Neurosciences
Studies In Creative Arts and Writing: Film, Television and Digital Media
Language, Communication and Culture: Cultural Studies
Summary of the impact
I am Breathing, a feature-length documentary directed by Emma
Davie (ECA) and Morag McKinnon (unaffiliated) and released in 2012, builds
on experiments in co-creativity in film, and explores the ethics and the
aesthetics of making a film with, rather than about a man dying of Motor
Neurone Disease (MND). Neil Platt wanted to use the film to raise
awareness about MND, and since his death, I am Breathing has not
only been screened 242 times in thirty-four countries, but has been
distributed in concert with the MND Association, raising awareness about
the disease, contributing to increased sign-ups to the Association, and
lending people with MND a new public voice.
Underpinning research
Neil Platt had six months left to live when he asked Emma Davie (Reader,
ECA 2008-) and Morag McKinnon to film with him in 2008. Platt had been
diagnosed with Motor Neurone Disease; and as his condition deteriorated he
used a blog to lend himself online the articulacy he was losing in life
and, in addition, to raise awareness about MND.
I Am Breathing was, therefore, made `with' rather than about Neil
Platt. For Davie the film was an experiment in the ethical and aesthetic
issues of the relationship between subjects and objects in documentary
film. The questions this experiment was designed to address were:
- How can text, fiction and documentary combine to make filmic
narratives that empower their subjects?
- How can a documentary transcend its specific subject to convey
universal messages?
This experiment began with discussions between Platt, his family, and the
film crew about the ethical bases for the film during what would
necessarily be an intimate and exposing process. These discussions
subsequently informed the whole process, from filming to distribution.
The film concept was subjected to peer review and `pitched' to several
funders, receiving a total of £302k from Creative Scotland, Danish Film
Institute, Channel 4, Wellcome Trust, Motor Neurone Disease Association,
DR, the Danish Broadcasting Association YLE, The Finnish Broadcasting
Association and the UK Film Council.
Once filming with Platt and his family was complete, the editing process
was similarly driven by peer review. The Danish Editor Janus Billeskov
Jensen acted as mentor throughout the edit, and drafts were repeatedly
shown to collaborators from the Danish Film Institute. The questions they
asked challenged the development of the narrative approach. For example,
it became apparent that too many images of Platt's suffering were
alienating for audiences. By omitting them, and leaving more to the
imagination, the film's empathetic and universalising power was enhanced.
In addition, ethical questions about the role of the observer drove the
visual language and the narrative structure. For example, in order not
just to look `at' Neil but to attempt to engage 'with' him, Davie decided
to use his words from his blog as text throughout, so they drove the
story. Similarly, close-ups of Platt, and footage shot from his point of
view, were used to see through his eyes, and to feel from his body.
The film premiered at the IDFA Festival in Amsterdam in November 2012. At
this point, the second experimental phase of the research began, funded by
the Scottish Documentary Institute (SDI), and a NESTA Digital R&D fund
for Arts and Culture in Scotland Award. I am Breathing was
distributed using experimental techniques unusual for documentary film,
including:
Working with charities, notably the MND Association, so that the film
could enhance their own fundraising plans; and encouraging MND/ALS
associations worldwide to join in a screening day (21st June
2013).
Establishing a website, twitter account and a Facebook page in which
stakeholders in MND could share their reactions to the film after these
screenings.
Employing a Producer of Marketing and Distribution and Outreach Team to
engage unusual and locally-based hosts and venues for screenings.
Using innovative technology: a sharing platform Distrify, was
used to enable the film to be downloaded and screened, and a Customer
Relationship Management tool called Nationbuilder to engage
potential hosts and audiences for these screenings.
It is now possible to assess the impact of these experimental practices,
as outlined below.
References to the research
3.1 Film: Davie, Emma and McKinnon, Morag I am Breathing 2012
(REF2 Output submitted)
3.3 Pitch document (brochure): Davie, Emma and McKinnon, Morag I am
Breathing, available on request.
3.4 Q&A in London Open City Festival with Scientists Professor Chris
Shaw (Professor of Neurology and Neurogenetics at the Institute of
Psychiatry, King's College London), Vinod Nambisan (The Medical Ethics and
Law Unit team, UCL), Andy Pape (Member of South London Group of MND
Association), chaired by Jenny Horwell (DocHouse): https://vimeo.com/70121400
3.5 Application Document and award letter for funding from the Wellcome
Trust, available on request.
3.6 Davie, Emma An Irreducible Otherness: An Interview with Jean
Perret, DOX magazine 2009 (REF2 Output submitted)
Details of the impact
I am Breathing premiered at the International Documentary Film
Amsterdam Festival in November 2012, where it was nominated for Best
Documentary (5.5); and between that date and up to June 2013, it enjoyed
festival screenings in fourteen countries, winning the Best Documentary
Award at the River Run Festival in the USA, nominated The Best of Hot Docs
in Canada, and for Best Documentary at the Tempo Festival in Sweden.
I am Breathing has also received critical plaudits, praised as one
of the top ten films of 2012 by influential critic Tue Steen Müller of http://tinyurl.com/qyqpsxq (5.8).
Trevor Johnston of Sight and Sound (5.6) called it 'Genuinely powerful
film-making...an intimate portrait of heartbreaking courage — a haunting
and inclusive encounter with...time, experience and mortality'. In
reference to the original intentions of the film, the Hollywood reporter
wrote:
As [Neil Platt] promises very early on, what we get is "a tale of fun
and laughs with a smattering of upset and devastation." The former gives
way to the latter only in the closing fifteen minutes or so, when the
deterioration in Neil's condition results in his being relocated from
his home to a hospice institution. His formidable powers of
communication are by this stage ebbing away in a manner that nearly all
viewers will find powerfully harrowing.
'Necessarily tough going, these sequences deliver what are in effect a
series of knockout punches that leave us dazedly counting our blessings.
But so firmly have Neil's particular wishes expressed — that he wants
the film to promote awareness of MND and encourage fund-raising into the
research of possible cures — that I am Breathing never feels in any way
intrusive or exploitative. (5.7)
But the impact of I am Breathing was never intended to be
confined to critical success. On MND Global Awareness Day in 21st
June 2013 the film was shown at 242 screenings in thirty-four countries
(5.2). Screenings were organised by people with MND, their relatives and
friends, film-makers, charity workers and activists. Screenings were held
in an old cinema in Kosovo, the Indian Medical Research Institute in Dehra
Dun, parish halls, a Taoist temple in Beijing, a nightclub in Tallinn, and
a taxi in the Home Counties.
The effects of this screening are partly documented on the I am
Breathing website (www.iambreathing.com) (5.1) (4,107 `likes' since
November 2012) via blog entries by hosts recording the event itself, their
motivations for holding it, or their reactions to the film (5.9). A
petition launched in June 2013 to screen the film in mainstream cinemas,
with a target of 1000 signatures, collected that many within three days,
and by July 2013 had collected 2300.
Scientists, medics and researchers working with MND reported changes in
the way they found themselves thinking about the disease. After the
screening at the Euan MacDonald Centre in Edinburgh, which is devoted to
research into the care and cure of MND, one viewer wrote: '...our students
spoke about the motivation it gave them with their studies and the pride
they felt knowing they were in some small way helping to find a cure.'
(5.9)
On 14 June 2013, Neil's wife, Louise Oswald was invited to talk about MND
on ITV's This Morning, bringing awareness of the issue to around
nine million viewers. (5.3)
Others who saw the film reported being moved to find new ways of raising
funds for MND research. `Tony' (MND fundraiser and host in the UK) wrote:
`Absolute silence after the film. It had an amazing effect and I have had
people come forward asking how they can help.' (5.9)
`Debra' (UK) recorded: `There was not a dry eye in the room after the
event. Many people came up to me to thank me for sharing the film with
them, and many have said they will help with other events that I do to
raise money for Motor Neurone Disease Association.' (5.9)
The MNDA has reported the following changes in behaviour. A Facebook post
on 21st June 2013 — MND Global Awareness Day — reached more than 68,000
people, an MNDA social media record; and their website received a 239%
increase in visitors, compared to June 2012. As a result, more than 1800
people signed the MNDA Charter in Awareness Month. (5.4)
Sally Light, Association Chief Executive said: 'It [the advertising of
the film] was a unique opportunity to reach out to thousands of people
with no previous knowledge of the disease...Thanks to the film, the
film-makers and, ultimately Neil and his family for sharing their story,
we have spread the word to many thousands of people during our Awareness
Month.' (5.4)
But particularly notable are the reactions of people with MND, who
recorded that the film had not only helped them to raise awareness about
their condition, but also, that being able to see and share Neil Platt's
experience had lent them a sense of empowerment and community that they
had previously lacked. Patrick O'Brien tweeted: `Thrilled & inspired
to see these films & heroes shining a light on #ALS / #MND.
@Legacy_film @breathingfilm. Beautiful! We r in this 2gether' (5.10) while
Siobhan Rock in Ottawa wrote: `We are thankful that Neil has shared his
personal journey so openly. It has inspired us. May it continue to inspire
others around the globe. It is our hope, that our story, along with Neil's
and others living with this horrible disease, generates the required
awareness leading to the appropriate funding, support and eventually a
cure.' (5.9)
Sources to corroborate the impact
Copies of these web page sources are available at
https://www.wiki.ed.ac.uk/display/REF2014REF3B/UoA+34
(5.1) Website pages describing screenings: http://tinyurl.com/kjmgbzm
(5.2) MNDA Awareness Month website, demonstrating collaboration with I
am Breathing
http://tinyurl.com/nejvtoo
(5.3) Site evidencing interview with Louise Oswald on ITV's This
Morning: http://tinyurl.com/qe5porb
(5.4) Contact details for the MNDA, provided separately, to corroborate
figures and impact of I Am Breathing on MNDA Awareness Month 2013
(5.5) IDFA website, recording plaudits for I am Breathing, http://tinyurl.com/k473hqn
(5.6) Trevor Johnston, review of I Am Breathing in Sight and
Sound, July 2013 on I Am Breathing website. http://www.iambreathingfilm.com/tags/reviews
(5.7) Review of I Am Breathing in Hollywood Reporter http://tinyurl.com/pehzkeo
(5.8) Tue Steen Muller review of I am Breathing on
http://tinyurl.com/qyqpsxq
(5.9) Blog posts about screenings of I am Breathing http://tinyurl.com/m97h131
(5.10) Tweet by Patrick O'Brien https://tinyurl.com/putfhsk