Sport, visual culture and museums
Submitting Institution
University of Central LancashireUnit of Assessment
Sport and Exercise Sciences, Leisure and TourismSummary Impact Type
CulturalResearch Subject Area(s)
Language, Communication and Culture: Cultural Studies
History and Archaeology: Curatorial and Related Studies, Historical Studies
Summary of the impact
Research undertaken by Hughson has impacted on the decision-making of two
museums, principally the National Football Museum (NFM) in England and the
National Sports Museum (NSM) in Australia. In the NFM, research has
informed the acquisition and display of items for the permanent collection
and temporary exhibition, led to an appointment as historical advisor to
the selection committee of the National Football Hall of Fame, and has
also supported the NFM's successful bid for `Designation' status with the
Arts Council. With regard to the NSM the research has informed the public
education dimension of a major exhibition on Olympic posters.
Underpinning research
Hughson's published research on the cultural history of sport, the
relationship between sport, art and design, and on the relationship
between sport and cultural policy and the implications for museums
underpins the impact being claimed within this case study. Five published
peer reviewed works contain this research; the bibliographical details are
set out in section 3 of this document. The first three of the listed items
are included within Hughson's four published items returned with REF 2014.
Hughson's research expertise on sport within art was established in the
monograph The Making of Sporting Cultures. In various chapters of
the book, the representation of sportive movement and symbolism from the
ancient to the modern - Myron's Discobolus to Dali's Cosmic
Athlete - is discussed. This demonstrated expertise has been
instrumental in Hughson giving advice to the NFM on the acquisition and
display of artwork (elaboration on actual impacts in regard to each piece
of published research is set out in section 4 below). Hughson has
published the first detailed art historical case study of the painting Any
Wintry Afternoon in England (1930) by C.R.W. Nevinson, highlighting
the painter's critical ambition for the regard of football within this
artwork. The research has directly informed the temporary acquisition and
display of this painting within the NFM. Hughson (with K. Moore) has
published detailed research on the cultural and historical significance of
the shirt worn by Diego Maradona in the 1986 FIFA World Cup semi-final
match between Argentina and England. The said shirt is an item held by the
NFM and the published research paper has impacted upon its display. One of
the chapters in Hughson's published monograph The Making of Sporting
Cultures, `The Modern City and the Making of Sport', included a
discussion of the NFM and its significance within a regional cultural
policy context. This chapter was informative to discussions about the
on-going location of the museum within the Northwest of England and the
subsequent decision taken in that regard. Another chapter in The
Making of Sporting Cultures titled `On Sporting Heroes' has further
established Hughson's expertise on identifying criteria on the basis of
which sports heroism is established. This research relates to Hughson's
appointment as an historical advisor to the selection panel for the
English Football Hall of Fame (administered by the NFM). During the REF
census period Hughson published two research papers on the cultural
significance of officially commissioned posters prepared for Olympic
Games' - one paper discussing the importance of the posters in
demonstrating the sport/art relationship invested in the modern Olympic
Games by Baron de Coubertin; the other presenting a dedicated case study
of the modernist poster for the 1956 Melbourne Olympic Games, designed by
Richard Beck. In combination this research had an impact upon the
exhibition of the history of Olympic posters held at the National Sport
Museum in Melbourne during 2012 when the XXX Olympiad was held in London.
References to the research
Hughson, J. `The Cultural Legacy of Olympic Posters', Sport in
Society, 13: 5, 2010, pp. 749-759.
Hughson, J. `Not just Any Wintry Afternoon in England: the
curious contribution of C.R.W.
Nevinson to `football art", International Journal of the History of
Sport, 28: 18, 2011, pp. 2670-2687.
Hughson, J. `An Invitation to `Modern' Melbourne: the Cultural
Significance of Richard Beck's Olympic Poster Design', Journal of
Design History, 25:3, 2012, pp. 268-284.
Hughson, J. The Making of Sporting Cultures, London: Routledge.
2012 published in paperback version, originally published in hardback
version 2009.
Hughson J. and Moore, K. "Hand of God', shirt of the man: the materiality
of Diego Maradona', Costume, 46: 2, 2012, pp. 212-225.
Selected research grant support
`Sport, Museums and Cultural Policy' A collaborative doctoral research
studentship located at UCLan in partnership with the Sports Heritage
Network, fully funded by the Arts and Humanities Research Council. John
Hughson was the principal applicant and the academic award recipient.
Approximate monetary value over 3 years, £70,000. The student appointed to
the project is Justine Reilly.
Details of the impact
As indicated in section 2 relevant impact relates to two national sport
museums in England and Australia, referred to by the respective
abbreviations NFM and NSM. Recognition of Hughson's research expertise in
regard to the connection between sport and art in the monograph The
Making of Sporting Cultures has resulted in an honorary consultancy
role with the NFM in regard to the acquisition and display of artworks. A
significant example is the sculpture Footballeur by Pablo Picasso,
acquired by the NFM on loan in October 2012 for temporary display over a
period of twelve months. Ahead of the NFM's relocation to the Urbis
Building in Manchester in July 2012, Hughson worked closely with the NFM
Director giving advice on which art and design items to prioritise for
display within relevant sections of the Museum. Hughson's research on
Nevinson's painting Any Wintry Afternoon in England (1930) was
instrumental in this artwork being sought by the NFM for a period of
temporary exhibition from October 2013. The painting, normally located in
the Manchester City Art Gallery, was released for public display to the
NFM for a period of one year. Upon the unveiling of the painting at the
NFM, on 23 October 2013, Hughson gave a welcoming public address, drawing
upon his research, to speak of the painting's cultural significance. The
display of this painting within the NFM serves an educative role by
bringing the painting to the attention of a section of the public that may
not otherwise see it in the more conventional location of an art gallery.
Hughson's research, with Kevin Moore, into the symbolic significance of
the football shirt worn by Diego Maradona during the controversial
semi-final match between Argentina and England at the 1986 FIFA World Cup
Finals in Mexico has informed the way in which the shirt is now displayed
within the NFM since its relocation to Manchester. The shirt, on permanent
loan to the NFM from its owner, former England player Steve Hodge, was
that worn by Maradona when he scored two of football's most famous goals,
commonly known as `the hand of God' and the `goal of the century'.
Developed in a way pertinent to a popular audience, the display signage
draws on the argument in the research regarding the `polysemantic' nature
of shirt, i.e. it is interpreted differently according to the cultural
positioning of the viewer. The aspects of Hughson's research pertaining to
clothing resulted in an invitation to guest edit and write the
introductory essay to a special issue of the academic journal Costume.
This, in turn, led to an invitation to join the advisory committee for the
NFM's touring exhibition `Strike a Pose: 50 Years of Football and
Fashion'. Two further aspects of Hughson's research within the monograph The
Making of Sporting Cultures have had an impact outcome in relation
to the NFM. His discussion in the book of the relevance and justification
of the NFM being located within the Northwest of England informed the
decision-making at the subsequent time when discussion was held regarding
the relocation of the Museum from Preston to Manchester - rather than
London. Hughson's research in The Making of Sporting Cultures in
regard to the identification of heroes within the history of sport has
underpinned his appointment by the NFM as a historian adviser to the
selection panel for the National Football Hall of Fame. The impact in this
regard involves Hughson's recommendations for players of the pre-WWII and
immediate post-war era for induction to the Hall of Fame being put to the
selection committee, made up of famous football players, for their final
deliberations on an annual basis. In September 2013 the NFM became the
only sport museum and collection to receive `Designation' status from the
Arts Council England. Hughson's active research engagement with the
Museum's collection was highlighted within the successful documentation
submitted in the application. Hughson's research on Olympic posters, as
outlined in section 2, had an impact benefit in regard to the Call to
the Games: Olympic Posters exhibition held at the NSM during the
time that London staged the Olympic Games in 2012. Hughson's research
impacted upon the way that school and public educational information was
prepared for the exhibition and during July/August 2012 Hughson visited
the NSM for a three week period as an honorary research consultant, during
which time he gave two public lectures on Olympic posters based on his
research and pertaining to the exhibition.
Sources to corroborate the impact
[CONTACT 1] Kevin Moore, Director, National Football Museum (England).
[CONTACT 2] David Pearson, Deputy Director, National Football Museum
(England).
[CONTACT 3] Margaret Birtley, Executive Manager of Heritage, Melbourne
Cricket Club (Australia).
[CONTACT 4] Jed Smith, Museums Manager, National Sport Museum/ Melbourne
Cricket Club (Australia).