Log in
This impact case study focuses on the ways in which original research on Anglo-Saxon textiles has contributed to the heritage industry and increased cultural understanding of early medieval life. Professor Gale Owen-Crocker's research impacts on the public's knowledge of the Anglo-Saxon world by engaging with non-professional historians, re-enactors, textile practitioners and creative writers through public lectures, consultancy work, collaborations with museums and living history organisations.
Direct cultural, historical, religious, creative and musical impact has been achieved through active participation of five distinct groups in a major practice-led research project (2009-2013): (i) 18 craftspeople and artists creating historically-informed artefacts; and (ii) clergy, (iii) singers, (iv) organists and (v) congregations participating in the enactment of medieval rituals (footfall over 2500). Impact over a longer period (2001-13) has been achieved through use of three reconstructed medieval organs in residencies (c.3-12 months) at cathedrals, churches and college chapels, with direct musical impact on early performance practice by choirs and organists. Wider indirect impact is ongoing through the main project websites.
Impact was achieved through two projects led by Dr Hardy. In December 2005 the Unit helped to establish the Folkestone People's History Centre (FPHC) to research the town's historical heritage. The enthusiastic engagement of individuals and groups in the Centre resulted in a Heritage Lottery Fund (HLF) supported project, `A Town Unearthed: Folkestone Before 1500' (ATU), running from December 2009-March 2013, which took over the work of the FPHC. Impact has centred on preserving, creating and interpreting cultural capital; engaging and developing local associations; creating new audiences; influencing policies towards heritage, and challenging assumptions about the history of Folkestone. The main beneficiaries have been adult learners; schools; local authorities, associations and groups; as well as national and international audiences.
The main aim of the Anglo-Norman Dictionary (AND) in impact terms is to provoke a revision of the understanding of the role of Anglo-Norman in the development of English and to demonstrate how the language (especially the vocabulary) of the incoming Normans impinged on and fed into English. The project and its freely-available online dictionary (www.anglo-norman.net) have attracted considerable attention from the educated lay public with interests in language history, genealogy, family names, aspects of language use in Britain in the Middle Ages, and social history.
Impact has been achieved by speaking to non-academic groups; contributing to audio and visual displays in museums; and by being interviewed by Radio 4; Trotter appeared as an expert in a National Geographic film on broadly related matters to do with medieval literature; and the AND has been awarded a prestigious French prize. The AHRC decided to feature the AND as a project on their website in autumn 2012, suggesting that it is perceived as beneficial to their own impact and publicity strategy.
Sites of medieval carved stones attract thousands of visitors per year to Scotland. Katherine Forsyth's research at Glasgow has led the redevelopment of some of the most important collections of stones open to the public, unlocking carvings never displayed before and transforming the visitor experience of these ancient cultural icons. Her research transformed Historic Scotland's current policy on the management of carved stones, which applies to around 1,800 monuments and has redesigned the visitor experience at Iona Abbey, which attracts 50,000 visitors per year.
The Wars of the Roses and Richard III remain engrossing and controversial after 500 years throughout the Anglophone world and beyond. Hicks and Holford have made a significant impact on public knowledge and understanding of the period's politics and society. Their publications, printed and online, are valuable resources for professional and amateur historians, students and the general public, nationally and internationally. Hicks' Anne Neville underpinned Philippa Gregory's novel, The Kingmaker's Daughter and hence the BBC series The White Queen. The website, blog and twitter, Mapping the Medieval Countryside, are making the inquisitions post mortem (IPMs) much more widely accessible and useful than hitherto.
Professor Bartlett has written and presented two television series on medieval subjects for the BBC: Inside the Medieval Mind (four one-hour episodes, BBC4, 2008) and The Normans (three one-hour episodes, BBC2, 2010). Already one of the world's leading medieval historians, he has taken his work to a much wider audience through these series. Impact in this case is primarily on cultural life, through the exposure of millions of viewers to a historical documentary about the Middle Ages. The BBC's estimate of their value is re-emphasized by the recent completion of a third series, The Plantagenets, to be screened in autumn 2013.
The medieval seals projects have enabled substantial non-academic audiences to engage more effectively with and appreciate more fully the cultural heritage of Britain. There is now a deeper understanding among schoolchildren and adult interest groups (e.g. local history societies) of the importance of seals in medieval culture and their role in establishing identities. The projects have also alerted heritage professionals to the significance of seals as a heritage asset, and developed their skills in preserving and presenting this undervalued resource. In attracting visitors to Wales and the Marches through exhibitions and outreach events the projects have delivered an economic return.
This case study builds upon co-director Professor Howard Williams' expertise in archaeologies of memory and mortuary archaeology through the archaeological fieldwork of Project Eliseg (hereafter PE). This project has transformed academic and popular understandings of a unique and striking ancient monument by: (i) creating a network of strategically designed outreach activities engaging the public with archaeological fieldwork at early medieval stone monuments, (ii) disseminating the research to a range of audiences via traditional and new media, and (iii) instigated strategies for the heritage management and conservation of an internationally important heritage site.
Bangor University's research into inscribed stones and stone sculpture in Wales c.AD400-1150 has impacted on the Welsh Government leading to the establishment of an `At Risk List' for early medieval stone monuments to aid better protection, changes in national records and changes in heritage management policies and practices. Publications in this field have also impacted on the cultural heritage of Wales through advice on monument interpretation to encourage wider audiences and tourism development, exhibitions and engagement with the media, benefitting audiences both in Wales and globally.