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Research undertaken in the School of English into the interrelations between memory, trauma, and narrative led to the `Storying Sheffield' project, which gives a voice to a diverse range of people, including long-term users of mental health services, people with physical disabilities, older people with degenerative conditions, migrants, and people in areas of socio-economic disadvantage. This has had significant socio-cultural impact for its participants, who have benefitted from an increased sense of well-being and belonging. There are also benefits for the wider community, through increasing understanding of these often marginalised sectors of society. In addition, the project has impacted on policy-making, through collaborations with Sheffield City Council, and emergency service providers, and on therapeutic training and practice, through collaborations with Rampton Hospital (a secure unit) and Sheffield Health and Social Care NHS Trust.
This case study describes impact derived from Fisher's practice-as-research, during which, through painting and printmaking, he sought to develop approaches to image making involving narrative structures, and formal and technical methods and procedures, that achieved `visual equivalents' of the nineteenth century `texts' of Schubert's Winterreise song cycle and poet John Clare's Journey from Essex (both narratives of walking). The outcomes of the research were publicly exhibited and discussed in a variety of contexts during the period under review, thereby contributing to public engagement with, and understanding of, contemporary art as well as to critical/professional discourses surrounding contemporary painting and printmaking. Secondary impact was derived from the introduction of Clare and Clare's poetry and Schubert's song cycle to many hundreds of people previously unfamiliar with them.