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Research on the historian Herodotus, the history of the Achaemenid Persian empire, and the complex relationship between Greek and Persian worlds in the Classical period has had an impact in two main ways:
The Archive of Performances of Greek and Roman Drama (APGRD) project approaches the understanding of Greek and Roman tragedies and comedies through gathering evidence about their performance and traces their evolving significance through the way they have been received in performance practice. The APGRD has had significant impact on theatrical performance through its lively interaction with practitioners in the theatre and other performing arts, which has expanded the repertoire of classical drama, and through the commissioning of new work. This research has provided significant cultural and pedagogical benefits through being presented in various public forums (radio, lectures, exhibitions) and through the creation of a searchable open-access online database of more than 11,000 productions from the Renaissance to the present.
The Cambridge Greek and Latin Classics Series is central to the University's commitment to the teaching and spread of knowledge of Greek and Latin at a time when these languages are under increasing pressure in schools and HEIs. Hardie, Hunter and Oakley are General Editors of a series of Greek and Latin texts with commentaries aimed at a broad public readership, from the higher levels of school onwards. This series, now numbering 94 volumes in print, has, through its international adoption in schools and colleges, greatly broadened the range of texts which are accessible at all levels and changed the way these texts are read and studied. The series has huge brand recognition as `the Green and Yellows' (or `Green and Golds' in the USA) and has had considerable economic impact within the book market.
Classical Receptions at the OU raises awareness of how Greek and Roman texts, ideas and material culture have been interpreted, used and reworked, particularly in society today. Our research provides cultural and arts practitioners around the world — translators, poets and actors — with the tools to interpret ancient texts in modern contexts. Much of our research is presented in open-access assets — website, journals, seminars, workshops, conferences — thus providing resources both nationally and internationally. Working with the creative industries and beyond, we also help the wider public to gain a fuller understanding of the place of the classical within the contemporary world.
Research 2005-12 has opened up new perspectives on Herakles-Hercules, tracing links between the ancient hero and his post-classical incarnations, and laying the foundations for further study of Hercules' long-lasting cross-cultural significance. The impact has three strands:
Papyrological research since 1993 by Oxford scholars has led to important new discoveries that have promoted increased public understanding and discussion of ancient literature and history. Research on documentary papyri has led to greater awareness of daily life in Oxyrhynchus, a Graeco-Roman provincial capital in central Egypt. The publication and translation of a new poem by Sappho has led to its inclusion in new translations of Sappho and ancient Greek lyric by leading publishers. Major Digital Humanities projects, Oxyrhynchus Online and Ancient Lives, have made the Oxyrhynchus papyri available to the public through the use of a web interface. Mass participation facilitated by the project has received wide publicity for increasing the engagement of the public with the methods and materials of scientific research. The website has had a major pedagogical impact through its use in schools.
Public understanding of the national past has been expanded by the creation, updating, and widespread use of the Oxford Dictionary of National Biography (ODNB). It is the most comprehensive biographical reference work in the English language and includes (in May 2013) biographies of 58,661 people over two millennia. The ODNB is the `national record' of those who have shaped the British past, and disseminates knowledge while also prompting and enhancing public debate. The Dictionary informs teaching and research in HEIs worldwide, and is used routinely by family and local historians, public librarians, archivists, museum and gallery curators, schools, broadcasters, and journalists. The wider cultural benefit of this fundamental research resource has been advanced by a programme of online public engagement.
Reappraisals of modern responses to antiquity by members of Liverpool's Receptions Research Group (Paul, Hobden and Harrison) from 2004 to 2013 have had impact upon the methods, perspectives, and practices of members of creative communities internationally. Our research thus enables new ways of thinking and forms of expression and benefits practitioners in terms of their personal and professional development.
Three separate examples are included in this case study:
(1) Film-makers: Analysis by Paul of the biopic Alexander (2004) led Hollywood director Oliver Stone to re-appraise his approach to the subject (2009) and thereby reflect upon his methods as cinematic story-teller.
(2) Media practitioners: Hobden's research into ancient world documentaries and the associated Documenting Antiquity workshop (2013) has created opportunities for British media professionals to explore and refine understanding of their own practice, thus contributing to their professional development.
(3) Theatre producers: Harrison's work on Herodotus and empire inspired Australian artist Alison Richards to reconceptualise how performance theatre might contribute to political conversations in `X marks the spot', a theatrical performance paper by the artist (performed in August 2010).
Diogenes, created solely by Peter Heslin, is a freely distributed, open-source programme which enables access to all the major databases of classical Greek and Latin texts that have been in public circulation since the mid 1980s. Diogenes has had a significant and lasting impact on the education and cultural life of many of its tens of thousands of users. Some of these are professional classicists, who utilize it for both research and teaching. But a much larger part of the user population consists of students and non-academic readers of ancient Greek and Latin. Diogenes makes available to them the whole corpus of classical literature in the original languages. It also provides integrated morphological tools and lexica to support the needs of both language learners and more advanced readers. Diogenes has also had a significant and enduring impact on the movement towards open access publishing of digital resources for classics worldwide.
Research carried out at the University of Exeter into the ancient religious traditions reflected in biblical texts has been at the centre of two major TV documentary series. Advised and, for one series, written and presented by the main researcher, Francesca Stavrakopoulou, the documentaries contributed to the content and delivery of public broadcasting and greatly extended public understanding of the evidence concerning foundational aspects of the Jewish and Christian faiths. These documentaries, each episode of which was seen by over 1.5 million viewers, became the subject of intense public debate, generating much discussion and response in both national and international media. Stavrakopoulou, dubbed "the BBC's new face of religion" by the Telegraph, also communicated the research in numerous other broadcasts and public events.