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In the years 1914-19, over 1,000 war plays, pageants and revues were submitted to the Lord Chamberlain's Office for licensing. Dr Andrew Maunder led a project that recovered these since-forgotten plays, introducing modern audiences to a largely unknown dimension of cultural life on the WWI Home Front through performances staged between 2011 and 2013. These allowed audiences to think well beyond the `war poets' and to reappraise their understanding of the war and its culture. School-age and adult audiences have come to understand that, if theatre is cut out of the picture, it is impossible to gain a full and accurate sense of WWI culture and its legacy.
Key questions face Western military establishments and governments concerning the likely form of future defence needs and, consequently, the size and shape of their armed forces. Following dashed hopes of a long-term `peace dividend' after the collapse of the USSR, came recognition that defence remained a fundamental concern, but that military needs might be manifested in different ways. The debate about a `war on terrorism' post-9/11 further intensified questions about the nature of future conflict. Through his research on strategy, and his guiding role in the Oxford "Changing Character of War" programme, Sir Hew Strachan, Chichele Professor of the History of War (since 2002), has made a major contribution to these debates and has helped to shape military policy making in the UK and the USA.
Professor Rebellato's research has been a significant factor in the revival of Terence Rattigan's reputation as a serious playwright, impacting on a wave of high-profile productions from 1998-2013. He has impacted on two groups of beneficiaries identified in the Department's Impact Strategy:
Over the last decade, understanding the character of war in Afghanistan has been of unparalleled importance to the British and U.S. armed forces and to their respective governments. Dr Rob Johnson, military historian and Director of The Oxford Changing Character of War Programme since 2012, has become a key participant in the process of preparing British officers serving in Afghanistan, and in developing senior commanders' understanding of the army's role in this conflict and the options for military transition. His book, articles, presentations and direct engagement in debate have been cited by military practitioners as a vital corrective to their thinking, and have done much to dispel stereotypical views and misunderstandings of Afghanistan and its past.
Elizabeth Kuti's writing has had an impact on the public's understanding of eighteenth-century literature by bringing an important part of the British heritage alive again for twenty-first century audiences. As an eighteenth-century scholar and a playwright, she works with what performance records tell us were unperformed, or rarely performed, dramas. She creatively restores these forgotten eighteenth-century plays, and has even completed an unfinished comedy from 1764. She also dramatises the lives and writings of well-known eighteenth-century public figures. To these ends, she has collaborated with the Theatre Royal in Bury St. Edmunds, the National Portrait Gallery, and the BBC. Her work has given the public an important opportunity to see rare eighteenth-century plays and to understand this period better through the historically-inspired drama she has written for the stage and radio.
Impact derived from Prof Maggie Andrews' research was through collaboration, since 2008, with the National Memorial Arboretum (NMA) in Staffordshire and, latterly, with archival and heritage organisations in Worcestershire and Staffordshire, to increase public involvement in practices of remembrance, memorialisation and commemoration and to enhance experience of them — both for those directly affected and for the general public. Andrews' collaboration with the NMA influenced development of the UK's first, national centre for remembrance during critical years of its evolution. Through assisting the NMA to envision and understand its role in the context of contemporary culture, her input informed the NMA's approach to supporting visitors' experience and framed and informed its developing approaches to visitor interpretation. Her collaboration with organisations in Staffordshire and Worcestershire supported development of approaches to forthcoming, national centenary commemoration of World War 1.
When Hand and Wilson commenced research into Grand-Guignol in the late 1990s, it was a neglected topic in academic studies and a largely forgotten or misunderstood form in both theatrical circles and the popular imagination. Hand and Wilson have unraveled the myths surrounding the Grand-Guignol to explain in unprecedented depth this unique phenomenon in popular theatre and horror culture. Hand and Wilson have had a major role in the renaissance of the form in academia and also in the professional theatre and media. Their research has enjoyed extensive media coverage and the plays the authors have published have been performed internationally.
Research findings on the lives and work of Edith Craig (1869-1947), lesbian theatre director and suffragette, and her mother, Ellen Terry (1847-1928), internationally celebrated Shakespearean actor have been shared with members of the public, family history researchers and members of Equity (the actors' union) through talks, a conference and documented use of the AHRC Ellen Terry and Edith Craig database (20,000 records). This online database has had a significant impact on the preservation and worldwide accessibility of one of the most significant theatre archives in the UK. It has assisted members of the public in genealogical research, raised awareness of women's enfranchisement, promoted citizenship and inspired public performance of original drama.
Work with veterans, diplomats, trauma specialists and journalists under the auspices of the International Consortium for the Study of Post-Conflict Reconciliation and Reconstruction (ICSPRR) has allowed Professor Bernard McGuirk's research to contribute to processes of reconstruction and reconciliation between Argentina and the UK. Dialogue between Argentinian and British war veterans from the 1982 conflict was facilitated for the first time and underpinned new understanding, beginning a process of healing. Through expert advice, McGuirk has influenced the thinking and approach to diplomacy of the Argentine Embassy in London and has influenced the way young diplomats in the Argentine Foreign Service in Buenos Aires are trained. His insights have informed broadcast and media content for two prominent journalists.
Laura Bradley's research on GDR theatre censorship (2006-) enabled the University of Edinburgh to stage The Stasi are Among Us at the Glasgow Film Festival (2011). This two-day event increased public understanding of East German culture, showing how artists participated in censorship and how it affected their working lives: 95% of the audience agreed that they had learned more about GDR culture and/or censorship. The event's success led the Glasgow Film Festival's Artistic Director to choose Germany as the country focus for the 2012 Festival. Bradley has collaborated with Theatre Found on events campaigning against present-day censorship in Belarus and Iran, using the recent East German experience to explore control mechanisms and show how they were abolished.