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New techniques developed from research into verbatim theatre have (1) helped families affected by child sexual abuse by a) giving them new ways of `working through' the trauma of their experiences and b) improving communication and dialogue with the relevant agencies of care; (2) developed in social work professionals, through new training methods, a greater understanding of a) sexual abuse and its impact on families and b) how to train social workers in this field; (3) been extended and adapted for student nurses, to facilitate new approaches to training, empathic engagement and reflective approaches to practice.
The impacts of the research include: a) promotion of self-esteem in transgendered youth; b) changing attitudes among school and college students and training teachers; c) modelling best practice in support organisations; d) shaping opinion in influential forums up to Parliamentary level. These impacts are planned, centrally coordinated and delivered by an infrastructure developed out of the research for this purpose: Gendered Intelligence (GI). Co-founded by researcher Catherine McNamara, GI is the leading organisation in its field, with impacts felt nation-wide, from Plymouth to East Anglia. The value of GI's impact has been recognised at governmental level by the Minister for Schools.
Ross Brown's research has been instrumental in shaping theatre sound into a specialist discipline in its own right. It has influenced the practices, organisation and status of sound within professional theatre. Constructing a dialogue with a potentially hostile theatre industry over two decades, Brown's central formulation of a `dramaturgy of sound' has changed the ways in which theatre professionals, independent artists, academics and specialist students think about and work with sound. In doing so it has helped make sound design a more central artistic consideration of theatre production and thus raised its profile in the industry.