Benefitting the residents of Methodist Homes for the Aged through Music Therapy
Submitting Institution
Anglia Ruskin UniversityUnit of Assessment
Music, Drama, Dance and Performing ArtsSummary Impact Type
SocietalResearch Subject Area(s)
Medical and Health Sciences: Public Health and Health Services
Psychology and Cognitive Sciences: Psychology
Studies In Creative Arts and Writing: Performing Arts and Creative Writing
Summary of the impact
Odell-Miller's music therapy work has benefitted residents and produced
demonstrable alterations in policy and the environment at Methodist Homes
for the Aged (MHA). MHA is a well-established care provider for older
people, delivering a range of high quality services to 16,000 individuals
across Britain. Since Odell-Miller's pioneering, controlled music therapy
trial in residential settings, focusing on live music interaction with
older people with dementia, MHA has changed its policy and care provision
to offer music therapy to 1,500 of its clients. MHA has also recruited
twelve qualified music therapists in the last five years to support this
policy change.
Underpinning research
The key research that initiated this work was undertaken by Odell-Miller,
Professor of Music Therapy and Director of the Music for Health Research
Centre (1994-current). This research (1995), the first systematic outcome
study in music therapy and dementia in the UK, investigated the use of
live interactive music therapy techniques, which were used for the first
time with people with dementia. Previous research had only advocated the
use of structured improvisation or composed music in these instances
(e.g., Bright's work (1972)). Where cognitive faculties are declining,
Odell-Miller's work showed that older people with dementia were more
engaged through music making than when undergoing reminiscence therapy, a
talking-based therapy. Outcomes from systematically measuring engagement
for eleven people over two sixteen-week periods, whilst having music
therapy and reminiscence therapy, and using observational methods of time
sampling, suggested that mean levels of engagement were higher during
music therapy than in reminiscence therapy. `Engagement' was measured in
six categories, including `eye direction', `use of musical instruments'
(in music therapy), `use of objects' (in reminiscence therapy), and
`smiling'.
Odell-Miller subsequently undertook a multi-disciplinary research case
study in an NHS community setting in collaboration with Professor Hodges
and the Cambridge University Cognition and Brain Sciences Unit. Through
single case study narrative research with a musician with dementia,
Odell-Miller (2002) showed the importance of a psychoanalytical
understanding of the work, using concepts, originally developed by
Odell-Miller, such as musical countertransference (2001). This enabled an
understanding of the patient's mind and actions during the music making
through the musical process. Further developing this relationship,
Odell-Miller discovered that rich communication could take place through
joint music making, when words are no longer available. In this single
case study medical staff and the patient's wife reported that the patient
was brighter and more relaxed following music therapy sessions at home.
Odell-Miller's sustained research, through clinical projects, family work,
case examples and research from subsequent collaborations, including
implementing the protocol in the training of music therapists, has
successfully demonstrated that this method is an effective way of
communicating for older people with dementia.
More recent joint research with MHA (Hsu and Odell-Miller 2012) carried
out a new clinical evaluation exploring the correlation between the
therapist's bodily expressions and the client's participation. This used
two evaluation tools, Dementia Care Mapping and Music Therapy
Microanalysis. Both involve quantitative documentation and data
analysis and, with results indicating promoted levels of the client's
well-being and a strong correlation between the therapist's spontaneous
movements and the client's communicative responses, resulted in increased
levels of participation. Consequently, the importance of incorporating
movements as part of the therapist's musical expression has been
identified and developed. Odell-Miller was collaborator for these research
projects, commissioned by the MHA and supported by the Lottery Fund. The
newly identified presentation techniques of the music therapist serve as a
strategy resource to enhance the client's participation in the day-to-day
practise of music therapy.
References to the research
Odell-Miller, H., (1995) Approaches to music therapy in psychiatry with
specific emphasis upon a research project with the elderly mentally ill.
In Wigram, T., B. Saperston, and R. West (eds.) The art and science of
music therapy: a handbook. Switzerland: Harwood Academic Press.
ISBN: 3•7l86-5634•5. PDF available from REF office at ARU on demandQuality
of research was monitored by the R & D unit of the Cambridge Regional
Health Authority, including a multi-disciplinary team. The research was
carried out in Fulbourn Hospital Cambridge, agreed by the Local Ethics
Research Committee at the time and quality was overseen by a steering
group in collaboration with Professor Leslie Bunt, then at City
University, London and the late Malcolm Adams, experienced researcher and
Clinical Psychologist, then in Cambridge Health Authority. This
publication was submitted by ARU to the 2001 RAE, the UoA gaining a 3b
rating.
Odell-Miller, H., (2001) `Music therapy and its relationship to
psychoanalysis' in Searle, Y and Streng, I. (eds.) Where Analysis
Meets the Arts (pp. 127-152). London: Karnac Books.
ISBN1-85575-184-4 Quality rated by academic editors and peer review of the
chapter and book. This publication was submitted to the 2008 RAE, where
85% of the UoA's submission gained ratings between 2*-4*. PDF available
from REF office at ARU on demand
Odell-Miller, H., (2002) `Musical narratives in music therapy treatment
for dementia' in Bunt, L. and S. Hoskyns, (eds.) The Handbook of Music
Therapy. London: Routledge. ISBN:
0-41515708-0 Quality rated by academic editors and peer review of the
chapter and book. This publication was submitted to the 2008 RAE, where
85% of the UoA's submission gained ratings between 2*-4*. PDF available
from REF office at ARU on demand
Hsu, M. and Odell-Miller (2012) To move or not to move: the
therapist's presentation techniques to encourage client's participation
in dementia care. Consultancy presentation to the University of
Bergen Music Therapy Research Unit and the Norwegian government (Dec.
2012). Powerpoint presentation available on request from ARU on demand
Details of the impact
Odell-Miller's findings and research outputs in the field of live music
interaction with older people with dementia resulted in:
a) Direct implementation, from 2008, of Odell-Miller's music therapy
method in MHA, by ARU graduate Hsu's research collaboration, reaching
1,500-clients across 40 care homes in Britain. Hsu was invited to present
the joint research at the MHA manager's conference and, as a result, was
employed in the first, full-time music therapy post in the MHA. Hsu
deployed a model of music therapy based on the music therapist's PGDip
training at Anglia Ruskin University and Odell-Miller's research in
dementia care (Odell-Miller, 1995). This can also be seen on The Royal
College of Psychiatrists' CPD website as an established method, further
demonstrating impact beyond our immediate HEI (5e).
b) Adoption and development of music therapy in the MHA practice was
demonstrated by the recruitment of twelve qualified music therapists
between 2009-2013, leadership of these developments being overseen by Hsu.
In 2009 a pilot evaluative music therapy study formed the basis of Hsu's
MA Music Therapy thesis at ARU. Results successfully helped MHA obtain Big
Lottery `Reaching Communities' fund, which enabled the further expansion
of music therapists to cover care homes, 49 homes in total receiving music
therapy, making a difference to over 2,000 older people's lives.
In November 2012, the English Community Care Association published Coming
alive with the sound of music on its website. This reports:
`The largest charitable care provider for older people in Britain, MHA
provides accommodation, care and support services to 16,000 older people
nationwide. Priding itself on innovation, it has long provided Music
Therapy from qualified professionals to people with dementia, free of
charge, watching them thrive as they find an alternative way of engaging
with the world and expressing themselves. Now the charity has commissioned
independent research, assisted by Professor Helen Odell-Miller of Anglia
Ruskin University, to test the hypothesis that Music Therapy can improve
quality of life for people with dementia. Helen Nairn, a manager in MHA
further commented, "We have seen some astonishing changes in our care
homes when people with dementia receive Music Therapy — they become so
much more responsive and joyful, and it seems to have a wonderful calming
effect on people who experience anxiety, as a lot of people with dementia
do'. The same report also comments: `Over 1500 people in MHA care homes
have been able to enjoy Music Therapy and the charity estimates that it
will spend £350,000 a year of its charitable income to support the
therapy.' (5a). In 2013, in a corroboration statement for this case study
(5g) the Group Director Operations for MHA writes `Odell-Miller's early
pioneering research with older people (Odell-Miller 1995) underpins the
approach delivered within our homes, using live interactive music therapy
methods to enable better communication, well- being and contentment for
our residents. Regular advice, consultation and project design in-put from
Professor Helen Odell-Miller on research projects we have carried out and
are currently undertaking in MHAhas contributed to our work environment
and quality of care.'
The MHA website refers to a recent prestigious award they received as the
Best Care Provider in Laing and Buisson's Independent Healthcare Awards
2012. Laing and Buisson, UK's leading healthcare intelligence provider
cited the establishing of music therapy in the homes as one of the main
reasons for the award (5d). Impact on their policy and practice is further
demonstrated by the commissioning of a dementia research project by MHA
and ARU, between 2010 and 2012. Later, in 2013, MHA funded a research
assistant for £25,000, held by ARU graduate Roz Pendrey, investigating the
impact of music therapy upon carers and those with dementia in reducing
Behavioural and Psychological Symptoms of Dementia (BPSD). Three MHA care
homes have now embarked on the five-month cluster randomised controlled
trial investigating the impact of music therapy on caring for people with
dementia, who have behavioural symptoms. The clinical trial is a joint
research project and a PhD study supervised by Odell-Miller. MHA funded
Hsu to do the PhD.
The impact of the research and its on-going value to older people is
demonstrated through international invitations to speak about the work.
The Norwegian government, in collaboration with The University of Bergen,
invited Odell-Miller and Hsu to advise on similar community-based care
homes and music therapy in November 2012, which will lead to further
international partnerships in the future. The impact is best summed up in
an article published on the MHA website, effectively demonstrating the
embedding of the music therapy service at MHA, not only in the music
therapy activities, but throughout the whole organisation:
`MHA's Dementia Care Home in Birmingham, have celebrated not only the
Home's recent refurbishment but also the impact music therapy has made on
all their lives by renaming its four wings: Symphony, Harmony, Melody and
Rhapsody. Now the plan is for MHA to employ a full team of therapists.
"It's very exciting," says Ming. "With a team we can discuss, plan and
develop our work across the UK.' (5c)
Sources to corroborate the impact
a) http://www.ecca.org.uk/?article_type=1480
Coming alive with the sound of music (2012) on the news site for
the English Community Care Association: This describes Odell-Miller's
influence on and collaboration with the Methodist Homes for the Aged.
b) Twyford, K. & Watson, T. (2008) Integrated teamwork: music
therapy as part of trans-disciplinary and collaborative approaches.
London: JKP. Several references in this clinical book are written by
clinicians working in older persons services, and demonstrating the impact
of Odell-Miller's 1995 research.
c)
http://www.mha.org.uk/getcomponent.aspx?c=Music Therapy.pdf
Example of music therapy implementation and the impact of the now
established method for people with dementia.
d)
http://www.mha.org.uk/getcomponent.aspx?c=BestCareProvider.pdf
Example and evidence of the establishing of music therapy services at MHA
being sited as a main reason for the award of Best Care Provider being
awarded to MHA in 2012.
e)
http://www.psychiatrycpd.co.uk/PDF/Music_Therapy_THN.pdf
Example of Odell-Miller's 1995 methodology now being part of established
CPD training for psychiatrists on the Royal College of Psychiatrist's
website
f) http://www.alzheimers.org.uk/site/scripts/news_article.php?newsID=99
Odell-Miller and Hsu's main research is now centred around verbal,
movement-orientated and musical expressions regulating residents'
emotional arousal levels during individual music therapy sessions, and
communicating how this is achieved to carers. Following the earlier impact
of Odell-Miller's collaborative work as music therapist in the television
documentary Malcolm and Barbara (1999), and still repeated
regularly, this describes the impact of dementia on a musician who was the
patient in Odell-Miller's 2002 case study research.
g) Corroboration statement from the Group Director, Operations, Methodist
Homes for the Aged